Sunday, July 20, 2008

Shakira: Oral Fixation Tour [Blu-ray]

After wrapping up her world-wide sold out Oral Fixation Tour, Shakira is back with the LIVE CONCERT Blu-ray that captures it all. Viewed by over 2M people in 36 countries, Shakira delivers all of her smashes, such as "La Tortura"(featuring Alejandro Sanz), "Hips Don't Lie" (featuring Wyclef Jean), "Whenever, Wherever" and "Underneath Your Clothes". Fans can witness Shakira shifting gracefully from the hypnotic hip-swaying siren to the all-out rock star in love with her guitar.

TRACK LISTING:
1.Intro/Estoy Aqui
2.Te Dejo Madrid
3.Don't Bother
4.Antologia
5.Hey You
6.Inevitable
7.Si Te Vas
8.La Tortura (featuring Alejandro Sanz)
9.NO
10.Whenever, Wherever
11.La Pared
12.Underneath Your Clothes
13.Pies Descalzos
14.Ciega, Sordomuda
15.Ojos Asi
16.Hips Don't Lie(featuring Wyclef Jean)

BONUS FOOTAGE:
"Barefoot": a 20-minute documentary focusing on Shakira's nonprofit organization, shot in Colombia
"Around The World in 397 Days": a 5-minute behind-the-scenes exclusive

BONUS VIDEOS:
OBTENER UN SÍ(LIVE)
LA PARED(LIVE)
LAS DE LA INTUICIÓN

BONUS AUDIO CD TRACKS:
1.Intro
2.Estoy Aqui
3.Don't Bother
4.Inevitable
5.La Pared
6.Hips Don't Lie

VIDEO/AUDIO SPECS:
Full 1080p24 High Definition Picture
PCM (uncompressed) Stereo
Dolby Digital 5.1 Surround Sound (640 pbps) PCM (uncompressed) 5.1 Surround Sound
Customer Review: Fantastic
This DVD along with Live and Off the Record are simply fantastic. Shakira is the whole package from the voice of an Angel to a body...well, that's out of this world!! How could you not love this goddess!!!!!
Customer Review: Bought it for the price. Ended up liking it.
It was available for less than fifteen so I picked it up. I liked Shakira's first major Spanish album before her international success. I hadn't really listened to her newer stuff. When I put it in I was pleasantly surprised. The visuals are great and the sound is even better. To be honest I do skip a few songs whenever I watch it but I still consider it a good purchase for the price.


Did you know?

France is the birthplace of Pierre de Coubertin, who is the father of the Olympic Movement. This Frenchman was born on January 1, 1863 in Paris. Pierre once said, "The Olympic Movement gives the world an ideal which reckons with the reality of life, and includes a possibility to guide this reality toward the great Olympic idea".

The Summer Olympic Games were held in Paris in 1900. For the first time, sportswomen were allowed to compete in the Olympics ( six tennis players ). France won first place in the Games with 26 gold, 41 silver and 34 bronze medals.

Marie-Jos Prec was one of France's greatest sportswomen. She was born in Guadeloupe ( Caribbean island ) and moved to France with her mother when she was sixteen. Marie-Jose became the second female athlete in the history of the Olympic Games to sweep the 200m and 400m ( Atlanta'96 ).

Like Guadeloupe, Martinique, French Guiana and Reunion, New Caledonia -French territory in Oceania- is not member of the International Olympic Committee ( IOC ). Why? France does not allow its territories to compete in the Olympics. For this reason, New Caledonia's athletes can not compete in the Olympic Games. Unlike Guam ( American territory ), Aruba ( Dutch territory ) and Bermuda ( British territory ), it did not compete in the 2004 Olympics. Ironically, New Caledonia has several famous sportspeople in the South Pacific. Aquatics: Olivier Saminadin, Thomas Dahlia, Thomas Chacun, Reine-Victora Weber, Lara Grangeon, Diana Bui-Duyet, Adeline Williams and Gilles Durnesnil. Archery: Laurent Clerte, Emmanuel Guilhard, Henry Shiu, Isabelle Soeno and Sylvena Plazenet. Athletics: Vaikula Elise Takosi, Candice Soulisse, Erwin Casser, Bertrand Vili, Eric Frederic, Bina Ramesh, Eric Revillard, Phoebe Wejieme and Daniel Kilamo. Badminton: Nicolas Martoredjo, Florent Mathey, Marc-Antonie Desaynoz, Johanna Kou and Cecile Sarengat. Boxing: Christophe Lestage, Ataale Gyan and Hannequin Benoit. Judo: Sandrine Perel, Kyo Lussaud, Melissa Kaddour, Stephane Courtine, Jonathan Berger, Cyril Chevalier, Paul Dulac, Abedis Trindade de Abreu, Vaea Chadfeau and Diane Hillaireau. Sailing: Chrisptophe Renaud, Alban Rossollin, Feri Malhieu, Michael Borde, Cawle Dabin and Paiscillia Poaniewa. Shooting: Theodore Tein Weiawe, Fabrice Azarro and Phillipe Sinoni. Table tennis: Frederic Quach, Laurent Sens, Maxime Bataihard, Ornella Bouteille and Alexandra Heraclide. Taekwondo: Annie Odino, Kevin Belhameche, John Trouilet and Arnord Sariman. Tennis: Julien Couly, Elodie Rogge and Nickolas Ngodrela. Triathlon: Oliver Bargibant, Stephane Lacroix and Benedicte Meunier. At the last South Pacific Games held in Apia ( Samoa / formerly Western Samoa ) in November 2007, it finished 1st among 22 countries and territories. Certainly, New Caledonia has won more international gold medals per capita than any other country of the South Pacific.

Paris hosted the FIVB Volleyball Men's World Championship in 1986. Final standings: 1.United States, 2.USSR ( currently Russia ), 3.Bulgaria, 4.Brazil, 5.Cuba, 6.France, 7.Argentina, 8.Czechoslovakia (currently Czech Republic/Slovak Republic), 9.Poland, 10.Japan, 11.China, 12.Italy, 13.Greece, 14.Venezuela, 15.Egypt, 16.Taiwan.

Jean Schopter became the first Frenchman to win the Roland Garros in 1892.

France send 243 athletes to the 1984 Los Angeles Games. It participated in 19 sports: archery ( 2 ), athletics (45), basketball ( 12 ), boxing ( 4 ), kayak ( 14 ), cycling ( 16 ), equestrian ( 11), fencing ( 20 ), football ( 17 ), gymnastics ( 9 ), wrestling ( 16 ), modern pentathlon ( 3 ), rowing ( 22 ), shooting ( 15 ), swimming ( 19 ), tennis ( 4 ), weightlifting ( 2 ), wrestling ( 8 ), sailing ( 12 ).

