Wednesday, July 16, 2008

A Thousand Tarzans




Oh what a weekend; exasperating days, nights of debauched behaviour and drunken antics!
What it is to live by the seaside! As the visitors arrive looking for fun; they implode with excitement and go ever so, slightly mad!

As they escape from far-away, congested cities to the serene lands of tranquil countryside and beautiful golden beaches. Do they revel in these exquisite surroundings? No, their ebullience is reserved for the frequenting of bars and getting decidedly smashed!

They came, they consumed and became inebriated; they were narrow minded and very, very loud. The insecure, exhibitionist of questionable intelligence claimed to be of an 'international (of the club scene) pop singer' status; he was not able to go out much, due to the weekly social club appearances. So a weekend at the seaside turned into a very depraved affair. Unfortunately for us they were staying next door.

We heard all about his iconic eminence in club land, his popularity; his expertise; we chuckled at his constant need for reassurance, "I'm good aren't I?"; "I'm the best aren't I?" We heard all about his gym, his personal trainer 'Dan' and his belligerent pursuit to a fitter, better body; we heard all about how he has forsaken his beloved pint for vodka and Red Bull, because Dan had advised him that it has less calories!
We heard a lot!

We ventured into town for the pre-requisite pub crawl, they were indeed ready for action; loud and adulterated; they vied for attention; they mocked; they resounded; unabashed they were obstreperous and crude.
The 'international pop star' did not care for the locals (too scruffy!) or the band of musicians in our parochial pub; he criticised the singer's voice, the sound, the music. As he vociferates to all of his disdain for bands. "Too much noise!"

So we were forced to encroach on the tacky bright lights of the tourist's Mecca. To a sweaty, smoky milieu of thumping dance music and cheesy party tunes that filtrates the ears but not the soul. Sticky floors of spilt cheap lager cling to our feet and imprison in us in this empty, shallow place of drunken stag / hen parties, excited teenagers and the decamped weekenders.
Where gaggles of girls giggle and dance; evoking moods of silliness they wear costumes to attract, like peacocks their strut, displaying their tails. Intoxicated males stumble in clusters; clutching with addled impetuosity at any passing females; any piece of meat! A blow up doll surfs the crowd; floating gracefully like a feather above the herds of marauding stags. As they wrestle and jostle in their boozy camaraderie.

As we watch from the sidelines the 'international pop star' elicits his moves on the dance floor; thrusting his body to the music, drawing on his stage routine, sliding on his knee's ; provoking attention, high on adulation he basks in his glory.
Oh, how they were drunk on merriment and excessive alcohol; oh, how they laughed, danced, poked fun and rambled aimlessly.

When the night was called and we stumbled home in the wee hours laughing gleefully; with not a care in the world.
But how the mood can change so abruptly! When the liquor, drenched atmosphere can incense and inflame.
In the middle of the night; in the early hours of the morn, contentions ignited and an argument did rage; screaming, shouting, swearing, banging, for the whole neighbourhood to hear. We cringed in our beds, we struggled to sleep; we longed for the weekend to be over and the visitors to leave!

As quickly as they arrived, they departed, leaving a trail of carnage and bitterness in our hearts. Why travel so far to insensate the mind? Why dissipate the body in tacky bars and overpriced clubs? Call that a holiday, when they do the same at home? To live by the seaside, the party town; with it's summer haze of drunken revelry and boisterous larks. How we pine for the winter and a glorious, desolate town!

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i.e. vs. e.g.

Use i.e. , to re-name, restate, or to clarify, as in, "He fell out of the window, i.e., down." This is an abbreviated Latin term (id est) that roughly translates as, "which is to say..." or "meaning..."

Use e.g., to provide examples, as in, "He liked falling from heights, e.g., out of windows, from airplanes, off of ladders." This is an abbreviated Latin term (exempli gratia) that translates as "For example..."

[And don't forget the comma after either one.]

Data is plural

Example: "The data are complete; we conclude that falling is dangerous." [We hear data used as a singular noun so often that the mistake seems right, but it isn't.]

Like vs. Such as

Use like to show similarities, as in, "He was falling like a rotten tomato that missed the stage."

Use such as to provide examples, as in, "Everything falls at times, such as tomatoes and bodies from windows." [Not: "Everything falls at times, like tomatoes and bodies from windows." Another correct way to say this is "Everything falls at times, e.g., tomatoes and bodies from windows."]

