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Wednesday, August 27, 2008
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Developing A Conflict
One of the most important things you can do in a scene is find the conflict. Whether it is a monologue (internal conflict) or a scene with a partner (external conflict) there is always something that is at stake for the character you are playing. Think of it this way, if there is no conflict in a scene why are you watching it? People do not want to see everyday activities, they want to see drama.
With that being said, the question of how to find the conflict arises. First off let's define what conflict is. Conflict is two opposing forces trying to get what they want at the same time. For instance, one character wants a bag of money and the other character wants the same bag. This creates dramatic tension as both the characters will try by whatever means necessary to get that bag of money! What makes the scene interesting is the conflict between the two characters and the bag of money. If they both decided to share the bag of money and went happily on their way, there would be no reason to watch. It would be absolutely and excruciatingly boring.
People watch movies and plays to be transported away from reality. They watch it because it is often times much more interesting than their everyday life. If you do not find what your character wants in the scene then you might as well not even be in it. It will be boring and unentertaining without knowing exactly what forces are opposing you and how to overcome them. However, if you know what your objective is and you know how to attain it, it will add brilliant dimensions to an otherwise dull and pointless character. Think about scenes that really stand out in film or theatre and what makes them so great. Usually it is the tension between the two characters over something very important at stake. Don't take my word for it, just watch some of the great films and the conflict that gives them life.
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music on so you think you can danceVacationing in Florida
When beginning your search for the ideal place to spend a weeklong vacation, consider the veritable wonderland of attractions and amusements that populate the state of Florida. With its warm weather and 1,100 miles of coastline, Florida is perfect for a fishing adventure, a relaxing week on the beach, or an action-packed family vacation. Make your way to Florida for your next trip and experience all the fun and excitement the Sunshine State has to offer.
On Floridas Panhandle, visitors will find cities such as Destin and Panama City that are a part of one of the most beautiful stretches of waterfront land found anywhere in the country. Perched along the Emerald Coast, the beaches here have sugar white sands that will roll over your feet as you stroll along the shore, soaking in the sight of emerald-green water. With such high-quality water at your disposal, you may find it difficult to pull yourself away from the numerous offshore activities that can easily fill the duration of trip, including snorkeling, scuba diving, canoeing, and kayaking.
If you are leaning towards an adventure on the Florida Gulf Coast, consider the Tampa Bay area for an always exciting excursion filled to the brim with diverse amusements. Although the beaches along Clearwater and St. Petersburg are an obvious way to fill your day, these areas are also teeming with natural beauty that is just begging to be explored. Here you will find underdeveloped barrier islands, nature parks, and botanical gardens so you can see a side of Florida that exists beyond the beaches all while getting a little exercise in, too.
As one of the most popular vacation destinations in the world, the Orlando/Disney area is a must-see for anyone with young children or anyone who cannot ignore the inner child inside of us all. With Walt Disney Worlds four parks, Magic Kingdom, Epcot, Disney MGM Studios, and Animal Kingdom, located here, you could spend the duration of your trip navigating these distinct and highly-entertaining attractions. However, before you leave the Orlando area with your family, be sure to check out the other great amusements outside of Disney World, including SeaWorld, Universal Studios, and the water parks of Blizzard Beach and Typhoon Lagoon.
For those who prefer the Atlantic side of Florida, West Palm Beach is ideal for kicking back and enjoying amazingly scenic golf courses. The PGA National Golf Club has five championship courses that will challenge even the most experienced and well-rounded golfers with their astounding length and difficult hazards. With designs by Arnold Palmer and Tom Fazio, you can expect the gorgeous Florida landscape to be framed by stunning water hazards and lush green fairways.
When searching for a multitude of cultural attractions and a lively nightlife, Miami is the place to head for entertainment that certainly will not be forgotten. With a Hispanic background prevalent in the area, you can sample some of the diverse Spanish offerings at the Latin American Art Museum and Little Havana. And at night, you can find a wide selection of night clubs, ranging from blues to jazz to even rumba rap, that will meet your needs and leave you dancing in the streets as you make your way home.