This European country won the gold medal in soccer at the 1984 Olympic Games in the United States.

France is the birthplace of fencing. Fencing was made part of the official program for the Olympics at the 1896 Athens Games.

Paris has hosted the Summer Olympics in 1924. There were 3,092 athletes from 44 countries who competed in 19 sports: athletics, aquatics, boxing, cycling, diving, equestrian, fencing, gymnastics, modern pentathlon, polo, rowing, rugby, sailing, shooting, soccer, tennis, water polo, weightlifting, wrestling. France came third with 13 golds, 15 silvers and 10 bronzes.

Eunice Barber is one of the most famous athletes in France. She was born on November 17, 1974 in Freetown, Sierra Leone ( Western Africa ), the world's poorest country. Eunice says, "I was fortunate to grow up in Sierra Leone, an English-speaking African country where sport is very present". For political and economic reasons, she moved to France when she was 18 years old. In the 1990s, Sierra Leone had one of Africa's bloodiest civil wars. More than 70,000 Africans had been killed and 150,000 had left the country. Under the banner of Sierra Leone, Eunice finished fifth in the heptathlon competition at the 1996 Olympic Games in the United States. For many sportswriters and experts, her Olympic performance was amazing. Three years later, she become a French citizen.

Top performances:

1999: European Cup-1st heptathlon

1999: World Cup-1st heptathlon

2003: IAAF World Championships- 1st long jump, 2nd heptathlon

2003: European Cup-1st long jump

2003: IAAF World Athletics Final-1st long jump

2005: IAAF World Championships-2nd heptathlon, 3rd long jump

2005: IAAF World Athletics Final-4th long jump

2006: European Cup-2nd long jump

Eunice's favourites:

Movie stars: Julia Roberts, Sharon Stone, Demi Moore

Music: From French to pop music

Hobbies: Theater, cinematography, music, reading

Fashion designers: Issey Miyake and Jean Paul Gautier

Music artists: Celine Dion, Withney Houston, Wyclef Jean.

Alejandro Guevara Onofre: He is a freelance writer. Alejandro is of Italian, African and Peruvian ancestry. He has published more than seventy-five research paper in English, and more than twenty in Spanish, concerning the world issues, olympic sports, countries, and tourism. His next essay is called "The Dictator and Alicia Alonso". He is an expert on foreign affairs. Alejandro is the first author who has published a world-book encyclopedia in Latin America.

He admires Frida Kahlo (Mexican painter), Jos Gamarra (former president of the Bolivian Olympic Committee ,1970- 1982), Hillary Clinton (ex-First Lady of the USA), and Jimmy Carter (former President of the USA). Alejandro said: "The person who I admire the most is Jos Gamarra . He devoted his professional and personal life to sport. Jos played an important role in the promotion of Olympism in Bolivia -it is one of the Third World`s poorest countries- and Latin America. His biography is interesting". The sportspeople he most admire is Olympic volleyball player Flo Hyman. "This African-American sportswoman is my idol... "

80s dance music

Toontrack EZX Latin Percussion Expansion Library (for EZdrummer)

The Latin Percussion EZX for EZdrummer contains the percussion sounds from the revolutionary, award winning pro drum sampler, dfh Superior from Toontrack Music. The EZX includes midifiles that will add that extra groove on top of your steady drumtrack. System requirements: 1 Gb free disc space, 512 Mb RAM, DVD drive, dfh EZdrummer installed.Instrument list Latin Percussion EZX Afuche MEINL Afuche LP Afuche Shakers Rhythm Tech Cans Light Shaker MEINL Small Shaker MEINL 8 Shake Small MEINL Apple Shaker MEINL Lemon Shaker MEINL Medium2 Shaker LP Shake It MEINL Pear Shaker MEINL StootEgg Shaker MEINL SmallEgg Shaker MEINL SmallerEgg Shaker MEINL Large Shaker MEINL Medium Shaker MEINL 8 Shake Large LP Gold Big Caxixis MEINL Caxixi MEINL small Caxixi Custom Caxixi Maracas MEINL plastic maracas LP skin maracas MEINL/LP mix maracas Bongo 1 MEINL Collection series MEINL fibercraft Bongo 2 MEINL Collection series MEINL fibercraft Cowbell MEINL small cowbell MEINL realplayer cowbell MEINL realplayer steel big cowbell LP small cowbell MEINL mambo cowbell LP salsa cowbell Cymbal 1 Emsing custom crash 20" PAISTE full crash 10" MEINL BYZANCE splash Cymbal 2 16" MEINL BYZANCE thin crash 16" SABIAN medium thin crash 6" MEINL BYZANCE splash Splash 8" ZILDJIAN A Custom Splash 8" MEINL BYZANCE splash Cajon Cajon Chimes MEINL Barchimes Pelle Hjelmers big chimes Mini chimes Conga 1 MEINL woodcraft MEINL fibercraft MEINL wood professiona...


In the 1920s when radio was first catching on, the idea of a popular culture was somewhat different than what we have today. For there to be a pop-culture, there needs to be a way for media to reach the masses. Up until then, the extent of popular media was done in print, and was limited to those who could read and had the time to do so. But, with the invention of moving pictures and the breakthroughs in mass producing personal radios, the concept of bringing a single product to an entire nation was born and with it the concept of pop-culture.

At first it was simple, big bands and radio shows in the afternoons. The country fell in love with Bogart, Bergman, and Garland and people all over the world were watching and worshipping the same cultural scions. The voices of popular music and the face of the movies were everywhere and along with the collective feeling of involvement, of a mass consumption that the world had never seen before.

Television soon followed suit and multiplied it all ten fold, along with affordable record players, the invention of cassettes, VHS tapes, and the computer. These days the availability of mass media is such that pop-culture is the only culture we have anymore. If you ask anyone on the street what cultural icon they most respect, theyll most likely offer up Eminem, Tom Cruise, or if theyre a little older the Beatles. But even the Beatles are a product of that pop-culture machine thats been churning since the dawn of the last century, diluting what we consume each and every day to the point of watching grown men and women fight in pits of mud and scorpions for $10,000 in prize money.

The idea that anyone would consciously compare the likes of Survivor and Desperate Housewives with Hemingway and Rembrandt is partially if not wholly disturbing when you think about it. The cultural output of todays society is strictly commercial. Thats not that there isnt decent music being produced, films made, and art created the world over every day, but less and less it is possible to dig through the slough of viral videos and 24 novelizations to find them.

Which brings me to the greatest cultural lesion of them all, born not quite five years ago. Yup, thats right. It hasnt even been five years yet. The summer after the quintessential defining event of this generation, there came another defining event, something which I hope every year (and find myself less willing to believe) will not be remembered as vividly as 9/11, the series premier of American Idol. I was fresh out of High School and had just moved out of my parents home.

