Monday, August 4, 2008

Como Su Ritmo No Hay Dos

Customer Review: Pura Dinamita Get It
Absolutely essential latin music DVD. Ok, it starts nice but once it gets into YAMBU, just buckle up your seat belt because it just heavy descarga until the last number A Gozar Timbero. Along with Calle 54 and Fania in Africa (Incorrectly called Celia Cruz in Africa)indispensable videos for aghasting and open your friend jaws!!! BUT PLEASE WE NEED A DVD VERSION!!!!!
Customer Review: A must have for any latin music fans
This video is an absolute must have for anyone who considers him or herself a music fan. My only complaint is: WHERE IS THE DVD VERSION!


Salsa is a form of social get together of the people which celebrates dance, music and culture. It is considered to be a faction of Latin rhythmic types which contains the clave beats. Mambo, Son, Rumba, Cha Cha Cha, Guaracha, Merengue, Songo, Timba and few others are some of the most recognized form of salsa. Salsa is the only among Latin genres to have come back and inclined West African tune.

Salsa has become gaining more and more recognition now. A lot of institutions have been opened to teach this form of dance. In fact, few marriages in NYC demands a salsa dance by the newly wedded couple. Many events are organized every year to host salsa in New York. The salsa festival is generally organized in the spirit of friendship and fun and the affection of dancing. In order to make the salsa festival a grand one, you should always look for a perfect venue to host the event. Some of the superb venues for salsa of tango event in New York are:

The Burgess Hall: It is the premier venue in Cambridgeshire. It has a sufficient free car parking area and is completely air-conditioned. It has a great semi-spung dance floor and other facilities.

Rush: 579 6th Avenue, New York City. It is a huge event ground that organizes brilliant events like salsa and tango. The entry fee is kept low.

Columbus 72: 246 Columbus Avenue in NYC. This venue is very famous and is among the best place to host a salsa or tango night. The place is completely air-conditioned. It offers brilliant services and facilities to the organizers and to the people.

Plumm: This venue was basically made to host salsa events. It has huge dancing floor with live music and great DJs.

A lot of fantastic salsa event venues have come up in last few years. Some of them are LQs, Gonzalez y Gonzalez, Club Iguana, The Red Lounge, Vudu Lounge and SOB's.

Salsa is a very beautiful form of dance. The slow motion dance touches your soul when you see others performing. The feeling you get is, excellent!

Mario Stewart has a passion to write about New York City and the bars, restaurants and salsa in the city. He is internationally popular for providing the most apt reviews about the salsa in New York City You may visit one of his websites about salsa in NYC to find more details.