The Florida Keys are the perfect getaway no matter what kind of attractions you are searching for. The Upper Keys are known for their excellent diving since the continents only living barrier reef is easily accessed from the east side and with Key Largo located here, you can find the typical tourist recreation to keep you occupied for the duration of your trip. Popular in the Upper Keys and Middle Keys, sportfishing is an excellent way to get out onto the water and try for a variety of fish such as tarpon, tuna, and sailfish. While the Lower Keys are known for being the quieter area of the Keys, you can easily head to the lower tip and experience the spontaneous parties and excitement of Key West.
No matter which part of Florida you decide to visit, your adventure can be filled with whatever kind of recreation interests and relaxes you. For the perfect cap on a promising trip, choose accommodations that make it easy to enjoy your Florida destination with all the gusto you can possibly imagine. Florida vacation rentals are located in the all the areas that matter most to you, so experience the convenience and comfort of home by staying in a home or condo rental that makes it easy to enjoy the beauty and attractions of this amazing state.
HomeAway.com has the most comprehensive selection of vacation rental homes on the Internet. For an alternative lodging option, consider Florida vacation rentals for your next trip.
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Belly Dance and the Feminine Image
History shows us through paintings that the veil came to symbolize the untouchable and tantalizing appeal of women in the Middle East. To show just a little part of the body was alluring enough to cause men to pine for women's affection. If we look at 19th Century paintings of various scenes of women dancing, the look of the belly dancer is quite refined. The distinctive folds in the belt or the accessories from the ankle all the way to the headpiece tell the individual story of each dancer. This is how dancers from the past to the present set themselves apart from their contemporaries.
I can remember seeing "Cleopatra" starring Elizabeth Taylor for the first time and thinking how beautiful the costumes were and how much fun they would be to dance in. "Samson and Delilah" with Hedy Lamarr is my all time favorite biblical movie and her costumes inspire me even to this day. Claudette Colberts costume in the 1934 "Cleopatra" looks like a costume of today. Hollywood had very unusual ideas about what the women from the Middle East wore. But if we look back through time the belly dance costume really hasn't changed all that much. This really surprised me because as I was doing my research it became apparent to me that when you have a good design it's hard to improve on it.
Recently I danced with a wonderful group of performers who were Asian dancers. Their costumes were amazing and I have to admit that I felt a little out of place in my cabaret costume. Their movements were very subtle and their gestures very soft and poetic. Which made me wonder what kind of poetry would belly dancing be? When it was time for me to perform I realized that our music really says a lot about our image. My costume was like magic because it made me feel free enough to dance and tell our story within my movements and gestures. In some ways I felt an obligation to relate to the audience that what I do as a dancer and performer is serious and respected.
But I have to question why I even felt the need to defend my costume and dance form. The dancers with their movements almost seemed to speak to me teasingly asking me why I wasn't covered more. Maybe I was just hearing my own voice questioning this. After I finished my dance the response I received overwhelmed me. It became apparent to me that because of the difference of my costume and dance the audience was able to appreciate the culture that I represented. Costuming really does make the difference for people. It's almost as if the audience can see the story within our movements all the while watching our costumes accenting each word danced through our bodies.
Years ago when I was in Cairo I was able to see Zuhair Zaki dance live and as I look back I realize how lucky I was to have seen such a legend perform. Zuhair Zaki is the total sum of what the belly dance image is for me. Every movement told a story and helped me "hear" the music. I was taught a very good lesson that night because I saw what a masterful dancer can do with music. I also saw Zuhair Zaki become the essence of belly dance as she performed. It wouldn't have mattered what she wore or where she was. The spirit of the dance was in her and you could see it and feel it. These are those spiritual moments that change you forever!
A few weeks later I saw Dina perform and was totally surprised at the sexual innuendos that emanated from her dance. The image of belly dance changed that night for me because I had assumed that provocative gestures were not allowed. Actually let me take it a step further, I didn't think it was necessary. But somehow Dina made it work for her and as I watched her performance I saw that she did a wonderful job. Her sexuality never got in the way of her performance. It enhanced her movements and I understood at that moment that Dina chose to dance free of any inhibitions or restraints her world put on her.
As a modern woman I often wonder how close my image is to women back hundreds of years. Our evolution as women has never been more evident than in the belly dance world. If we look at the dance of the seven veils the removal of the veils represent seven earthly illusions that fall away with each veil. In order for us to become the total feminine archetype in myth these veils must fall from us so we can transcend into the Goddess. As with all myths I wondered what these seven veils of illusion were because I had a suspicion that we may still be portrayed within this myth today. It became apparent to me that each illusion had an opposite side to it. So here's my version of the seven illusions.