I was staying with friends in a suburb of Seattle and on that fateful June evening in 2002 I watched as a few thousand poor souls made fools of themselves in the highly produced, quality free rehearsal space in front of three withered remnants of the music industry; the man who brought us the Spice Girls, a long since washed up drunk dance queen, and the guy who played bass on tracks for Madonna. These three at the same time tore apart, offered support and flung superfluous slang at awful and amazing singers alike in what Ive never been convinced is not a fully scripted three minute sequence.

The first season or two of the show were cultural phenomena. By the third season, the American Idol voting got almost as many votes in a single season as a presidential election, and ten times the viewership. Every teenager, washed up singer, and creepy old guy watched with intense interest as these poor kids sang their hearts out (granted, they have talent) for cheap poppy fluff that will sell.

God forbid you win the whole thing, as the promise of record contract also means youre eternally tied at the hip to Cowells production company and the overwhelming percentage they suck dry from your earnings. And these singers make money lots of it. The 20 million or more viewers watching for 10 plus weeks, are more than a little willing to pay for the album they watched the development of. Its marketing genius, and its destroying popular culture in the same way popular culture destroyed actual culture.
Theres no denying the popularity of the program, or the talent of the eventual finalists. But, this year especially, theres a certain feeling of production in every scene thats always been there. It pervades every audition. If you have a friend whos auditioned, and the odds are after six seasons of auditions you probably do, youll know that they only take a very small percentage of the 30,000 people that show to an audition to see the Big 3. And what do we see on tv? About 80% godawful singers. They purposefully pull these people from line, give them a disclosure agreement to sign and send them in to be knowingly torn apart by a smarmy Briton.

Better yet, since William Hung made his horrific appearance into a career, these lost souls go with the sole intention of being mocked mercilessly in hopes of finding fame in their poor performance. This year though, it went a little too far as a young man was berated for his weight and poor singing by the entire crew of judges only to later find out that he was mildly autistic. And they aired it.

These kids are throwing away their pride and dignity for the hopes that they can find fame in the sole fact that they were yelled at on American Idol. Its not only sad, its the most popular television program of the decade, and every year it gets more viewers. For shows like Arrested Development to go off the air and on the same network, millions tune in to watch an overweight autistic teen try his best to sing God Bless America and get degraded by the meanest (and Im banking that hes on script 90% of the time) man on television for the viewing pleasure of the increasingly brain dead masses around the world is sickening.
There was a time in the 80s when the music industry started ramping up its production in a box theory of output, not new to the industry but increasingly prevalent. There was a time when musicians used to get offended at being called mass produced and created. Now, its a part of the game. If you arent pushed through the blender of studio primping and preening, paraded across the national spotlight for approval, youre not ready to be the next it girl or guy.

For anyone who actually listens to music for intelligent lyrics or watches films or television for good writing, and social importance, shows like American Idol are only one more nail in the coffin of intellectual thought and culture. Pop culture can be intelligent. Thats been shown in the past few decades more than once, and it can become cultural with age (I point to The Beatles again), but American Idol will never be either of these and only serves to lubricate the downward spiral into cultural emptiness.

I'm a self avowed unemployed writer, working on semi-constant basis to try and overcome the need to go and work a real job. I've written more than 200 articles and reviews and am constantly scouring the internet for any and all excuses and methods to make myself less dependent on corporate pay days. Visit my website at TheChatfield.com

latin music download

Encanto

Brazilian music legend Sergio Mendes spins his remarkable magic on his newest recording, a bona fide classic! This is a kaleidoscopic album that underscores the maestro's ear for addictive melodies, as well as his ability to cast incredibly talented singers and musicians from all over the world
Customer Review: a review for Brasil '66 fans
It's been around 40 years since Mendes reached an artistic and commercial peak with several classic albums that successfully mixed bossa nova, jazz, and pop music. Those albums still sound fresh today, thanks to the terrific songs, latin rhythms and some sparkling arrangements. Since then, Mendes has experimented with mixing his Brazilian sound with folk rock, funk, dance music, hip hop, and on "Encanto," some r&b. As someone who prefers the work he did with Brasil '66 to anything more recent, to my ears the album is pleasant though generally forgettable with the exception of a few wonderful tracks. Unsurprisingly the best tracks are those with strong melodies by Antonio Carlos Jobim, in particular "Somewhere in the Hills" and "Dreamer," both of which are direct descendants of the sound of Brasil '66. "Dreamer" includes both Herb Alpert and Lani Hall, who sounds remarkably like she did when she was fronting Brasil '66. This is a genuinely stunning track and easily the best on the album. Natalie Cole sings "Somewhere in the Hills" which is appropriately jazzy and is one of Jobim's strongest melodies. Other Jobim tracks include "Waters of March" which Mendes has covered several times in the past. It's a singer's song, and sounds a little rhythmically stiff here, as it has in his previous efforts. "Morning in Rio" is also good, with a more Brazilian styled melody and a nice trombone solo. The rest of the CD is listenable, but not such that I ever want to hear most of it again. "The Look of Love" is an unnecessary remake of a good song. What made the original great was a sensational big band arrangement which has been dropped in favor of a hip hop arrangement. I liked the Brazilian styled funk of "Odo-ya" and the mellow "Catavento" with Mendes' wife on lead vocals. On the other hand, "Funky Bahia" and "Lugar Comum," the latter of which features an Italian rapper doing a little snippet of "Volare," are disposable pop/hip hop songs. If I could get into Mendes' head, I would try to convince him do an album of Jobim and Marcos Valle songs with Herb Alpert and Lani Hall and a small jazz/bossa combo. It might not sell a million copies, but it would be an artistic triumph. If you're an unreconstructed fan of Brasil '66 as I am, I can recommend this with reservations. You might be better off just downloading a handful of tracks. But "Dreamer" should not be missed.
Customer Review: Summery and enchanting.
"Encanto" follows the highly acclaimed 2006 collaboration with will.i.am Timeless and with this latest release, Sergio takes us even deeper into Brazil, having recorded all the basic tracks in Rio and Bahia and finally finishing up in in California, where the studio band included Alphonso Johnson. For "Encanto" (in Spanish for Enchantment), Mendes has also enlisted the formidable and enchantingly diverse talents of an array of guest musicians who hail from the world over. Latin superstar Juanes from Colombia and multi-talented Carlinhos Brown & Vanessa da Mata from Brazil jostle alongside the foremost Japanese pop group Dreams Come True, Belgium's Zap Mama and Italian rapper Jovanotti. This international cast is completed by the American stars Fergie, Siedah Garrett and Herb Alpert who is accompanied by his wife, original Brasil '66 singer, Lani Hall. Old smoothie Mendes gets jiggy on a selection of bossa-favourites with a raft of guest stars including the ubiquitous Will.i.am and Fergie from the Black Eyed Peas, Natalie Cole and Herb Alpert et all... This new album essentially is a cross between Mendes' soft, salsa-tinged melodies and modern day R'n'B. The opening track, "The Look of Love" with rap/vocals by Fergie, is a deliciously moreish funky-fusion, and for the first third or so, the combination of Sergio's Rhodes with the hip-hopped production style is terrific. Perhaps this new version of Burt Bacharach's "The Look Of Love", which Mendes had originally transposed to bossa nova heaven in 1967 is the boldest track on "Encanto". This new interpretation, produced by Black Eyed Peas will.i.am, preserves the alluring melody of the original while bringing the song into the new millennium with crisp drum programming and a sexy rap by Fergie. Then it goes all smooth jazz on you. Not bad, though. Whether you are a Sergio Mendes fan especially the earlier stuff, Brasil 66, Equinox, etc or a Black Eyed Peas fan, or indeed R&B then there's something on this album to please everyone. I'd say for such a challenging album there are only a couple of songs that are just to heavy hip hop for me. The rest is a joy to listen to, if you are open minded about remixes and love to see what Sergio has been up to. This album is a grower. The more I listen to it, the better it gets. You will like it. Picks of the album: "The Look of Love", "Waters Of March", "Dreamer", and "Somewhere In The Hills (O Morro Nao Tem Vez)". Equinox Sergio Mendes & Brasil '66 - Greatest Hits The Very Best of Sergio Mendes & Brazil 66


