Thursday, August 21, 2008

NIV Audio Bible

Ever since God handed down the 10 Commandments to Moses, believers and followers of Christ have shared the teachings that are now immortalized in the Old Testament and New Testament. Throughout the last 3400 years, the story of how the Bible has been brought from culture after culture has been a very interesting one. It's one that has been shaped by powerful Kings and Queens, Popes and bishops, war and peace - and especially the onslaught of many new technologies, including the printing press.

Before 400 AD, the Bible was only written in Hebrew, Greek and Latin. Although by 500 AD it had been translated into over 500 languages, the only official language used by the Church was Latin. This made learning the Bible quite difficult for people who did not understand Latin or have the means to learn it. In 995 AD, the first Anglo-Saxon translation was produced of the New Testament, but it took until 1455 AD before the whole book was mass-produced on a printing press, and another 80 years before the first complete Bible was printed in English.

Almost 500 years later, the Bible is still going through many different transformations. Although it is the most translated book in the world, there are still people who do not have the means or opportunity to read it. Most of the people are those that live in 2nd and 3rd world countries in Africa and South America. To help make sure those cultures can experience the Word of Christ, many non-profit Christian organizations have been distributing the New International Version (NIV) audio Bible to these villages and donating players that they can use for listening parties. Some of these audio Bibles come in CD format, while others are audio Bible downloads that can be found online and played by MP3 players or iPods.

The new NIV online Bibles and Bibles on CD are also becoming very popular in countries that are more technologically advanced. This is happening because Bibles on CD are convenient to listen to on your daily commute, on airplane rides, while you are winding down for the night or taking your morning run. Online audio Bibles are also a great way to share life-long lessons with small children who cannot read the Bible yet.

Some Christian websites even offer NIV online Bible downloads such as Podcasts that can be played on your iPod or MP3 player. These can contain psalms or inspiring scripture readings, and you can sign up to receive a new one every day on your iPod.

Whether listening to the Bible on CD while driving or downloading chapters of the NIV Bible online, Susan Slobac listens to her Audio Bible almost daily. She also enjoys sharing Audio Bible downloads with her friends and family

Whether you are looking for an NIV Bible online or a Bible CD, there are many available to enhance and inspire your daily life.

80's dance music

Bob Marley Was Naturally Driven to Create Music, Even When He Was a Small Child

Bob Marley, singer, guitarist, and song-composer, shook the world with his Reggae music and became an international superstar. In his songs, he eloquently conveys his strong spiritual beliefs and values. Before developing into a Reggae composer, he collaborated with many different musicians and singers, performing various styles of music, including Ska and Rock Steady

Born in 1945, Bob Marley grew up to the sounds of Jamaican music while he was raised by his mother who scratched out a bare subsistence existence at an area called Nine Mile in rural Jamaica. When Bob Marley was just three, he made waves with neighbors after he read their hands and told their fortunes with incredible accuracy.

At the age of 5, Bob Marley's mom sent him alone on bus to Kingston for schooling promised to him by his father, who lived there. His father dropped him off at an elderly woman's home, then disappeared. Bob Marley didn't receive his promised schooling during his 18-month stay there, but he seems to have had some significant exposure to music at this time. After his mother finally found him and took him back to Nine Mile, six-year-old Bob Marley declared, "I'm a singer now."

When Bob Marley was around 10, a little boy nicknamed Bunny moved to Nine Mile with his father Toddy Livingstone. Little Bob Marley and Bunny quickly formed a friendship. Bob and Bunny sang and performed music together. Bob Marley's mother then moved in with Bunny's father, and they became a family.

To find jobs, Bob Marley's mother and Bunny's father relocated the new family to Trenchtown, a Kingston shantytown built around a large reeking open sewer. In Kingston, Bob Marley was exposed to the music of Fats domino and Ray Charles. Bob and Bunny got some music training in a class taught by famous Jamaican singer, Joe Higgs.

In Kingston Bob and Bunny, who came to be known as Bunny Wailer, sang doo-wop harmonies on the street corners. They went on to land recordings And this was how the beginning of the Bob Marley legend. Music transported Bob Marley from a Life of Abject Poverty to Superstardom.

Adam F. enjoys creative pursuits and is highly appreciative of artists. He has established Music-Access.com, an independent venue for musicians (and alternative to MySpace owned by Rupert Murdoch who owns Fox News). Music-Access.com is about music access. At Music-Access.com, musicians, singers and music lovers may network, put of profiles, enjoy articles, share events, and even take advantage of features on the site to make money. Artists may sign up at http://www.music-access.com/music/social_music_register.php

90's dance music

Timing - How To Dance Cha-Cha

Cha-Cha music is 4/4 time, and also has 4 steps to a bar of music. The last bar screams for you to step to the left and close your feet so this step has the characteristics of moving the foot to the side and closing the feet, which in turn produces the "cha-cha" sound, which is the name of the dance.