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Encanto

Brazilian music legend Sergio Mendes spins his remarkable magic on his newest recording, a bona fide classic! This is a kaleidoscopic album that underscores the maestro's ear for addictive melodies, as well as his ability to cast incredibly talented singers and musicians from all over the world
Customer Review: a review for Brasil '66 fans
It's been around 40 years since Mendes reached an artistic and commercial peak with several classic albums that successfully mixed bossa nova, jazz, and pop music. Those albums still sound fresh today, thanks to the terrific songs, latin rhythms and some sparkling arrangements. Since then, Mendes has experimented with mixing his Brazilian sound with folk rock, funk, dance music, hip hop, and on "Encanto," some r&b. As someone who prefers the work he did with Brasil '66 to anything more recent, to my ears the album is pleasant though generally forgettable with the exception of a few wonderful tracks. Unsurprisingly the best tracks are those with strong melodies by Antonio Carlos Jobim, in particular "Somewhere in the Hills" and "Dreamer," both of which are direct descendants of the sound of Brasil '66. "Dreamer" includes both Herb Alpert and Lani Hall, who sounds remarkably like she did when she was fronting Brasil '66. This is a genuinely stunning track and easily the best on the album. Natalie Cole sings "Somewhere in the Hills" which is appropriately jazzy and is one of Jobim's strongest melodies. Other Jobim tracks include "Waters of March" which Mendes has covered several times in the past. It's a singer's song, and sounds a little rhythmically stiff here, as it has in his previous efforts. "Morning in Rio" is also good, with a more Brazilian styled melody and a nice trombone solo. The rest of the CD is listenable, but not such that I ever want to hear most of it again. "The Look of Love" is an unnecessary remake of a good song. What made the original great was a sensational big band arrangement which has been dropped in favor of a hip hop arrangement. I liked the Brazilian styled funk of "Odo-ya" and the mellow "Catavento" with Mendes' wife on lead vocals. On the other hand, "Funky Bahia" and "Lugar Comum," the latter of which features an Italian rapper doing a little snippet of "Volare," are disposable pop/hip hop songs. If I could get into Mendes' head, I would try to convince him do an album of Jobim and Marcos Valle songs with Herb Alpert and Lani Hall and a small jazz/bossa combo. It might not sell a million copies, but it would be an artistic triumph. If you're an unreconstructed fan of Brasil '66 as I am, I can recommend this with reservations. You might be better off just downloading a handful of tracks. But "Dreamer" should not be missed.
Customer Review: Summery and enchanting.
"Encanto" follows the highly acclaimed 2006 collaboration with will.i.am Timeless and with this latest release, Sergio takes us even deeper into Brazil, having recorded all the basic tracks in Rio and Bahia and finally finishing up in in California, where the studio band included Alphonso Johnson. For "Encanto" (in Spanish for Enchantment), Mendes has also enlisted the formidable and enchantingly diverse talents of an array of guest musicians who hail from the world over. Latin superstar Juanes from Colombia and multi-talented Carlinhos Brown & Vanessa da Mata from Brazil jostle alongside the foremost Japanese pop group Dreams Come True, Belgium's Zap Mama and Italian rapper Jovanotti. This international cast is completed by the American stars Fergie, Siedah Garrett and Herb Alpert who is accompanied by his wife, original Brasil '66 singer, Lani Hall. Old smoothie Mendes gets jiggy on a selection of bossa-favourites with a raft of guest stars including the ubiquitous Will.i.am and Fergie from the Black Eyed Peas, Natalie Cole and Herb Alpert et all... This new album essentially is a cross between Mendes' soft, salsa-tinged melodies and modern day R'n'B. The opening track, "The Look of Love" with rap/vocals by Fergie, is a deliciously moreish funky-fusion, and for the first third or so, the combination of Sergio's Rhodes with the hip-hopped production style is terrific. Perhaps this new version of Burt Bacharach's "The Look Of Love", which Mendes had originally transposed to bossa nova heaven in 1967 is the boldest track on "Encanto". This new interpretation, produced by Black Eyed Peas will.i.am, preserves the alluring melody of the original while bringing the song into the new millennium with crisp drum programming and a sexy rap by Fergie. Then it goes all smooth jazz on you. Not bad, though. Whether you are a Sergio Mendes fan especially the earlier stuff, Brasil 66, Equinox, etc or a Black Eyed Peas fan, or indeed R&B then there's something on this album to please everyone. I'd say for such a challenging album there are only a couple of songs that are just to heavy hip hop for me. The rest is a joy to listen to, if you are open minded about remixes and love to see what Sergio has been up to. This album is a grower. The more I listen to it, the better it gets. You will like it. Picks of the album: "The Look of Love", "Waters Of March", "Dreamer", and "Somewhere In The Hills (O Morro Nao Tem Vez)". Equinox Sergio Mendes & Brasil '66 - Greatest Hits The Very Best of Sergio Mendes & Brazil 66


Centuries old Kerala Dance Forms are noted for the variety, youthfulness and charm. Some Kerala dance forms like Kathakali is world renowned, and a dance form Koodiyattom is recognized by UNESCO as human heritage art. All Kerala dance forms and dance forms of India are based on the instructions of 'NatyaSastra', the science of acting, which can be attributed to Sire Bharata who lived some 20 centuries ago. He described 'navarasangal' or the nine emotions viz. Sringaram (Love and seduction), Roudram (Aggressive), Hasyam (Humorous), Bhayanakam (Frightening), Veeram (Courage), Karuna (Compassion), Adbhutam (Wonder) and Shantam (Peace). Kerala dance forms seem to draw a narrow line between male and female performers.

The main dance forms of Kerala are:

Kathakali: This is divine dance form of Kerala, noted for the minute expression of emotions and colorful costumes. Kathakali is considered the art of Gods, and epical episodes are performed as a play. In earlier times it took many days for the completion of a play. Expression of emotions and narration is based on 'Mudras' or hand signals, and facial expression of navarasa, the nine emotions. Traditionally only men performed this Kerala dance form and they dressed like women for female characters usually Goddesses.

The costumes are heavy and it almost takes a full day to complete the make-up process. Characteristic masks, crowns and attire more than double the size of the performer.

Mohiniyattom: This Kerala dance form literally means the dance of an enchantress. Mohini means the women who tempts and Aattom means dance. Attired with white or ivory dress with golden borders, the dancer takes a majestic look. Mohiniyattom is noted for the slow movements and highly emotive eye gestures. The origin of Mohiniyattom is attributed to Lord Vishnu, who impersonated as Mohini (an enchanting woman) to seduce Asuras and take back Amrit, the medicine that gives immortality from them.