So youve invested in a state-of-the-art guitar what next? Chances are youll need an amplifier. Guitar amplifiers are an essential part of your music gear; in fact, most musicians agree that a good guitar is no use without a good amp.

When shopping for an amp, you usually have four options: tube, solid state, digital, and hybrid. While the last two are certainly more high-tech, newer isnt always better when it comes to amps. Each type has its own advantages, and it all comes down to your budget and personal preference.

Tube guitar amplifier

The first amps to become available were tube amps. Many experts find them their warm, full tone more natural, and digital amps have tried and failed to duplicate it. Another reason theyre still around is power-saving: they sound much louder than solid-state and digital amps at the same wattage. The only drawback is that the glass tubes break easily, so youll have to be careful moving them around.

Solid state guitar amplifiers

In solid-state amps, the tubes are replaced by transistors. While this makes them sturdier, it tends to make them sound harsh or distorted at high frequency. However, these amps will stand up to heavy use better than tube amps.

Digital guitar amplifier

Digital amps are programmed to imitate a wide range of amp sounds, including distortions, riffs, and the classic tube amp sound. Cheaper digital amps sound synthetic, but with high-end ones you can hardly tell the difference. Get a digital amp if you like being creative and trying out different styles.

Hybrid guitar amplifiers

These amps combine tube and solid-state technology into a single machine. The sound quality isnt as great as the original tube amps, but they will do if you want tube-quality sound without spending on a high-end digital amp.

More guitar amplifier information is available in Picky Guide which contains thousands of quality product information for picky consumers.

dance music 2007

Art Poster Print - Coldplay (Group B&W) - Artist: Anon - Poster Size: 24 X 36

This poster is 24 inches by 36 inches approximately. It is in mint condition


Spanish is spoken in many countries throughout Europe, Latin America, and the Caribbean, as well as in the United States. Spanish people just love it when tourists and travelers speak Spanish to them. Spanish is the mother tongue or second language for over 500 million people around the world.

Learning a new language can open up your life to an exciting new culture, in a fantastic new country. There are many reasons to take the Rocket Spanish course.

Spanish language software programs like The Rocket Spanish Course are a great way to learn the language because you can learn at your own pace and in the privacy of your own home. Being able to learn at your own pace is a major plus because the course teaches you so quickly you find it hard to actually stop the lessons for a break. In fact, the course is so successful at speed teaching that it comes with a full 8 week money back guarantee.

Realistically, if you diligently apply yourself to learn the entire Rocket Spanish course, and if you then go out and find people to practice conversation with, this course could have you speaking pretty fluent Spanish in much less than a year's time. Maybe six months for the average learner, longer for some.

The Rocket Spanish Course is now the #1 selling Spanish learning system in the world today.

Because the course gives you step-by-step guidance of how exactly to learn Spanish in the quickest time, you can be sure that you will learn what you want when you want. It also includes interactive games to make things more fun and easy to follow.

Learning the basic lingo might be simple. Learning the vocabulary and retaining it is one of the difficult parts of learning a language, but by listening to it in the car as you drive, playing the games and things, it really helps improve your Spanish skills, especially in the area of grammar.

I have to say that the name is appropriate, because the course literally propels you at rocket speeds towards becoming a functional speaker of Spanish.

By immersing yourself in the course, you will no doubt learn about the language in record time. I would recommend the Rocket Spanish course to anyone looking to learn Spanish without paying the high cost most classes can cost.

The Rocket Spanish course looks the way to go.

http://www.lingospeak.net

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Yellow

Re-release of this Excellent Pop Single from UK Outfit, Coldplay.
Customer Review: The Weakest Single off of "Parachutes"
"Yellow" is the song that got Coldplay the attention of US audiences, and while it is a good song for sure, it is surely not the best that Coldplay offers on "Parachutes", their debut album which features "Yellow". This CD offers "Yellow" and 2 additonal tracks: "Help Is Around the Corner" is a short (2'34) throwaway with Chris Martin on accoustic guitar that has the feeling of "Hey Chris, we need a track for the single, can you make up something quickly?" "No More Keeping My Feet Off the Ground" is taken from Coldplay's first (independent) release, the EP "Safety" (April 1998), and gives a great insight on how much the band has matured since then. It is the best song on this CD, but the sound is somewhat muffled, yet it shows the band at its intruiging origins. Bottom line: for Coldplay completists only.... If you're looking for Coldplay singles, go instead for "Shiver" or "The Blue Room EP" (see my reviews there)
Customer Review: inspiring
"yellow" is an awesome song to a person who believes in a loving GOD


The exceptionally talented Jazz artist Freddie Hubbard has released him CD entitled Face To Face. I am very confident and happy to announce that I believe Freddie Hubbard fans, and Jazz fans alike will be pleased with this one. With the release of Face To Face Freddie Hubbards artistic excellence is on full display as Hubbard has once again delivered a brilliant collection of tracks that could very well be him best work to date.

The CD kicks off with a great track, All Blues, that I suspect will be heard on radio stations everywhere, and deservedly so. It really is a very nice track.

Face To Face is a pleasantly varied, mix of 5 tracks that are very well written songs by this clearly talented artist. With many of the songs displaying a lot of the kind emotion that makes for a really great listen. Clearly drawing from what I can only imagine are him own personal experiences. At different points touching on the most real emotions like love, and the pain of failed relationships can certainly be heard.