Everyone is singular

Example: "Everyone needs to jump out of his window." [Not: "Everyone needs to jump out of their window." You could use "his or her" to be politically correct.]

Comprise vs. Compose

Comprise means to gather multiple parts into a single whole. A good synonym is assemble. For example, "The band comprised [assembled] many different players." [Not: "The band was comprised of many different players."] Here, you have a whole and are describing its parts.

Compose means to make a whole by putting together multiple parts. A good synonym is create. For example, "The band was composed [created] of many different players." Here, you have the parts and are showing how they are put together to make a whole.

The difference is subtle, but what you need to consider is whether you are emphasizing the whole (the band) or the parts (the members of the band).

Staff is not a person

Use staff to refer to the entire group of employees and colleagues, and it is singular (the plural is staffs). A good synonym is team. For example: "The staff [team] is upset with the pay raise."

Use staff person or staff member to refer to an individual person on the staff. So, you would write, "Six staff members are not coming to work today." This refers to the individual people. If you want to refer to the entire staff at once, you would write, "The staff is not coming to work today."

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The difference between the Basic, the Intermediate and the Advanced levels of dancing proficiency are defined by more than just their core curriculums. In the aviation world, for example, it is the difference between driving an airplane and flying one! A basic pilot can fly straight and level, climb, descend, and turn. An intermediate pilot can combine these basic "stick and rudder" airwork fundamentals with good airspeed control and make acceptable take offs and landings; however, only an advanced pilot can take full advantage of his airplane's capabilities by being able to fly it safely to the edge of its performance curve. Switching our focus now from the cockpit back to the dance floor, let's put the Basic, Intermediate and Advanced levels of swing dancing into their proper perspective by looking at them within the context of the four stages of awareness in the process of learning to dance.

1) UNCONSCIOUS INCOMPETENCE: At this first stage of awareness, a dancer has never given the subject of swing dancing any conscious thought. He has never been formally introduced to it and, although he may be quite adept at other styles of dancing like freestyle or Country and Western, for example, until he takes his first Basic level swing dance class, he is really at a stage of unawareness because he is simply unconscious of his incompetence.

2) CONSCIOUS INCOMPETENCE: At this second stage of awareness, the new male dancer or "leader," has been formally introduced to swing dancing at his club and he now fully appreciates its social and recreational potential. He has taken several Basic level classes but he realizes that his performance is marginal at best and that he needs to take many more swing dance classes and workshops to sharpen his skills. He is grateful for any helpful tips that might improve his dancing; for example, he may determine his lead hand by looking to see which thumb and forefinger form the letter "L." This is the awkward stage for the new swing dancer. His hand-leads are generally too strong and his body movements tend to be too stiff and mechanical to suit all but the least experienced of his female partners or "followers." At this point in his training, he is more prone to be repeatedly answering the question: "how long have you been dancing" rather than "where do you dance." All in all, the conscious incompetent clings to his patty-cake, the think-step pattern like a new western horseback rider clings to his saddle horn.

3) CONSCIOUS COMPETENCE: At this third stage of awareness, the male dancer has completed all of the Basic and Intermediate level classes offered by his club, and he is now an accomplished, well rehearsed dancer. He almost always executes his triple step footwork flawlessly in every direction to varying tempos of the music; he seldom misses that important "3 and 4" count of his footwork that often eludes less experienced dancers, and he has developed a gentle yet firm lead that guarantees him a willing partner for every dance. All in all, he has developed into a smooth dancer who confidently performs the different swing patterns that he has learned over the years. The conscious competent leader knows what he is doing!

4) UNCONSCIOUS COMPETENCE: At this final, fourth stage of awareness, the male dancer has achieved the highest level of proficiency where he has cultivated a signature style that transcends being well rehearsed; instead, he has become just as intimately familiar with each inherent part of the patterns that he has learned over the years, as he is with the overall patterns themselves. As an advanced dancer, he can intuitively "mix and match" the specific handwork and footwork elements of different patterns to create new patterns, and he has the versatility to frequently intersperse steps from other dance disciplines to physically embrace the beat of the music. His extensive knowledge of the dance, combined with his fluid lead authority enables him to maneuver his partner to the edge of her capabilities so that as a couple, they are able to consistently deliver award winning performances. Simply put, the unconscious competent is the dancer that the dancers enjoy watching!