If you are having trouble understanding the basic movement of Cha-Cha which is usually said to be slow, slow, quick-quick, slow, then rephrasing it to "rock, rock, side-close, side", makes it far easier to grasp.

Most Latino dances consist of moving your step on the second beat and change the weight from one lef to the other between beats, but in cha cha your feel always move only on the first, second and fourth beats of the music. This little switch of weight makes the look and feel of the dance occur on the first and second beats, then on the third and halway through the fourth and first beat.

Count from the second beat of music to make it simple. Count "Two-Three, Cha-Cha, One" - if you know the basic movements you'll soon see this becoming meaningful.

There are more than one part to timing, TWO. There is a static metronome beat that flows though the entire track, which in turn dictates when it's time to move your feet. Another one is the actual tempo of the song. The tempo is what makes you take a certain step, pause for a period of time or how fast you should spin and turn. Understanding this will make you a preferable cha cha dancer.

You can't mistake a Cha Cha beat in a song. You hear the two slow beats and the three quicker beats. Then when you hear the quick beats you move side and close, cha cha cha.

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Symphony of Human Dynamics

Differences are inevitable when two or more persons come together. It would be pointless and boring for two or more to come together if there are no differences. Some differences are pleasant; others can be disconcerting. Differences can accelerate to disharmony, conflict, competition, or war.

While a reasonable amount of conflict can be creative and enriching, conflict that is not properly managed can be harmful. Interpersonal conflicts as contrasted to conflicts of ideas or principles are in special need of careful management. Viewing conflict or disharmony as the expression of differences can help to take the fear from conflict. Of course, if it is a heated or emotionally charged conflict, just re-naming it is unlikely to defuse the charge. But it may be enough for you to find your place of harmony in the conflict.

Living in conscious harmony is like playing in a symphony and knowing that we are playing in a symphony. At any given moment, our section of the orchestra may be in temporary harmony or temporary disharmony. Both group members and musicians must have the conscious intention to strive for harmony without being discouraged by the momentary notes of disharmony that add interest to the experience.

The symphonys composer wrote a score which the conductor interprets and the musicians play with different instruments, in their own style, according to their ability. At some times, we are more aware of one instrument than another. Or we hear a solo or a duet.

When we listen deeply to the music, we notice space between the notes: rhythm. Colors and tones and volume add texture and interest: timbre. We have different responses to different parts: feelings.

Satisfaction increases when everyone in the orchestra reads at the same place on the same sheet of music. At some times, its important for a musician to play softly to blend with the rest of the sounds and add texture. At other times, its important to play loudly, even being the center of attention. Rhythms might change, even in the middle of a piece. Sounds might fight with each other to heighten drama before leading to resolution.

Joy happens when everyone perceives the symphony as all One, with each instrument playing an important part. In order to live in conscious harmony, we must embrace the concept that we are all One. Comparing the interactions of individuals in groups to a the interactions of musicians in a symphony or an orchestra can be powerful.

What is the song you will sing or the dance you will dance or the instrument you will play today?

Copyright 2005 Marshall House. All rights reserved. You may save this article, send it to a friend, or reprint it in your online publications, provided the article remains complete and this information is attached. Voice of Jeanie Marshall http://www.jmvoice.com and JMviews Empowerment http://www.jmviews.com

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Miss Peru And Miss Universe 1957: 50th Anniversary

On July 19, 1957, Miss Peru, Gladys Zender Urbina, was elected Miss Universe 1957. Site: Long Beach, California (USA).She was the first Latin American woman to win the Miss Universe. Gladys Zender studied art and languages, and at one point she wanted to be an aviator. During her early teenage years, her beauty and personality drew positive comments especially when she won the Reinado de Primavera (Spring Pageant) in her Santa Ursula school, and years later, the Reinado de los Carnavales (Carnival Pageant) of Miraflores. Before being crowned Miss Peru 1957, the representative of Max Factor company, Roman Toporow, while visiting Lima, was impressed by the style and the very Latin features of the young Gladys and affirmed that she was a perfect beauty. In the beginning, her family was opposed to her joining the national pageant, but later they supported her by traveling with her to Long Beach.

During the sixth edition of the Miss Universe pageant, there were all sorts surprises. It was rumoured that the pageant preferred candidates from countries that were experiencing political crisis.However,Miss Greece, Lygia Karavias, did not qualified for the semi-finals. Experts predicted that two favourites Misses Germany and England- would win and keep the crown in Western Europe. Miss Germany, Gerti Daud, was crowned Miss Photogenic Universe.