I give Face To Face my highest recommendation. It just plain belongs in any serious music collectors collection regardless of genre preference.

While the entire album is really very good the truly standout tunes are track 2 - Thermo, track 3 - Weaver Of Dreams, and track 5 - Tippin.

My Bonus Pick, and the one that got Sore [...as in "Stuck On REpeat"] is track 1 - All Blues. This is a great track!

Face To Face Release Notes:

Freddie Hubbard originally released Face To Face on June 24, 1997 on the Original Jazz Classics label.

CD Track List Follows:

1. All Blues

2. Thermo

3. Weaver Of Dreams

4. Portrait Of Jenny

5. Tippin'

Personnel: Freddie Hubbard (trumpet); Oscar Peterson (piano); Joe Pass (guitar); Niels-Henning Orsted Pedersen (bass); Martin Drew (drums). Recorded at Group IV Studios, Hollywood, California on May 24, 1982. Includes liner notes by Norman Granz.

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Coldplay (Pulse, Original) Music Black Wood-Mounted Poster Print - 18" X 22.5"

We bring you the best selection of Movie Posters, Music Posters, Sports Posters, Art Prints, Television Posters, College Humor, and more! This is the premier destination for finding entertainment posters. Find authentic movie advertisements, increase your celebrity photo and poster collection, locate that missing pop idol piece you need to complete your set, or discover rare concert sheets from your favorite musicians and bands. Whether its that one rare framed art print youve been looking for, or you need to wallpaper your dorm room with the hottest, sexiest posters, this is the place to find everything. Brand new, perfect condition, fast shipping! Buy from the best!!!


Everyone wants their wedding day to be special, unique and memorable, and weddings abroad are growing more frequent as young couples seek to avoid rainy days at home and seek out the most idyllic spots to say their vows. For those who like the sound of a Caribbean beach wedding, the natural choice is the island of Cuba. The island is so beautiful that plenty of newlyweds are tempted to spend their honeymoon in Cuba as well!

Some people are daunted by the thought of organizing a wedding abroad, but it doesn't have to be so difficult. Here are 5 of the most important things to get right for the perfect wedding in Cuba.

What you need

First, the boring part - paperwork. It may be the last thing you want to think about, but if you miss out a crucial document your day could be ruined! For a wedding in Cuba, the bride and groom both need to have:

-Copies of passports and birth certificates

-Details of their education, home address, employment and the full names of both parents

If the bride or groom is divorced or widowed, they need to have their Certificate of Divorce or their original Marriage Certificate and former spouse's Death Certificate. These need to be translated by the Cuban Consul, and the original copies taken to Cuba when you go to get married. Copies of these documents need to be faxed to your hotel three weeks before your arrival in Cuba.

Also, be sure to note that you need to be in Cuba for at least 72 hours before the ceremony begins, so use that as an excuse to arrive early and relax on the beach for a few days before your wedding in Cuba.

Where to get married

For most couples looking to plan a Cuban wedding, there are two clear choices - the city or the beach. Despite the temptations of a sunny beach ceremony, Havana can be a vibrant and romantic setting for a wedding in Cuba. Getting married in Havana can be like stepping back in time, with old fashioned cars and handsome colonial architecture. Despite the fact that Communism and religion have rarely got along very well, Havana has numerous beautiful stone churches that can be the perfect venue for a wedding in Cuba.

Those who want to get out of the city and have a Caribbean beach wedding will be spoilt for choice. Varadero is the most popular beach resort in Cuba, but Cayo Coco, Cayo Guillermo and Guardalavaca are all fine choices as well. Wherever you go, you are likely to find white sands, blazing sun and balmy tropical weather. But on the subject of the weather...

When to get married

The last thing you want on your wedding day is for it to pour down with rain. This is a problem most people expect to deal with if they are getting married in the UK, but not for a Caribbean beach wedding! It's an easy mistake to assume that Cuba is blazingly sunny all year round; as a subtropical country, it is subject to periodic bouts of torrential rain. The rainy season runs from May to October, and the island sometimes suffers hurricanes during this time as well.

You don't need to worry too much - even in the height of the rainy season in the wettest parts of the country there's rarely more than 7 rainy days a month. But for the best chance of a clear day for your wedding in Cuba, you might want to consider the 'shoulder months' of April or November, when it will still be hot and sunny but the chance of rain is greatly reduced.

What kind of dance

The married couple's first dance is one of the most memorable parts of any wedding, and choosing one of the many Cuban dances will add a little Latin spice to the occasion. There are plenty of styles to choose from, but most couples will be drawn to either Rumba or Salsa.

Guaganco Rumba is an overtly sensual dance where the man tries to 'catch' the woman with a vacunao, which is usually a flick of a handkerchief or a pelvic thrust. If you'd prefer something a little more genteel, Rumba Yambu (often know as "old people's Rumba") is a slower and more traditional way of dancing. For those who want a dance that is relatively simple and great fun, Salsa is the way to go. Whatever dance you choose, be sure to invest in a few lessons beforehand to make sure that you are up to scratch for your wedding in Cuba.

What to do on your honeymoon

If you travelled halfway round the world for your wedding, you might well consider staying for a honeymoon in Cuba as well. If you got married on the beach, a romantic city break in Havana can provide the perfect contrast. Of course, if you held the ceremony in the capital, it's the perfect time to find a cosy getaway on the coast.

For couples who want a more adventurous honeymoon in Cuba, swimming with dolphins, salsa holidays, horse riding and diving are all popular activities on the island. You might even want to time your trip with one of Cuba's big festivals, such as the Havana Jazz Festival in February or the Santiago de Cuba Carnival in July.

Whether you want the perfect beach wedding or a romantic honeymoon, a visit to Cuba can give you an experience to remember for the rest of your life.

Emma Lelliott is the general manager of Captivating Cuba, an independent Cuba holiday specialist. With offices in Havana and the UK, Captivating Cuba can help you tailor-make the perfect wedding in Cuba.

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Folk wisdom holds that we use about 10% of our potential in a lifetime. New scientific research suggests the percentage is dramatically worse we use a mere 1/10,000th of our capabilities over the course of our lives. What a waste!

Can you imagine the benefit that you would contribute if you developed the capacity to use just 1% more of your talents to achieve what matters most to you? Is 10% too big a reach for you? I think not.

Among my most provocative teachers in the field of performance potential are the jazz musicians with who I work in my speaking and seminar business. They are masters at bringing their unique forms of excellence together to generate value for their audiences. They are passionate about increasing their potential to perform by constantly exploring new possibilities for achieving their purpose.

Why Jazz?