1. The Virgin-Temptress
Many dancers have both abilities to enchant their audiences by offering the untouchable innocence of movement combined with eye contact that teases with a fleeting look.
2. Intrigue-deception
The ability to captivate our audience is a major part of our story telling but with all stories we must tell the audience that what intrigues them is only an illusion. This in itself can be perceived as a deception because we work so hard on the illusion that at moments it may become real.
3. Mother-Sex Goddess
Both of these describe the dilemma all women come across through out their careers. While we dance as women who understand what it means to carry and give life we are also expected to be proficient in the art of love. The illusion for most people is that we can be both but they want the two separate.
4. Wise woman-Childlike Innocence
The knowledge a dancer puts in her performing sets her apart from the average dancer. Knowledge is power and our movements speak volumes in regards to our history. The illusion here is that while we dance with experience our audiences to a certain degree want a virtuous dancer that will give them an unsullied look at our dance.
5. Wife-Mistress
In our dance we are compelled to perform from places of the heart. At least some of our music has this impassioned theme in certain songs. As women we feel the need to complete ourselves which is why we search for our mate. The mistress on the other hand is compelled to search outside of this completion which in itself is the wife's mirror opposite. We distance ourselves from the mistress personification yet in the eyes of our admirers the hope is that they get a glimpse of her.
6. Muse-transmutation
Poetry and music speak of the dancer that takes her audience to places of sublime heights. As dancers we are the muses of our times. At the same time we experience the audience that doesn't understand our dance and they try to alter it to fit their perception of the world. We than become a misunderstood version of our own poetry.
7. Diva-modest maid
A dancers self confidence has to come across to the audience or they will be sorely disappointed. Many fans expect a confident woman during and after shows. Yet I have found that dancers can almost believe too much in their personas that they create. We can get caught up in this illusion just as much as anybody. The catch here is to know when to turn your dance persona on and off.
As belly dancers we inspire so much in people and our allure isn't just the pretty costume, it is what we signify as women.
My question is do we understand what it is that we represent for so many? I have worked with a few women who were disassociated from their body image. They had no clue how beautiful they were because they bought into mixed messages from the media and cultural attitudes. How comfortable are we in the position of the archetype for today's women? If we can't get past the door of self appreciation, than I don't see us in the forefront of today's feminine society. Let us not forget how immeasurable we are as women. Our dance helps us create our own personal myth in which we than can escape into our own feminine image.
I have often wondered that after creating our feminine image, do we than transform gradually into her? Isn't this really what belly dance does? We heal and than become the women we are intended to be. This is how I believe the essence of belly dance lives and thrives through each generation of women. If we can understand our own image than we can be living examples of what belly dance is and the veils of illusion than become nothing more than invisible restraints that disappear through our own transformation. In this sense we than are reborn into women, who are comfortable in their own body, mind and spirit. And there is no better way to express our dance than by embracing who we are and dancing with veils of our choice.
latin downloadCommon Usage Errors
i.e. vs. e.g.
Use i.e. , to re-name, restate, or to clarify, as in, "He fell out of the window, i.e., down." This is an abbreviated Latin term (id est) that roughly translates as, "which is to say..." or "meaning..."
Use e.g., to provide examples, as in, "He liked falling from heights, e.g., out of windows, from airplanes, off of ladders." This is an abbreviated Latin term (exempli gratia) that translates as "For example..."
[And don't forget the comma after either one.]
Data is plural
Example: "The data are complete; we conclude that falling is dangerous." [We hear data used as a singular noun so often that the mistake seems right, but it isn't.]
Like vs. Such as
Use like to show similarities, as in, "He was falling like a rotten tomato that missed the stage."
Use such as to provide examples, as in, "Everything falls at times, such as tomatoes and bodies from windows." [Not: "Everything falls at times, like tomatoes and bodies from windows." Another correct way to say this is "Everything falls at times, e.g., tomatoes and bodies from windows."]
Everyone is singular
Example: "Everyone needs to jump out of his window." [Not: "Everyone needs to jump out of their window." You could use "his or her" to be politically correct.]