Some observers believed that the delegates from Brazil (Teresinha Goncalves Morango), Argentina(Monica Lamas), Peru(Gladys Zender), Canada (Gloria Noakes), Italy (Valeria Fabrizzi) and Martinica (Ginette Cidalise-Montaise) would enter the finals. Many of the girls from Latin America thought that they had been invited for the sake of formality only.

There was some sort of uneasiness in the region since two Latin beauties had failed to win in two consecutive finals. In 1954, the Brazilian Maria Martha Marilu Hacker Rocha was adjudged as very beautiful, but her hips were two inches wider than the ideal measurement and thus lost to the American Miriam Stevenson.

In 1955, the huge favourite Miss El Salvador who resembled Marilyn Monroe- lost by two points to Hillevi Rombin of Sweden.

Gladys Zender's victory in Miss Universe pageant had taken the Peruvian and the rest of Latin America by surprise.According to the American press, the traits that made Gladys deserve the title were these: her captivating personality and her aristocratic bearing and that she had been educated in the traditional system of Latin American women In the end, it was her whistlebait figure that won her the crown and beat the beauties from Brazil, England, Cuba and Germany.

During her homecoming on August 10, 1957, a million of her compatriots lined up along the streets to welcome her.When Gladys appeared, the crowd never tired of shouting, Viva Gladys!. I cried with joy. I never imagined this welcome, remarked the beauty queen during an interview.
In 1982 when the Miss Universe pageant was held in Lima, the Miss Universe Organization presented Gladys with a special trophy to honor her 25th coronation anniversary.
Today, Gladys Zender de Meir is a Latin beauty iconan example of Miss Universe.

Alejandro Guevara Onofre: He is a freelance writer.Alejandro is of Italian, African and Peruvian ancestry.He'e studied political science and journalism. He has published more than seventy-five research paper in English, and more than twenty in Spanish, concerning the world issues, Olympic sports, countries, and tourism. His next essay is called "The Dictator and Alicia Alonso".He is an expert on foreign affairs. Futhermore, Alejandro is the first author who has published a world-book encyclopedia in Latina America.

He admires Frida Kahlo (Mexican painter), Hillary Clinton (ex-First Lady of the USA), and Jimmy Carter (former President of the USA). His favorite film is "Gorillas in the Mist".Some of his favorite books are The Return of Eva Peron and the Killings in Trinidad (by V.S.Naipaul), "Las Mujeres de los Dictadores" (by Juan Gasparini) and Murder of a Gentle Land (by John Barron and Anthony Paul).His personal motto is "The future is for those people who believe in the beauty of their dreams" by Eleanor Roosevelt.

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iTunes adds Latino music section, Telemundo content
... that features "top Latin music , music videos, television shows, audiobooks and podcasts." There has been Latin music before on iTunes, but now with the ...
http://arstechnica.com/journals/apple.ars/2006/11/01/5819?rel

S TV
... Obama's backtracking, the pitfalls of the music industry and his new album The 3rd World. ... charting in the top 20 Latin Alternative charts nationwide. ...
http://www.sitv.com/

Sound familiar? - THE GRAMMYS - LATIN - Los Angeles Times ...
Well, there they go again. ... MUSIC . NIGHT LIFE. RESTAURANTS. THEATER & DANCE. TV & RADIO. Daily Calendar. The Guide. Weather: 5-day ...
http://www.calendarlive.com/music/cl-et-latin14feb14,0,3781253.story?coll=cl-music

Shakira Wins Big At Latin Grammys, Colombian Superstar Takes Home ...
Despite a chill in the air, New York sizzled as Shakira, Marc Anthony, Ricky Martin, and Jennifer Lopez rolled out the best in Latin music at the annual Grammy ...
http://www.showbuzz.cbsnews.com/stories/2006/11/02/music/main2147901_page2.shtml

Banjoski Music
Banjoski, Music , New Orleans. ... films, television , commercials, corporate identities, and special events. We customize music for every client in order to ...
http://www.banjoski.com/

New Mexico Music Commission News and Announcements
New Mexico Music Commission Produces TV Show with Local Musicians. Jun ... Original, contemporary Latin & World Music played by Ramon Bermudez, Jr and friends. ...
http://www.newmexicomusic.org/news.php?select=252

Cienfuegos Austin Tx Cuban Son Music
... Premios a La Musica Latina de Austin (The Austin Latin Music Awards) have begun. ... by a committee of prominent industry experts in Television , Print and Radio. ...
http://www.musicacienfuegos.com/welcome/entry?id=4;fa=1

Talib Kweli Blacksmith TV Trailer Music Video
Watch Talib Kweli Blacksmith TV Trailer Music Video ... MUSIC . Music Home | Pop | Hip-Hop | Rock | Country | Latin | A - Z Artist Search ...
http://music.clevver.com/video/208363/talib-kweli-blacksmith-tv-trailer.php