Warren Bennis is one of the worlds most influential writers on leadership and performance. In the mid-1990s, he had a significant change of mind. Before, his favourite image for a leader was the conductor of a symphony orchestra, blending the talents of accomplished performers according to a detailed and carefully crafted score. After, he realized that a jazz group was a better image for leadership and performance.

Excellence in performance in a constantly changing environment, he realized, was about improvisation, and that is what jazz musicians did best. They embraced change as opportunity, not threat. They shared leadership according to talent and the needs of the performance. They greeted surprise as a chance to test their talents and dance to forms of music yet to be heard, generating new value through their exploration of new possibilities. And they recognized, as sax great Cannonball Adderley once said, that there were no mistakes, only opportunities to learn.

Five Key Lessons from Jazz

Here are five the key lessons from the wisdom and workings of jazz about building your capacity to generate value through your unique excellence in performance. They form an acronym for VALUE:

Voicing

Aspiring

Learning

Utilizing

Encouraging.

Voicing

Your voice is unique. No one else has what you have to contribute in the style you have to deliver it. Your voice develops through the blending of your passions, talents, needs, and principles. Jazz musicians, pianist Walter Bishop Jr. once observed, learn in a three-step process: they imitate, assimilate, then innovate. They learn their craft from the masters, trying to imitate their sound. Then they take little bits of things from different people and weld them into their own style. Finally, they imagine how they can take the music to where it has never gone before and do it. That is when they generate their authentic excellence in performance. As jazz bassist and composer Charles Mingus once said, Im trying to play the truth of what I am. The reason its difficult is because Im changing all the time. You can meet the same challenges of improvisation with your unique voice in your chosen field of contribution.

Aspiring

You can survive by simply coping with the messes of the past and the present. But you will not thrive unless you focus the energy of your unique voice on new possibilities in the future. Jazz musicians exhibit a fascinating respect for tradition blended with a passion for innovation. They are constantly trying to imagine new ways of using their voices, to do new things with old melodies and techniques, to improvise on old ideas to stimulate new possibilities and achieve new results. They aspire to do better. Trumpet master Miles Davis said that he always asked his groups to play their best and then play above that. It was then, he believed, that great music happened. Excellence in performance is the same. It is achieved when we contribute our best and then more.

Learning

Learning requires listening. Band leader Duke Ellington once said that the most important instrument in jazz was the human ear. Excellence in performance arises when all the members of the band listen to what they are each contributing to their common purpose. It arises when they all imagine how they can use their voices to create the best result through a carefully coordinated effort. Jazz musicians are strong individualists, confident and even jealous of their own unique voice. But they choose to listen to, learn from, and cooperate with each other to produce something they know they cannot achieve on their own. They are genuine life-long and collaborative learners. Excellence in performance requires that you too constantly listen and learn from each other.

Utilizing

All that voicing, aspiring, and learning means little if you do not choose to utilize them to contribute to a broader purpose than your own pleasure. Jazz musicians thrive on their audiences. Duke Ellington saw his audiences as an integral part of his performance. The special moments for Ellington came when he and his orchestra, which he considered to be his instrument, felt the audiences appreciation building, responded positively to it, and utilized their passions and talents to create new heights of meaningful experience for everyone involved. Excellence in performance requires the positive utilization of your unique brilliance in the service of others.

Encouraging

Human beings are designed to collaborate. However alone you may feel at times, you belong to a species that thrives only in community. The whole dynamic and flow of excellence in performance depends on how well you choose to use your unique capacities to encourage excellence in performance in others. Jazz pianist Monty Alexander usually performs in a trio. At its best, he has observed, trio playing is a situation in which participants willingly support each other. Each player brings virtuosity, optimism, mutual respect, good will, and the desire to make it feel good. If we encourage each other in the alignment of all of those elements, we can create excellence in performance.

Generating VALUE through Excellence in Performance

When jazz musicians get into the flow of a great improvisation, they say they are swinging. Canadian jazz master Oscar Peterson told an interviewer that swing is a deep feeling, an emotion. When you are swinging, he continued, you have really gotten into it, really gone deep. When jazz musicians blend passion and talent to create VALUE, they are expressing their voices, reaching for their aspirations, learning from each other, utilizing their brilliance, and encouraging each other to play their best and then play above that. For them, this is Xcellence in performance.

Imagine, then, how beneficial it would be for you:

to discover 10% more of your unique voice

to elevate your aspirations by 10%

to learn 10% more about what matters most to you

to utilize 10% more of your capacity to use your voice to serve others

to spend 10% more time encouraging others to use their brilliance to get into the swing of contribution.

Aligning all those factors will generate excellence in performance in any field, not only for yourself, but also for all those within your circles of influence. The results will delight everyone.

Brian Fraser is the Lead Provocateur of Jazzthink. He is a professional speaker, author, and leadership coach who uses the wit and workings of jazz to help people and organizations improve their performance. Find out more at http://www.jazzthink.com

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Friday Night, Week Before Christmas, 1999

This night I arrived a little before the crowd, just minutes before the tables with stools near the small dance floor were taken. Harvelle's, a popular Santa Monica night spot which draws an upscale crowd, is known as "The Home of the Blues, R&B, Funk, and Rock" with live music and dancing every night. With its no-smoking environment and sounds for both the ears and the feet, it is a pleasant place to spend an evening. I go for the listening and the dancing.

After enjoying a dance with a young man, I wove my way back through newly arrived patrons to my carefully chosen seat. After a sip of my Pellegrino, I felt compelled to return to the edge of the dance floor. My rational thought was to take my turn with one of the regulars, John, a trained dancer who arrived some twenty minutes earlier. I noticed him and a man I had not seen before -- both the same vintage, about 50, and the same height, about 5'8", but John as light as and the unknown man as heavy as that frame can hold.

John changed partners on the dance floor, so I made eye contact with this other man who, like John, had been dancing with a variety of partners since his arrival. We danced and exchanged pleasantries. We laughed. We smiled. I noticed that his flesh tone was similar to mine, light and peachy; his eyes as intense as my own blue eyes, but brown. It was obvious that he loved to dance. He led adeptly; I followed easily. In the middle of our dance, he commented, "You'll probably need to take your jacket off because you'll get warm." I smiled, knowing that likely I would very soon peel it off, but for the time being the fan above the dance floor was keeping me cool.

At the end of the dance, I turned toward the band to acknowledge the musicians with my applause. When I turned my focus back to my partner, I saw that he was no longer standing beside me, but was face down on the floor. The other dancers and I assumed he was joking. But not so. The band stopped. Time stopped. This time held all eternity -- a time that can be long or short by the clock. Someone called for help while six of us (including staff, John, and a patron who is a registered nurse) said encouraging words and touched him. I allowed others to attend to him on a physical basis, and focused my attention at another level.