TEACHABILITY INDEX: How quickly a new dancer progresses through these four stages of competence depends upon how "teachable" he or she is! All of us may compute our own Teachability Index (TI) which is the product of the following two variables that are rated on a scale of "1" (lowest) to "10" (highest): our Willingness To Learn (WTL) and our Willingness To Change (WTC). If our willingness to learn how to "dance centered," for example, is a 10, but our willingness to change our body positioning to accomplish this goal is just a "5," then our Teachability Index is only 50% (WTL x WTC = 50)! In other words, the maximum effort that we made in class to LEARN the correct way to "dance centered" is half wasted if we are not willing to CHANGE the way we lead our partner! Always remember that both learning and change are the inseparable, twin handmaidens of dance proficiency.

Copyright 2008 by Skip Culver, Certified Swing Dance Instructor. Member of the West Count Swing Dance Club and author of the manual: Imperial Swing Dancing - visit: http://www.ImperialSwing.com

Henry H. "Skip" Culver, Jr. is a member of the West County Swing Dance Club in St. Louis Missouri. He is a Gold Seal Instrument Flight Instructor and the author of the bestselling book on navigation titled: IFR 'Pocket Simulator' Procedures that was selected as the Main Selection of the Jeppesen Aviation Book Club. In 2000 Skip turned his attention from aviation towards the dance floor. He became a Certified Swing Dance Instructor in 2004, and then with over seven years of detailed notes from various classes and workshops in hand, he began assembling the Imperial Swing Dancing manual which he published in June of 2007. Skip is a frequent contributor of articles on swing dancing to different club newsletters throughout the United States.

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Rough Guide to World Music Volume Two: Latin and North America, the Caribbean, Asia & the Pacific (Rough Guide Music Guides)

Customer Review: Extraordinary: Overwhelmingly Wonderful
The research here is remarkable. The scholarship is first-rate, the information exhaustive (although never definitive since world music grows with leaps and bounds moment by moment). I love dipping into this attractively illustrated, logically organized, and utterly helpful guide to find whole realms of sound which I not only didn't know existed but also could not even have imagined existed without the help of these fine fans of the music about which they write so clearly and well. The world today is a depressing place. Sorrow is everywhere one turns. But this celebration of music continually energizes and revivifies. Buy it; enjoy it; and expand your CD collection.
Customer Review: Everything V. 1 was for Middle-East, African, & European ...
... this one is for Latin & North American, Caribbean, Indian, Asian/Pacific idioms. I picked up the original '94 edition to explore World Beat rhythms in improvisatory settings, and was excited to hear the new edition would cover two volumes. I am NOT displeased !!


Since the Indian land has known no end when it comes to the ethnicity and traditions that are prevalent here, one can certainly have an idea of the impact that culture has on the people even in spite of the western influence and modernization. Like the culture of the country, there are various forms as well of paintings in India which one will simply love to see and learn too.

Like other art forms which are used to express oneself, painting too is one form which has been used by the people to express. These may show depiction of historical times, cultural heritage of the country, other art forms like dance, gods, etc or even abstract emotions that are brought down on a canvas. Painting too has evolved since ancient times and today, there are various forms of paintings which can be seen in the country.

The earliest depiction of this art in the country is in the cave paintings that have their origin in prehistoric times. These are found in various places in the country and have helped us a lot to understand the ancestry and human race in a better way. Then there are other forms of paintings too, like the Kalighat paintings that have their origin in Kolkata. Bihar state too has its own style of painting which is known as the Madhubani or the Mithila painting. There are other paintings like Mural paintings which are done on a wall, Miniature paintings which are very small but require detailed working,

Mysore has the form after its name itself and the paintings are called Mysore paintings. Pahari paintings flourish in the sub-Himalayan region of the country. Rajput paintings have a place in the state of Rajasthan and Tanjore are native to the south Indian state of Tamil Nadu and are specific to Thanjavur.

All these different forms of paintings have evolved over different time periods, but all have one clear message. The message is of a rich cultural heritage of the country which is very well given out by the paintings in India.