Comprise vs. Compose
Comprise means to gather multiple parts into a single whole. A good synonym is assemble. For example, "The band comprised [assembled] many different players." [Not: "The band was comprised of many different players."] Here, you have a whole and are describing its parts.
Compose means to make a whole by putting together multiple parts. A good synonym is create. For example, "The band was composed [created] of many different players." Here, you have the parts and are showing how they are put together to make a whole.
The difference is subtle, but what you need to consider is whether you are emphasizing the whole (the band) or the parts (the members of the band).
Staff is not a person
Use staff to refer to the entire group of employees and colleagues, and it is singular (the plural is staffs). A good synonym is team. For example: "The staff [team] is upset with the pay raise."
Use staff person or staff member to refer to an individual person on the staff. So, you would write, "Six staff members are not coming to work today." This refers to the individual people. If you want to refer to the entire staff at once, you would write, "The staff is not coming to work today."
David Bowman is the Owner and Chief Editor of Precise Edit, a comprehensive editing, proofreading, and document analysis service for authors, students, and businesses. Precise Edit also offers a variety of other services, such as translation, transcription, and website development. Click here for more information about Precise Edit's services.
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Lisa-Marie Presley Has Decided To Walk A Mile In Her Father's Shoes
Although Lisa Marie has managed to keep her children protected from the spotlight, she has recently gone public with her own musical work.
Lisa has not chosen to go the route of acting at this time. However, she has gone public with several press releases and appearances on news programs. I was able to catch an episode of Primetime Live, which featured Lisa Marie Presley for a full segment.
The news commentator interviewed Lisa and asked her many questions about her life and her past. One of the things they did was show side-by-side film footage of Lisa Marie performing, alongside her father, Elvis Presley. The two performances were at least 25 years apart, in time, but were spliced together to view Elvis and Lisa singing and dancing to show similarities.
Although Lisa is unique in her own right, there are many uncanny similarities between her and her father. Let's face it, it's only natural for this to happen. And we love it!
The Way Lisa holds a microphone and moves around and gazes at the camera are strikingly similar to the way Elvis would sing and dance, and sneer at the camera himself. Lisa Marie Presley is undoubtedly very talented and has decided to reflect her talent publicly at this time. The video chosen to display Lisa Marie's singing ability was the main track from her new CD, To Whom It May Concern. The main track is titled Lights Out.
In fact, the film clip from the video, Lights Out, was the clip shown next to the film footage of her father, taken from Elvis' 1968 Comeback Special, featuring him in his black leather outfit.
Although Lisa was not dressed in black leather, her clothes were flashy, and her whole aura reflected that of Elvis Presley.
I think that even though much of the major public are not all that crazy about Elvis impersonator's, the music industry, and Elvis fans alike, are really craving an entertaining personality with the talent and charisma of Elvis Presley.
I believe that even though much of Lisa Marie's facial expressions, moves, and natural looks are very close to her father Elvis, the people are going to accept this because not only are these features completely natural, they are expected of any offspring of Elvis Presley.
Lisa Marie's personality, the words she chooses to use, her facial expressions, especially the way she would raise one eyebrow up, open her eyes wide, and gaze at the camera when pleasantly making a joke out of a statement, was especially reminiscent of her father but also very refreshing.
During a very intimate portion of the interview, Lisa Marie stated that she has had some experience with drug use. However, she went on to clarify that she now lives a pretty clean life, for the most part. She shared stories about her past marriages, her children, her mother Priscilla, and memories of her father, Elvis.
Primetime Live also showed some home movies of Elvis, Priscilla, and Lisa Marie in their home environment with Elvis spending time with his family, and playing games with them. As Lisa sat there watching it along with everyone else, her facial expression began to change from perhaps having her guard up and being ready for difficult personal questions, to one of gentle, sweet, memories and peace.
It is certainly very sad that Lisa had to lose her father so early in her life. She seemed to go through things in her life that reflected the pain and difficulty she experienced with losing her father so soon.
With all the difficult times in Lisa's life, along with the good times, she has come a long way personally and professionally.
Lisa did comment on her marriage to Michael Jackson, but didn't spend much time on the subject. She spent more time talking about her relationship and marriage with her first husband, Danny Keough. This is the first marriage during which Lisa had a child. Danny Keough also became a member of Lisa's band in 2004.