Billboard Revs Up for Latin Music Conference & Awards with MSN Latino ...
... latino.msn.com is the Ultimate Destination for Latin Music Fans Worldwide New York, NY (Billboard Publicity Wire) ... This television show will also offer ...
http://billboardpublicitywire.com/releases/2007/4/prweb517316.htm

Royalty Free Latin Jazz Music
Holiday, Commercials/ TV themes. Score: 0.00. Votes: 0. Full Track. 6:06 min. Medium $29.95 ... Latin Jazz Trio, Piano, Acoustic Bass and Drums. ...
http://www.neosounds.com/?mod=royalty-free-music&category_id=84

dance music 2007

What My Horse Taught Me About My Business

I've been around horses for the better part of 25 years. I've had my share of mishaps, and every one of them was my fault. I've never had a horse intentionally hurt me, throw me, bite me, or try to fool me. Horses just don't lie. It's one of my favorite things about them. They are as honest and authentic as we could ever hope to be. They are the epitome of "what you see is what you get". In short, horses are just horses and they never pretend (or attempt) to be anything else.

Horses are very intuitive animals. They rely on their instincts/intuition to keep themselves safe. They have an uncanny ability to identify emotions, even when you're doing your best to hide them. I can't tell you the number of times I was in a bad mood and tried to get near my horse, only to have him walk away from me every time I got close. I'd put on my happy face and use my happy voice but it didn't matter. That horse would avoid me like the plague UNTIL I just allowed myself to feel whatever I was feeling. The moment I'd stop trying to mask an emotion, he'd come right up to me and give me his usual nuzzle, as if to say, "See? That's all you had to do. Just BE how you feel. It's really okay with me." I swear, it's the craziest thing, but my horse always knows when I'm faking it.

Now, there are a couple of things about the care and handling of horses that are always under dispute. But, in my experience I've found that the best way to get a horse to do what you want is to ASK. The whole idea that you can beat a horse into submission is about as barbaric (to me) as taking a branding iron to a child who is misbehaving. You wouldn't do that would you? So why in the world would you try to force such an intelligent, intuitive creature into submission? Here's the thing: horses want to make you happy. It's true, I swear it. But there is an agreement that must be honored. That agreement is we get to ride on their backs and use their power to facilitate our needs and we must honor them for what they are. That includes listening to them and caring for them and showing some respect. It's got to be a mutual thing or it just won't work.

One last thing before we get to the little 'summary'. Horses and people don't view time in the same way. What I mean is, let's say you are trying to teach the horse to load into a trailer. The horse isn't having it. You have to be somewhere in 30 minutes and the horse won't budge. So you might try all sorts of ugly things to get that horse to load. And the horse is still not having it. There is really only one solution. You are the one who's trying to beat the clock, so you need to rearrange your schedule. Because as sure as the sun rises in the Eastern sky, that horse isn't going to load until it's good and ready. The time issue is YOUR problem, not his. And he couldn't care less about your appointment. So, don't force the issue. It'll turn into an ongoing nightmare every single time you try to load that horse into a trailer. The best way to get a horse to do something is to make it so he WANTS to do it. (But that's for another day). In short, don't expect that your definition of 'timely' is the same as your horse's. It isn't.

How does all this apply to my business? Well, it's pretty simple really. To recap:

1. Be who you are. Don't pretend to be anyone else. While you may not please all the people all the time, authenticity goes a long, long way in terms of the Big Picture. People, like animals, know when you're being real. So, be real.

2. Don't fake it. Feel what you feel and let yourself go through those emotions. This does NOT mean that you can treat people badly. What it does mean is that if you paste a smile on your face that you're not feeling, it's as easy to spot as plastic vampire teeth on Halloween. Never underestimate another person's intuition.

3. Always ask for the sale/business/etc. Don't think that just because you're in front of someone they're going to know what you want. Treat them with respect. Respect their ability to make choices. Honor their perspectives. Listen to what they're saying. It's all about communication.

4. Throw away your expectations of timeliness when dealing with your customers. Your definition of "soon" and theirs may be totally inharmonious. You can certainly ask for a commitment, but you must respect their time line too. Make it clear if you're on a deadline so they can take advantage of whatever it is you're offering. But always remember that we all 'dance to a different beat' and that beat may be completely different than yours. Think Waltz versus Rumba!

One more thing: next time you think it's everyone else who's messing up and ruining your day (business or otherwise) take a moment to look in the mirror. I'd be willing to bet that 9 times out of 10, it's the reflection you'll see that's causing the discord. Take responsibility for your life, your business and your future. Once you've done that, the rest is easy to figure out.

To your success~~~in all areas of your life!