Sonal Arya is offering advice for quite some time. Having completed her Ph.d in Archeology from The Jawaharlal Nehru University. She provide useful advice through her articles that have been found very useful. To find Paintings In India, temples in India, personalities in India, famous in India visit http://www.famousinindia.com/

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Gloria Estefan and Miami Sound Machine - Homecoming Concert

Customer Review: Homecoming Concert One More Time...
This is the concert where I fell in love with Gloria and the MSM. The music is classic and the performance brings me back to my happy teen years. I have played the video at least once/week for the last 15 years and it never fails to make me feel good. Gloria's outfits are very sexy and alot of fun to look at. From the thigh boots and tight body outfit it to the chaps wearing biker chick look she oozes Sex Appeal. Hoping some day it'll be on DVD and re-released as a Classic. Joanne
Customer Review: Excellente (y Caliente?)
This is a classic concert. And I agree that it should be released on DVD. "Words Get in the Way" performed accousticly with John and Jorge on guitars, "FANTASTIC". Or how about Gloria looking "Caliente" wearing jeans covered by some leather cowboy stuff. Next year I went to the concert in Rotterdam, but she didn't wear the outfit. Hahahha. Should have asked my money back. No, seriously. This tape is EXCELLENTE (Y CALIENTE?).


How many times have you turned to music to uplift you even further in happy times, or sought the comfort of music when melancholy strikes?

Music affects us all. But only in recent times have scientists sought to explain and quantify the way music impacts us at an emotional level. Researching the links between melody and the mind indicates that listening to and playing music actually can alter how our brains, and therefore our bodies, function.

It seems that the healing power of music, over body and spirit, is only just starting to be understood, even though music therapy is not new. For many years therapists have been advocating the use of music - both listening and study - for the reduction of anxiety and stress, the relief of pain. And music has also been recommended as an aid for positive change in mood and emotional states.

Michael DeBakey, who in 1966 became the first surgeon to successfully implant an artificial heart, is on record saying: "Creating and performing music promotes self-expression and provides self-gratification while giving pleasure to others. In medicine, increasing published reports demonstrate that music has a healing effect on patients."

Doctors now believe using music therapy in hospitals and nursing homes not only makes people feel better, but also makes them heal faster. And across the nation, medical experts are beginning to apply the new revelations about musics impact on the brain to treating patients.

In one study, researcher Michael Thaut and his team detailed how victims of stroke, cerebral palsy and Parkinson's disease who worked to music took bigger, more balanced strides than those whose therapy had no accompaniment.

Other researchers have found the sound of drums may influence how bodies work. Quoted in a 2001 article in USA Today, Suzanne Hasner, chairwoman of the music therapy department at Berklee College of Music in Boston, says even those with dementia or head injuries retain musical ability.

The article reported results of an experiment in which researchers from the Mind-Body Wellness Center in Meadville, Pa., tracked 111 cancer patients who played drums for 30 minutes a day. They found strengthened immune systems and increased levels of cancer-fighting cells in many of the patients.

"Deep in our long-term memory is this rehearsed music, Hasner says. It is processed in the emotional part of the brain, the amygdala. Heres where you remember the music played at your wedding, the music of your first love, that first dance. Such things can still be remembered even in people with progressive diseases. It can be a window, a way to reach them"

The American Music Therapy Organization claims music therapy may allow for "emotional intimacy with families and caregivers, relaxation for the entire family, and meaningful time spent together in a positive, creative way".

Scientists have been making progress in its exploration into why music should have this effect. In 2001 Dr. Anne Blood and Robert Zatorre of McGill University in Montreal, used positron emission tomography, or PET scans, to find out if particular brain structures were stimulated by music.

In their study, Blood and Zatorre asked 10 musicians, five men and five women, to choose stirring music. The subjects were then given PET scans as they listened to four types of audio stimuli - the selected music, other music, general noise or silence. Each sequence was repeated three times in random order.

Blood said when the subjects heard the music that gave them "chills," the PET scans detected activity in the portions of the brain that are also stimulated by food and sex.

Just why humans developed such a biologically based appreciation of music is still not clear. The appreciation of food and the drive for sex evolved to help the survival of the species, but "music did not develop strictly for survival purposes," Blood told Associated Press at the time.

She also believes that because music activates the parts of the brain that make us happy, this suggests it can benefit our physical and mental well being.

This is good news for patients undergoing surgical operations who experience anxiety in anticipation of those procedures.

Polish researcher, Zbigniew Kucharski, at the Medical Academy of Warsaw, studied the effect of acoustic therapy for fear management in dental patients. During the period from October 2001 to May 2002, 38 dental patients aged between 16 and 60 years were observed. The patients received variations of acoustic therapy, a practice where music is received via headphones and also vibrators.