I put my hand on his back and asked silently "Are you going to die?" to which came the answer: "It is time." My thoughts raced with a series of follow-up questions: "Time for what? Time to live? Time to die? Time to dance?" I reminded myself to breathe. My impulse "to do" something shifted back to the consciousness "to be" with this moment. I recognized that to be a non-anxious presence was more important now than any action I might take. My inner guidance confirmed that his spirit was very much alive, but was no longer in his body. I felt his spiritual presence more strongly than I had earlier. My fearlessness of physical death and my previous experiences of observing the process of transition from physical to nonphysical anchored me in blessing the richness of this moment.

Words of encouragement and gentle touches came to this man on the floor from those in the inner circle; those in the outer circles bore witness to the event. Drawn together for entertainment in this intimate space, we found ourselves joined by the invisible web of human kindness with varied reflections and perspectives on life and death.

In the muted sounds of the club, I picked up odds and ends of information. Echoed through the room was the knowledge that no one present knew this man's name. Staff confirmed to each other that he was not drinking. A gold ring on his left hand announced he was married. In the absence of facts, I speculated on his circumstances. Perhaps he was an out-of-town business person unwilling to fight the Friday night outbound traffic at LAX. Perhaps he lived in Chicago or Boston, with a wife and children not expecting him home until sometime the next day. A staff member tapped me on the shoulder, bringing me out of my speculation, and signaled that I was to move aside for the police and paramedics. I slipped back into linear time and realized that, by the clock, their arrival was swift.

I moved to the outer circle, but not for long. The staff pointed me out to a police officer who asked for my identification. In my tiny purse I carried only my keys, my driver's license, and some cash. I learned from the early morning jogging club the importance of carrying identification when going out to walk or run, just in case...... Going to a bar or buying wine, of course, I carry my picture ID for that added hope that I will get carded. This current scenario was one that I had not imagined as reason to carry proof of identity.

I followed the police officer who carried my license in his hands. He was young, handsome, gentle, and empathetic. Unhurried, he copied the information from my card, asking me to confirm that each bit was still correct. Harvelle's staff also took my name and telephone number.

As the paramedics performed their duties, the patrons continued to keep a respectful vigil. Although I knew this man's body no longer held his spirit, the attendants kept massaging his heart as they carried him away. Perhaps they did not want to announce the finality to the Friday night crowd or perhaps they did not want to give up hope or perhaps they were following predetermined procedures.

When the band returned to make their sounds, I vacillated between staying and leaving. To stay and dance felt more honoring of the happenings; to leave too soon seemed to discount the evening's events. The crowd was expanded rather than diminished. I danced with John and waited until the end of the set to leave, about midnight. Outside the club, the bouncer (a 300 pound hunk) said he had something for me: three passes for my next visit to Harvelle's. I smiled at the graciousness in the hands that hold such physical strength. My only words "thank you" were transmitted through the wordless energy field of our shared experience.

Two Days Later, Sunday

While walking on Santa Monica's Third Street Promenade, I found myself face to face with a police officer handing me a candy cane. He noted my hesitancy to take the candy and said with gentle authority that I had to take it. I acquiesced with a playful smile that matched his, and offered a bargain: I would take it in exchange for some information. I told him that I was at Harvelle's on Friday. He stopped any need for further explanation when he revealed that he was on dispatch that night. I asked how I could make it known that I was available to speak with the man's wife or anyone else in the family, if they desired. I identified myself as the last one dancing with him, that my name and contact information were part of the police record.

Home for five minutes, the owner of Harvelle's telephoned to ask me to call the family. This nameless man and his wife, whom I had been carrying in my heart for two days, now had names: Jim and Victoria. Not from out of town, they lived locally. A friend handling phone calls told me Victoria would return my call the next day.

The Next Day, Monday

Victoria and I spoke for an hour by phone in a remarkable dialogue. She confirmed that she and Jim love/loved to dance. She kept correcting her language, changing references to Jim to the past tense rather than the present tense which had become so familiar in their 18-year marriage. Friday night Victoria had to work (she is an emergency room physician) so Jim went without her to scout Harvelle's for a future visit together. Their other dance buddies had planned to go with him, but in the end Jim went without anyone who knew him.

I shared with Victoria every detail I could recall from that night; she reciprocated by confirming information about Jim that I had intuited. Jim and Victoria had a son and daughter, ages 8 and 10. He had several physical conditions which prompted him to decide to dance to maintain his health. In addition, he created a contract with the Universe that he not live any part of his life as an invalid. He was active to the last moment. He was totally alive until he died.

I was touched by her words as she thanked me for being an angel for Jim and for holding a space of calmness during the event. It took a while following our conversation for me to synthesize all that we verbalized, though I was left with no doubt that Jim knew he was going to die that night.

I declined to attend Jim's memorial service on the next day because I had a client scheduled in a time slot that would make it impossible. Later when the client cancelled, I knew where I was supposed to be.

The Next Day, Tuesday

The synagogue was filled with those who loved and cherished Jim. They were not there in perfunctory attendance. Before I could spot someone I thought might be Victoria, a comely woman approached me, commenting that I was standing alone. I explained that I knew no one there, identifying myself as "the woman who was the last to dance with Jim." She embraced me warmly as she introduced herself as Jim's mother. A brief interchange indicated that Victoria had already conveyed much of our conversation. As I approached Victoria, pointed out by Jim's mother, our eyes meet and she asked "Are you Jeanie?"

At the memorial service, I heard stories of Jim's capacity to love, ability to inspire, and the expansiveness of his soul. I contemplated the enigma that he left this physical life in a place where nobody knew him on this earth plane. With so many close friends and family members, he chose strangers to be with him in the end of this life. I believe Jim would appreciate and even encourage us to speculate on this situation, a mystery that sweetens his memory.

Today

Jim's story has not ended simply because he no longer uses a body that is familiar to family and friends. He has touched many persons in his life and in his death: those he knew and those he did not know by name.

It was a special honor to be present, to be a witness to his passage, and to dance with Jim his last dance.

Copyright 2006 Marshall House Jeanie Marshall, Empowerment Consultant and Coach with Marshall House, produces Guided Meditations on CD albums and MP3 downloads and writes extensively on subjects related to personal development and empowerment.Voice of Jeanie Marshall, http://www.jmvoice.com

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There has developed a new craze in Britain in recent years. You can see it wherever you go; people walking or even riding bicycles, carrying a cardboard carton of the stuff. Yes, you guessed it, it's the coffee craze. The coffee experience has taken over from the can of cola and the coffee vocabulary litters our speech.

In America coffee drinking became particularly popular with the birth of a well known chain of coffee shops. In the cafs of Europe, particularly Italy, Spain and France, strong coffee has been the beverage of choice for centuries.