Camille Strate is an author, critter-keeper and entrepreneur who has spent her life in search of the perfect pasture. Her latest book, "Whispers" will be released sometime in Spring of 2008. http://www.genuineintentions.com

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Sony Ericsson K530i - The Complete Music Phone

The Sony Ericsson K530 offers you a great experience all the time. You can simply enthrall your self with great music and dance to your favourite tunes where ever you go. It provides you great quality music on its built-in music player. You can listen to your favourite radio station and get all the latest news, fresh tracks and hot gossips with the help of the FM radio in your mobile phone. This phone promises an amazing music experience that will simply soothe your senses and rejuvenate your soul.

The phone comes with 3G technology that ensures you get the best broadband internet connection on your phone. It offers high speed uninterrupted data transfer of up to 384 kbps. Now you can access the internet with great ease and can surf with high speed. This phone gives you a great experience with awesome facilities like video calls, video streaming, audio streaming, Emails and web browsing. You can capture the most vibrant moments of your life with the help of its 2 mega pixel camera. You can share your favourite videos and images by uploading them on your personal blogs.
The Bluetooth feature allows you to share files with your friends and peers locally on their Bluetooth enabled phones. You can easily connect to various Bluetooth compatible devices and transfer data to a laptop, pc or take prints by connecting to a printer using the wireless Bluetooth connection.

The innovative RSS feed keeps you updates with recent news and weather forecasts. The phone has an innovative feature - the Access Net front browser that lets you surf the internet with great ease right on your mobile phone. The phone is loaded with 3 D games that will surely entertain you.
The Sony Ericsson K530i is surely a great phone to own and you will simply love it every time you use it.

Adam Caitlin is expert author of Telecommunication industry. He had written some good quality articles on mobile phones, cheap laptops and Sony Ericsson K530i

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Salsa !: The Rhythm of Latin Music by Charley Gerard, Marty Sheller ...
Alibris has Salsa !: The Rhythm of Latin Music and other books by Charley Gerard, Marty Sheller, Lawrence Aynesmith ... lang= english accessory: cd ...
http://www.alibris.com/search/books/qwork/5874858/

Steven Chase Miami FL Latin Bands & Salsa Bands for South Florida
... and Salsa Bands for South Florida and Miami FL. Latin Music for Conventions ... original classical guitar music , romantic ballads ( English /Spanish), and cover ...
http://www.stevenchase.org/miami_latin_bands.html

Yucatan Living - Cuban Music and Food in Merida
... hearing what sounded like great salsa music at a distance we stumbled upon the ... English , we quickly recognized that we had a shared love of the music ...
http://www.yucatanliving.com/reviews/cuban-music-and-food-in-merida.htm

2006 October | Addicted2Salsa : Salsa Dance Videos
... 'The Devil' in english as Hector says in this video) playing the trombone in the song. ... Free Salsa Music : Flute Solo Version (2) ...
http://addicted2salsa.com/2006/10/

Rhythm Reminder by Dance In Time Productions - Shows
This created the environment where salsa music completed its development. ... Danzon (pronounce the "z" like an English "s") remains popular today in some ...
http://www.danceintime.com/history.htm

Loco for Latin - The Boston Globe
Suzanne Steele was teaching a beginner’s salsa dance class at Ryles three years ago when a student accused her ... Latin music and dancing, salsa among ...
http://www.boston.com/ae/events/articles/2005/09/01/loco_for_latin/

Johnny Ray: Salsa Con Clase
... Salsa con Clase have produced the hits that salsa fans ... 2003, Slasa Con Clase "Johnny Ray". All Rights Reserved. ( English Version | Spanish Version) ...
http://www.salsaconclase.com/

E. L. Easton - Languages - Spanish Music & Lyrics
Salsa German-Spanish / Klaus Reiter. Salsa chez.com/abri/e. Tejano ondanet.com ... Ricky Martin Spanish- English for ESL. Mocedades mocedades.com ...
http://eleaston.com/spanish-music.html

Home
Salsa Sabios is dedicated to all Latin Music enthusiasts from around the world. ... our favorite classic tunes and provide translation from Spanish to English . ...
http://www.salsasabios.com/

World Salsa Federation Gazette
dance, dancing, ballroom, latin, standard, modern, competitions, tanzen, taniec towarzyski, dance teachers, classes, ... of the good music was made decades ago. ...
http://www.worldsalsafederation.com/gazette.html

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On Protestantism - Martin Luther and Other Reformers

Throughout the essay, I will explore other reformers and sects who followed in Luther's wake to challenge the established religious ways. I will be concentrating on Zwingli; Calvin, and the Anabaptists. I will expound upon the main differences between their religious interpretation and Luther's own positions.