Dr Kucharski discovered the negative feelings decreased five-fold for patients who received 30 minutes of acoustic therapy both before and after their dental procedure. For the group that heard and felt music only prior to the operation, the fearful feelings reduced by a factor of 1.6 only.

For the last group (the control), which received acoustic therapy only during the operation, there was no change in the degree of fear felt.

A 1992 study identified music listening and relaxation instruction as an effective way to reduce pain and anxiety in women undergoing painful gynecological procedures. And other studies have proved music can reduce other 'negative' human emotions like fear, distress and depression.

Sheri Robb and a team of researchers published a report in the Journal of Music Therapy in 1992, outlining their findings that music assisted relaxation procedures (music listening, deep breathing and other exercises) effectively reduced anxiety in pediatric surgical patients on a burn unit.

"Music," says Esther Mok in the AORN Journal in February 2003, "is an easily administered, non-threatening, non-invasive, and inexpensive tool to calm preoperative anxiety."

So far, according to the same report, researchers cannot be certain why music has a calming affect on many medical patients. One school of thought believes music may reduce stress because it can help patients to relax and also lower blood pressure. Another researcher claims music allows the body's vibrations to synchronize with the rhythms of those around it. For instance, if an anxious patient with a racing heartbeat listens to slow music, his heart rate will slow down and synchronize with the music's rhythm.

Such results are still something of a mystery. The incredible ability that music has to affect and manipulate emotions and the brain is undeniable, and yet still largely inexplicable.

Aside from brain activity, the affect of music on hormone levels in the human body can also be quantified, and there is definite evidence that music can lower levels of cortisol in the body (associated with arousal and stress), and raise levels of melatonin (which can induce sleep). It can also precipitate the release of endorphins, the body's natural painkiller.

But how does music succeed in prompting emotions within us? And why are these emotions often so powerful? The simple answer is that no one knows yet. So far we can quantify some of the emotional responses caused by music, but we cannot yet explain them. But that's OK. I don't have to understand electricity to benefit from light when I switch on a lamp when I come into a room, and I don't have to understand why music can make me feel better emotionally. It just does - our Creator made us that way.

Duane Shinn is the author of over 500 music books and products such as DVD's, CD's, musical games for kids, chord charts, musical software, and piano lesson instructional courses for adults. He holds an advanced degree from Southern Oregon University and was the founder of Piano University in Southern Oregon. Previous to that he worked as an assistant music therapist at DeWitt State Hospital in Auburn, California. He can be reached at http://www.pianolessonsbyvideo.com He is the author of the popular free 101-week e-mail newsletter titled "Amazing Secrets Of Exciting Piano Chords & Sizzling Chord Progressions" with over 55,000 current subscribers. Those interested may obtain a free subscription by going to http://www.playpiano.com/

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Much of the final episode of Gossip Girl revolves around the wedding of Lily and Bert, so understandably there is a lot of classical music used in the scenes. But, there is enough room to squeeze in a few pop songs and the choices aren't all that bad. Some of the groups already have a lot of exposure, but one or two of the selections feature new sounds.

Before the wedding begins Blair and Dan scheme to expose Georgina and her lies to her parents, when they all meet in the park Do You Wanna by The Kooks plays along as Georgina learns about her future home. Beautiful World by Carolina Liar plays in the background as Serena desperately tries to get in contact with Dan and then leaves a message that she is coming over. This same song is played again at Lily and Bart's wedding as well as a lot of classical selection and other songs that add to the festive mood.

As family and friends are arriving for the wedding and the place is buzzing with pre wedding preparations, Time To Pretend by MGMT drives the action. After a classical piece, Bridal Chorus by Wagner begins to play. This necessary song is followed by two more classical pieces that play through the wedding reception and then through Blair and Vanessa's conversation about Nate.

The final song of the episode was the very appropriate, The Ice is Getting Thinner by Death Cab For Cutie. This song plays through the entire ending of the wedding including, while Chuck is making his best man speech at the wedding, when Blair and Chuck kiss, and as Serena and Dan are forced to dance after they have just broken up. Do You Wanna by The Kooks returns for the closing montage and the end of the season.

By Sophia / http://www.gossipgirl.tv You have full permission to reprint this article provided this box is kept unchanged.

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