Drinking coffee has become so addictive that people will even queue up to be served their favourite variation, be it latte, espresso, mocha or a plain americano. One chain of coffee shops sells at least forty different blends of coffee from all over the world. There are blends from Latin America, Africa, Arabia, Asia and even Europe, as well as mixed blends and decaffeinated versions.

Coffee shops and cafs have popped up everywhere, in cities, towns and villages across the country. This phenomenon seems to have been caused by the desire of the youngsters of today to have a place to meet friends and do business as well as shoppers seeking refuge for their sore feet. Indeed coffee shops seem to be taking the place of the pub for many people.

Some business people even set up their offices in coffee shops; with the advent of wireless connections for their laptop computers and the ever present mobile 'phone, nobody actually needs to actually be in their office in order to work. This situation is ideal for informal business meetings as the atmosphere is much more relaxed than it would be at their place of work.

The coffee experience has now become such an important part of life so caf owners need to look to their laurels if they are to survive. Customers are becoming far more selective when it comes to choosing the venue for their coffee drinking and the choice of products has a bearing too. With all the competition, only the coffee shops which provide the most comfortable atmosphere and best variety of coffees, well made, together with accompaniments such as pastries, cakes and biscuits will attract the most custom.

Customers expect not only different blends and origins of coffee these days but different flavours too such as cinnamon, hazelnut, nutmeg and chocolate. Not only must the coffee be well made and flavoursome but a wide choice of additives needs to be available. Gone are the days when white sugar would do; now there must be brown sugar, sugar crystals, honey and low calorie alternatives. The whiteners may include whole, semi-skimmed and skimmed milk, pouring cream, whipped cream and low fat powdered creamer. People aren't just looking for a drink but a whole experience when they go for a cup of coffee.

Consumers are even tiring of the more traditional ways of making coffee and are demanding that it be blended with cola, jam or spices usually associated with making curry. There are almost no lengths to which the coffee fanatic will not go to enhance the coffee experience.

For more information and articles on all things coffee, please visit Coffee All Day.

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Have you been pulling your hair out trying to download music to your Sony PSP?

I am going to give you my quick and easy recipe for putting your favorite music on your PSP. There are only a few steps and it is a cinch on you know how.

1. First off you need to get what they call a cd ripper and while you are at it I would definitely grab a psp video converter. A cd ripper lets you pull music (rip) of your cd's
that you have now. The psp video converter will let you rip and convert video files to watch on your PSP...so you can watch and listen to music videos and music, cool heh!

2. Load your cd and fire up your cd ripper select the song or songs you want to put on your PSP and hit the "extract and encode" to PSP.

3. If you already have music files on your pc then all you need to do is hit "add" from your cd ripper or psp video converter.

4. Make sure on all of the above you select the "PSP" format.

5. How to download or transfer your music to PSP? Just connect your PSP with your PC with the USB cable, and copy your mp3 file(s) into "H:PSPMUSIC" where H: would equal the drive of your PSP.

That's it. It is real simple to put music on your PSP!

Travis Sago is a computer technician and PSP enthusiast and fanatic. Don't have a good cd ripper or psp video converter? You can learn more about both at http://www.the-psp-pimp.com/pspvideoconverter.html

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Are you wanting to lose those extra pounds gained during the winter months but dreading the boredom of the gym? Are you looking to maintain fitness and health for life? Dance your way to fitness! With the increasing popularity of ballroom dance, more and more places to dance are springing up across the country. Some even offer free lessons. You can learn to waltz, fox trot, rumba, tango, salsa, and cha-cha while you shed those unwanted pounds and tone your entire body.

Dancing requires you to use muscles you don't normally use in the gym. Not only does it work your muscles, it's also great for your mind. Medical researchers agree that dancing is a powerful way to alleviate depression. You will be so busy learning the moves that you won't realize what a workout you are getting. The short bursts of energy required for dancing will give your metabolism a boost and burn unwanted fat. Don't be concerned about making mistakes. The other dancers are too busy to notice. The basic steps to most dances are easy to learn and you can learn additional steps as you progress. It's a fun way to work out and you can practice as you move around your house, with or without a partner. You'll dip, spin, glide, turn and side-step your way to fitness in no time.

Ballroom dance is a great way to increase self-esteem and adapt social skills. You'll interact with others and make new friends who share your passion for dancing.

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Ballet is an art and it is different from other dance forms. Ballet is a specific dance form and technique. Many historians list dance as the oldest of the human art forms. When looking at dance it is very structured in its movements, when dance is set to a musical score for rhythm, you are able to see how the physical movements translate into joy and happiness. The movements of ballet beautify and create gracefulness throughout your limbs and body. Enchanting and graceful with unbelievable steps, ballet is an extremely difficult dance to learn perfectly.

An important part of the ballet dancers equipment is the ballet shoe, while the shoes are beautiful they are essential and important in the ballet dance. The ballet shoes are designed to be pleasing to the audience and mostly they are designed to function for the dancers. Ballet shoes typically do not last very long and have a short life, but the shoes were designed to help the dancer move with implausible strength and grace while dancing. Pointe shoes, in many ways, can be considered an extension of the dancer. When purchasing ballet shoes keep in mind that leather last longer than canvas, if you do purchase the shoes in canvas you will need to replace them more often. Another decision that must be made for ballet flat shoes is the type of closure on them. When taking ballet classes the teacher or instructor might have color, type and brand requirements, so check before purchasing. When just starting out and learning ballet it is not important to purchase the most expensive shoes, purchase your ballet shoes at a discount store, if you like it you can always purchase more expensive shoes.

Beginning students for any type of activity always look ahead and imagine the day when they will be able to wear pointe shoes. Ballet shoes are not a normal looking dance shoes they have an odd shape and with a flat section in the front of the shoe but they are designed in this fashion to help the dancer stand on their toes. There are several elements involved in the anatomy of a pointe shoe, all of which contribute to its fit and performance. When first starting out in ballet and you will need to purchase ballet shoes, you will not need pointe shoes until you reach a more advanced level..

Tights come in a variety of colors, with the most popular being pink and black. Ballet dancers usually wear either tights or leotards for comfortable body maneuver. The tights that Ballet dancers wear are tight-fitting which allows the fluid movement when the dancers are performing. Specialized ballet tights are often found in plain colors.

From the beginning of time dances such as ballet have been intertwined with music. Without music ballet is nothing more than the empty motions of a ritual. Such schools offer both beginners classes as well as classes for training professionals with live music accompanying instructions and training.

If your children are just starting ballet you might look to see if your town offers classes. Most of the time the town ballet classes that are offered are much more inexpensive than private lessons, and are a good way of determining if your child will like this type of dance.

David Marc Fishman is the owner of bornasuperstar.com The online talent shows for musicians

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