Like Luther, Zwingli; Calvin, and the Anabaptists contributed to the great Reformation - the reformation that hastened the Disintegration or the Dissolution of the Medieval Catholic Church during the Disintegration period of the 14th century to the 15th century, and beyond. Muentzer, who instigated the 1525 Peasant Rebellion while Luther was under the protection of Fredrick the Wise, was more radical than Luther. Muentzer wanted to reform the temporal aspects of the Reformation. Hence, he wanted to abolish serfdom on the basis of 'true Christianity.' Luther denounced Muentzer (a German monk and Luther's friend) for his radicalism. Luther stated Muentzer's execution was God's punishment on him.

Zwingli is a Swiss nationalist and reformer based in Zurich. He agreed with Luther on most points. However, Zwingli disagreed with Luther on Consubstantiation.

Zwingli argued the word 'is used in its Greek/Latin form means'signify'. Therefore, the Communion is neither a rite of Transubstantiation nor Consubstantiation. Rather, the Communion is 'a memorial service' of our Lord and Savior Jesus Christ.

Zwingli's disagreement created a mountain between himself and Luther. As a matter of fact, the Swiss Protestants under Zwingli were not supported by Luther's German Protestants in their war against the Catholic forces because of their disagreement (carved by Luther on a negotiating table, "This is my body" in Latin). The disagreement was so sore that Luther exclaimed, 'he got what he deserved.... His death proved I'm right and he's wrong; upon hearing of Zwingli's demise in battle (a Bible in one hand and a sword in the other).

Calvin, a French transplant based in Geneva, shared many points with Luther. However, like Zwingli, Calvin believed the Communion is a 'Memorial Service' instead of a Consubstantiation. Luther believed what's not in the Bible, is allowed - for example, singing and dancing. In contrast, Calvin believed everything that's not supported by Scriptures is forbidden by God, including singing and dancing.

Calvin was more extreme than Luther as per 'the doctrine of Predestination.' For example, God chooses who is going to Heaven and damned others to go to Hell. Calvin wanted to create 'a new Jerusalem' on earth (via Geneva). He believed in good living (capitalistic somewhat) of Christians (Christians should be the best they can be....)

The Anabaptists is a sect that spread all over Europe. Today, the Amish sects are descendants of the Anabaptists. Unlike Luther, the Anabaptists only believe in adult baptism (hence their name). They reject oaths, swearing, violence and etc. They believe man should imitate Christ. Thus, the Anabaptists are the true elect of the Church. The Anabaptists were harshly persecuted by both the Catholics and other Protestant sects because of their aforementioned beliefs (which they consider a threat to the security of society). Nonetheless, an Anabaptist sect led by John of Leyden violently took over a town named Munster. This Anabaptist sect was the exception as per their use of violence. They were defeated, eventually. The leaders were hung in a cage by a church in the town of Munster as stated by the esteemed historian - Dr. Wladyslaw Roczniak.

In conclusion, I explored other reformers and sects who followed I Luther's wake to challenge the established religious ways. Plus, I concentrated on Zwingli, Calvin and the Anabaptists. I expounded upon the main differences between their religious interpretation and Luther's own positions.

Karl A. Mitchell

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Suzanne Somers Biography

Suzanne Marie Mahoney was born in San Bruno, California, on 16 October 1946; she is one of four children. In 1986, she wrote an autobiography entitled Keeping Secrets, in which detailed the physical abuse she suffered at the hands of her father as a child, which was later made into a TV movie.

As a child she was diagnosed as having dyslexia and was considered a poor academic student. She did, however, perform well in the theater program at the school, eventually, attending college with a music scholarship.

Unfortunately, after a short time at college, she became pregnant and married her boyfriend Bruce Somers, the marriage ended in 1967 after two years. As a single mother trying to make ends meet Suzanne used her looks to take up modeling, she was quickly snapped up by a game show hosted by Alan Hamel, who later became her second husband.

During the early 70s, she found minor roles in TV shows and movies. Eventually, winning the role that would make her a star, as the bubbly blond Chrissy on the hit TV comedy show Three's Company opposite John Ritter. She has stated in the past that the character was based on the wife of famous entertainer, Dick Clark.

She starred in the show for four seasons, then was apparently 'let go' after asking for a raise. During the early 80s she performed on stage in Las Vegas. She later took the role of Carol Foster, this time, playing opposite Patrick Duffy in the TV series Step by Step. She later went on to host the long-running Candid Camera.

At the beginning of the 90s, he became famous as the scantily clad Thigh Master workout girl in a series of well remembered commercials for the leg exerciser.

Since then, she has gone to more serious work, founding the Suzanne Somers Institute for the Effects of Addictions on the Family. She also, she appeared before the U.S. Senate Committee who at the time were planning legislation regarding addiction and family abuse.

She went on to give lectures on the subject, all over the United States. In addition, was given a Humanitarian Award from the National Counsel on Alcoholism, she is also won the prestigious President's Award from the National Association of American Drug Counselors. As well as several other commendations for her work.