While Lisa was in her late teens, and early twenties, she was managed by Jerry Schilling. Mr. Schilling is one of the original members of the Memphis Mafia, who went on to accomplish a successful business career in show biz after Elvis died.
A piece of trivia that would be interesting to all. Lisa Marie Presley's children provided backup vocals for her on her recent CD titled, To Whom It May Concern.
Jonathon Bates is a news reporter and publisher. He writes weekly columns for http://www.searchforelvis.com website. He is currently writing a book about Elvis Tribute Artists.
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Latin music rocks the Sprint Center
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Rocket Spanish Review, Part 1 - Can Learning to Speak Spanish Help You Have More Sex?
In 1999, a movie came out called "Deuce Bigolo: Male Gigolo". It starred American comedian Eddie Griffin and former Saturday Night Live standout, Rob Schneider. Both William Forsythe (from "Raising Arizona") and Oded Rehr (Israeli born actor that starred in "The Mummy") had small parts in the movie.
Oded Rehr acted as "Antoine Laconte"; the handsome, Hispanic stud who hires Rob Schneider's tilter character "Deuce Bigolo" to house sit for him while he goes away to Europe on a business trip. Antoine Laconte is a gigolo with a thick Latin accent. He reveals to Deuce that he uses his foreign, exotic charms and perception of sexual prowess to live a luxurious life style. Antoine Laconte brags to Deuce that "Women pay me to give them pleasure." After all Antoine Laconte is a gigolo.
In my humble opinion, this part in "Deuce Bigolo: Male Gigolo" touches a common sexual desire. That is having a forbidden, carnal affair with an unknown stranger. This attraction can especially be potent for Latin and Spanish speaking people because of the influence of the entertainment industry. What woman has not fantasized about being seduced by a, handsome Spanish speaking, Latin lover? What guy has not thought about hooking up with a hot blooded Spanish speaking "chick".
Why? For certain, television and popular culture are partially responsible for conditioning people to see Latin and Spanish speaking people as objects of sexual desire. I personally think that the appeal is also attributable to the fact that speaking Spanish is foreign and different. It is these differences in and of itself that creates the attraction and sexual desire.
The natural, biological, and intended purpose of sex is the procreation of offspring that are slightly, genetically different than their parents. This allows the human species to evolve and adapt. From a biological standpoint, the more variation the better. Then doesn't make since that for people to prefer potential mates that are deferent than themselves at the primal, biological level?
Of coarse, questions dealing with why and how people choose potential mates are far more complicated than the scope of this article. Nonetheless, all other factors being equal, speaking any foreign language, especially Spanish may give you the edge you need with the opposite sex. This may especially be true in a predominantly English speaking cultures and countries like the United States of America.
Can learning to speak Spanish, using a course like Rocket Spanish, help you seduce to opposite sex? Maybe it will? I don't think it will hurt. However, there are many more practical reasons to learn to speak Spanish other than for a booty call.
Here are a few of those reasons:
- You wan to impress the opposite sex in social situations.
- You want to broaden your horizons and enjoy the challenge of immersing yourself and into a new language and culture.
- You are traveling to a Spanish speaking country and want to talk to the locals in their native language.
- You want to improve your career opportunities. Many professions like: health care, teaching, international business, communications, etcetera will benefit from learning Spanish.
In part 2 of this Rocket Spanish Review, some of the leading learning to speak Spanish courses and Spanish lessons will be reviewed and compared with Rocket Spanish. You can click the following to read part 2 titled Rocket Spanish Review: What is the best Spanish learning program?"
Here are some related Rocket Spanish Review sources: .Rocket Spanish Reviewed Blog.
latin music artistShort History of Jazz
Jazz is sometimes referred to as Americas classical music. It has become a diverse genre with its roots in native American and African music; in particular, the blues, spirituals and rag time. Jazz first became a defined music form in the early 1920 springing from the US cities of New Orleans and later Chicago. Early Jazz was characterized by traditional rhythms and melodies being taken and improvised upon, giving a combination of swing and syncopation. Early Jazz performers of note included Jelly Roll Morton, Fats Domino, Bix Beiderbecke and Louis Armstrong. A good taste of this period can be gained by listening to recordings of Louis Armstrongs Hot Fives and Hot Seven ensembles.