Here are some interesting facts about Suzanne's life, she reached cult status, playing the mysterious blonde driving a Thunderbird, and being pursued by Richard Dreyfuss in the 1972 cult phenomena American Graffiti.

Because of her dyslexia, she had to paint one shoe red to be able to learn dance numbers for her Vegas show. After originally winning the role of Jill Munroe in "Charlie's Angels", she was replaced before shooting began, by Farrah Fawcett.

After losing the role, she hired, Farrah's manager to do for her what he had done a Farrah. In 2001 while being interviewed on the hit show Larry King Live, she announced that she was suffering from breast cancer.

In the opening credits for "Three's Company", the brunette walking along the beach is Suzanne wearing a wig. In 1986, she became Las Vegas, female entertainer of the year.

She and Joyce DeWitt did not speak for 20 years after the end of Three's Company. She was not the first actors hired play Chrissy; she was in fact, the fourth, women, given the role.

Suzann currently promotes her own line of diet and other products with her husband Alan Hamel.

Ageless-Diva.com provides a full range of official Suzanne Somers products, such as the FaceMaster, the ThighMaster, SomerSweet and Spray On MakeUp.

dance music 2007

The Importance of Exposing Your Child To Lessons In Art, Music or Dance

As our children grow, they need well-rounded stimulation and exposure to various interests in order to become informed and educated adults later. Most children are taught to engage in sports, while their exposure to the arts may not be as intensive. As the daughter of a teacher who has taught the basics of art, dance, music and theater to children; I have an appreciation for what they have to offer. My life has been enhanced greatly by art and music, especially. If you are thinking about enrolling your child in afterschool programs, consider an art, music or dance class to get them started in the fascinating world of the arts. My mother's students through the 45 years she has taught have appreciated what they learned from her, and have come back at times to tell her so. The arts are meaningful and broaden your child's world tremendously.

For example, if you child wants to play an instrument, encourage this and find a tutor or enroll them in a class. Let your child choose an instrument then either rent one or buy a second-hand instrument until you know he or she likes it enough to get a new one. Music teaches discipline, and studies by experts claim that it can help with learning mathematics as well. Besides, music is a good outlet for children, and pulls them away from less educational pursuits like video games or chatting online. By stimulating your child's brain, you are allowing them to gain mastery of a subject. By sticking with lessons and completing them one-by-one, your child will gain in self confidence, too.

If your child loves to dance, there are courses at the arts or recreational centers in your community on ballet, tap or more. Sign up for a course in the topic he or she finds most interesting, and make sure to give encouragement as the courses progress. Dance promotes agility, grace and physical fitness. Install these interests early to set them up for interest in these disciplines as they mature. Go to the dance performance at the end of the course, and your child will be happy to know that you support all their hard work. It means a lot for them to see that you approve of what they are doing.

Art is most near and dear to my heart, as I am a trained illustrator. Let your child try a broad spectrum of different arts and crafts, so he or she can see what is most interesting to pursue further. For example, there are courses in pottery-making, drawing, painting, enamelling, sculpture and much more. I myself have taught children in drawing and painting, and they absorb what is taught to them like sponges when interested in the subject. Make sure to find a teacher who will make learning fun and give them positive encouragement. Many of my students have told me at the beginning, "I can't do this. I can't even draw a straight line." That doesn't matter, there is no right and wrong in creative art. It's the artist's creative license to do whatever he or she wants. My main concern with insecure students is to let them know that it takes time and practise, like in any branch of the arts, to become skilled. It doesn't happen overnight, no matter how talented you are. Then, I go ahead and teach them, project-by-project, to gain confidence and see that art truly is for them. Some of my students have taken off to create projects on their own, once they realized that perfection isn't expected of them. The pressure is off, and they can be free to enjoy whatever medium they like the most.

As a kid, my mother and father enrolled me in a wide variety of courses. As a shy child, it scared me at first, but even the courses I wasn't as interested in were educational to me. I took away from each course a little more knowledge and appreciation for what the pros have to do to become good at their craft. Though I didn't get into dance, I loved drawing, painting, music and pottery. And, trying different things pulled me out of my shell, making the shyness disappear later on.

I am a professional artist, my preferred style is realistic art, but I appreciate different disciplines unlike mine, such as impressionistic or abstract art. My mother teaches her young students to appreciate the Old Masters (painters like Van Gogh, Monet, Degas, etc.) every year, and they love it. Each child is taught to choose a painting they like, then try to paint it, using basic tempera paint. It is amazing how lovely the paintings can turn out, and every year she gets copies of the work before it goes home with the kids. Unbeknownst to these three to five year old children, classic training in painting includes copying the Old Masters further along in art education. Trying it early is invaluable, and there is no pressure to create a masterpiece, just in having fun and seeing how each child interprets the original painting. The kids love it, and work hard to do a good job, so they can go home and give it to their parents. A very worthwhile project.

Having grown up immersed in the arts myself, I truly encourage you to give your child exposure to them away from what they learn in elementary school. If they enjoy a certain branch of the arts, encourage it, and later as adults they will do this for their children in return. The arts make the world a prettier, more musical and interesting place. No time spent on learning them is wasted. So, go ahead and enroll them in a course after school. You won't be disappointed, and maybe you will open their eyes to a new passion to pursue. It's most definitely worth a try.

Carolyn McFann is a scientific and nature illustrator, who owns Two Purring Cats Design Studio, which can be seen at: http://www.cafepress.com/twopurringcats Educated at the Rochester Institute of Technology in New York, Carolyn is a seasoned, well-traveled artist, writer and photographer. She has lived and worked in Cancun, Mexico, among other interesting professional assignments in other countries. Clients include nature parks, museums, scientists, corporations and private owners. She has been the subject of tv interviews, articles for newspapers and other popular media venues.

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The Most Overdone Figure Skating Music

Choosing the right music is always a challenge for skaters and their coaches and choreographers. What suits one skater or pair or dance team may not suit another. It's a constant challenge figure skaters have -- picking music that fits their style, however also selecting something that the judges will like as well. Another challenge that exists in choosing a piece of music is that it fits the time constraints of a program and that technical elements can be performed to it. Figure skating music needs to incorporate quick beats, slow parts and some breathing time. The new judging system, with its intricate scoring, makes it even more difficult to fit skating to the music.

How often do you hear the first beats of music to a skating program and groan? Not "Carmen" again or, no more "Swan Lake. There should be a rule, that once a skater earns a title with a piece of music, that it shouldn't be played again for at least a couple of seasons. With that rule in place, we would not be subjected to hearing "Swan Lake" or "Carmen" or "Romeo and Juliet ever again; or at least for a while. New music can be exiting, but skaters, might find it to be a bit of a risk. It is understood if a skater doesn't want to take that risk, however skaters Should then go all out in their exhibitions and do something exciting.

There should be some middle ground between choosing an overdone piece of music and something totally unheard. I don't think skaters have to necessarily summarily dismiss music that has been used in the past, I just think they should think carefully before taking up something that's done over and over by multiple skaters unless they have a totally fresh idea for it.

Here is a list of music that should not be played anytime soon in a skating rink near you.

"Carmen"

This is a classic skating piece because it naturally gets the crowd involved.

"Bolero"

Kwan did a great number with that one. She is talented, it is expected.

"Swan Lake"

It's been so overdone that Rudy Galindo performed both his short and long programs to this piece in 1996 Others have used it as well including: Baiul in 1994, Nancy Kerrigan, Shizuka Arakawa 2004, and Sasha Cohen even tried her hand with this one.

"Romeo and Juliet"

Who hasn't tried this music? In the 2006 Olympics a commentator said that the difference between Sasha and other skaters is that they skate to Romeo and Juliet and Sasha becomes Juliet.

"West Side Story"

Great music, however, absolutely everything, from "Maria" to "America," has been played one too many times.

"Malaguena"

This is a great Spanish guitar piece, but should not be used unless the skater can truly keep up with the tempo and offer absolutely great footwork.

"Nessun Dorma"

Again, beautiful music, from Puccini's "Turandot," but nonetheless, overdone by everyone from Sarah Hughes to Brian Boitano. It did not bode well with Meissner this season (2007/2008) This piece should be put to rest.

Some others:

The Feeling Begins

On the Waterfront

Swan Lake

Rachmaninov 2

Paint It Black

Moonlight Sonata

Zorba the Greek

Concerta for Coloratura.

And, there are pieces of music which have been overused at one time but are no longer overused--or used at all. The bell suite and love theme from Ice Castles was too popular in 1979-80, but might be a nostalgic piece now. There is also the option to use a lesser used bit of the score, as Kwan did with Carmen. The Rondo from the Moonlight Sonata isn't overused however. Look beyond the easily overused classics and the currently popular theme.

The Moonlight Sonata , Swanlake, and, any Tchaikovsky piece should take a back seat. Choose something different. The point is, people need to get original with their music. Debby Thomas of USA and Katarina Witt of Germany both skated to Carmen. They were known as the "Battle of the Carmen from the 1988 Winter Games. Carmen, swan lake, anything Beethoven, and Pirates of the Carribean are totally overused! The objective should be, to always look for more fun music. I think the judges would appreciate newly, exciting music.

There's some risk in choosing a classical piece of music. It will still have that edge of familiarity that will make the judges comfortable. But in choosing a classical piece that hasn't been used by numerous skaters before, you leave yourself more open to originality. There are pieces that aren't used as frequently in the skating world that would in no way be new to most of the judges.

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