By the 1930 Jazz had spread out of its local bases in South American and became more mainstream attracting white musicians as well. One development of Jazz was the big bands such as Ben Goodman and Glen Miller. Glen Millers big band became very successful and popular, but offering little scope for improvisation jazz aficionados saw it as more of swing rather than real jazz. However other big bands such as Duke Ellington and Count Basie provided some of the all time great Jazz recordings.
Whilst the Big Band led jazz in a more conventional direction. The late 1930s and 1940s also saw jazz develop in another direction through the creation of the new Be Bop craze. Be Bop is epitomized by the great musicians such as Charlie Bird Parker, Dizzy Gillespie, and Sonny Rollins. These musicians took Jazz to new heights of improvisation, loosening the adherence to harmonys and rigid chord structures.
Unlike previous forms of jazz, Be bop was not designed for dancing but was seen more like an opportunity to showcase the musical expertise of the performers. Some of the great be bop recordings came about as the performers played off each other, each striving for greater excellence and improvisation. One of the greatest recordings of this period was Jazz at Masey Hall 1953 featuring Dizzy Gillespie and Charlie Parker amongst others, it is a very good example of live jazz music. In the 1960s Be bop evolved into a form of free jazz with little if any adherence to conventional harmonies and chord structures. One of the best selling jazz recordings which characterized this new form was A Kind of Blue by Miles Davis.
Alas many of the great jazz performers led tragic lives, a seemingly very high percentage died prematurely, inevitably from drug and alcohol misuse. Unfortunately many young performers came to associate drugs with being a successful jazz performer so jazz developed a strong reputation for association with narcotics.
To play Jazz music successfully a classical background is definitely an advantage. To be a successful jazz player you need to be able to learn the chords and scales of the song. With this basic structure you can then improvise around these chords to give the improvised or jazz effect. However to be a great jazz musician a lot more is needed than formal training, successful improvisation is a difficult skill that appears to come easily to a rare few.
Richard is an economics teacher in Oxford and is a member of the Sri Chinmoy Centre Richard edits a site on the music of Sri Chinmoy
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Piano Meditations: A Beginners Guide to Playing What You Feel
If only beginning piano players realized that they could create their own unique music right away, perhaps more of them would.
What I mean is thismost students, young and old alike know only 2 ways to learn piano. The first way is the classical route. Here, note reading and playing of the classics is taught.
The second way is playing pop standards from either fake books or fully written music sheets.
That's it! That's what most people think of when they're considering learning the piano. But, it doesn't have to be that way at all. For instance, if you only know 2 chords and the notes of the scale or Key these chords are in, then that's all you need to simply BE at the piano.
Imagine allowing the music to just flow forth from your fingers. There is no thinking involved. No forethought of what is to come. Just a simple act of sitting down and playing. This method of piano plying is completely foreign to 99 percent of music students. Even Jazz, which is seemingly all about improvisation, requires a much more rigorous and thorough approach.
Instead of taking months or even years to prepare yourself to play piano, I suggest a complete attitudinal change. What I'm talking about is radical, yet will make perfect sense as soon as you read it and it's this:
DON'T MAKE THE MUSIC MORE IMPORTANT THAN YOU ARE!
What do I mean by this? Simple. Most musicians have a lot of ego and want people to praise them and tell them how good they are. Now, there's nothing wrong with a little ego stroking, but music can give you as much as you are willing to let go and allow. This simply means that you let up on the need to control where the music is going. Instead, you allow the music to guide you to where it wants to go!
I know this sounds like mystical wordplay, but think about it and you'll see that I'm right. You see, the problem most students have is that they think they need to learn a lot of theory before they can be any "good" at the piano.
They also think they have to be "good enough" before they even attempt playing piano. These beliefs are sure to stop you dead in your tracks. You are more important than the music, which is to say,, who cares how good or bad it sounds. The real question is are you enjoying yourself. If so, then you are way ahead of the game!
Edward Weiss is a pianist/composer and webmaster of Quiescence Music's online piano lessons. He has been helping students learn how to play piano in the New Age style for over 14 years and works with students in private, in groups, and now over the internet. Visit http://www.quiescencemusic.com now and get a FREE piano lesson!
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