Mohiniyattom was performed in Kerala temples and palaces of Kerala.

Koothu (Chakyar Koothu): This Kerala dance form is performed only in selected place called Koothambalam associated with Kerala temples. Koothu in Malayalam means dance. Only members of the 'Chakyar' caste perform this.

Koodiyattam: This dance form of Kerala is the oldest of its kind and was evolved in the seventh century AD. It is an offering to deity. Mythological themes are played.

Theyyam: There are more than 300 variations for this Kerala dance form, which is characterized by the praising of Goddess for her victory over evil forces. Female roles are also handled by men, who wear colorful ritual attire for performing this temple dance form. The headgear and attire are both colorful and attractive.

Thiruvathira or ThiruvathiraKali. This is a dance performed by women on Thiruvathira day of the Malayalam month, Dhanu. Eight to 12 women of any age circles around a 'nilavilakku', a traditional oil lamp with many wicks, for Thiruvathira Dancing. It is believed to bring blessings to their family life.

The Myth Behind this unique Kerala Dance Form:
Rathi Devi, Goddess of love regained the life of Kamadeva, the God of Love who was charred to ashes by the fearsome anger of Lord Shiva. Rathi Devi successfully made a case with Lord Shiva to give Kamadeva his life. Thus ThiruvathiraKali represents the fidelity of marital relation and determination of female soul.

Oppana: This dance form is the peculiarity of Malabar Muslim weddings in Kerala. On the wedding day eve, friends and relatives (mainly young maidens) throng around the bride, clapping their hands and dancing to some nice music. The songs are usually called as Mappilappattu. Through the songs, the young women tease the bride and bless her for the happiness in her new life. Oppana is a performed as a stage item also.

Kolkali: This Kerala dance form belongs to the agrarian classes. Kolkali literally means playing with stick. Men bear short sticks on each hand. The dancers harmoniously move around in circles, form different combinations, dance and rhythmically strike two short sticks. This is an exclusive item for men.

Krishnanattom : Krishnanattom is almost an extinct dance form of Kerala. One dance is completed over eight days, and is characterized by rich colors, big masks, and thick facial make-ups. Krishanattom as the name suggests is the play on the life of Lord Sri Krishna. Krishnattom resembles Kathakali.

Dev Sri provides Kerala tour and travel information through The Kerala Tourism website. Check out the website to find cool places, genuine Ayurvedic centers and Kerala travel packages.

Website built, hosted and promoted by Aienet Communications.
Website: http://www.aienet.com/

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Coldplay Parachutes CD Promo Poster Flat

Original promotional CD poster flat for the Coldplay album Parachutes. 12 x 12 on card stock.


Over the years, the hymn Ave Maria has been set to music numerous times. The most famous of those was composed by Franz Schubert. Today, this piece of music is loved and well known around the universe for its simplicity and ability to move practically anyone who hears it. Even when performed only as an instrumental, the song still has a tremendous emotional pull. The piece was composed around 1825 when Schubert was only 28 years old.

Although many people are not aware of it, the words to the hymn were originally written by Walter Scott for his "Lady of the Lake." The narrative poem was originally published by Scott in 1810, with the words describing the struggle that occurs between a number of Scottish Highland clans during the 16th century. Although the account in the poem is fictional, some of the clans purported their loyalty to King James V while others had loyalties elsewhere. The young heroine of the poem is Ellen Douglas. Eventually, she finds herself forced to hide in the depths of a mountain cave along with her father as they seek to escape the wrath of the king. It is while she is in hiding that she begins to sing a song. The song, "Hymn to the Virgin", is a prayer to the Virgin Mary for comfort and help. Her song, the hymn within the poem, forms the basis for the much beloved song we now know so well, Ave Maria.

"The Lady of the Lake" was translated into German in 1819 by Philip Adam Storck. It was his translation that would eventually serve as the basis for the book of songs by Schubert which was written in 1825. In Schubert's book, Ave Maria.

is referred to as "Ellens Dritter Gesang", which translates as "Ellen's Third Song." One year later, a separate edition of the same songs were to both the original English words as well as German words.

It has been said that this piece was performed for the first time in a small Austrian town at a castle belonging to Countess Sophie Weissenwolff. According to reports, the song was dedicated to her and eventually she was frequently known as the lady of the lake.

Today, Ave Maria is still one of the most popular songs in all of the world, especially among hymns. At times, the song is sung to words that are not the same as those of Scott, Storck or Schubert. In some cases, the song is performed solely in instrumental versions and not words are used.

The opening words of the song as well as the refrain are believed to have inspired the adaptation of the melody as the setting for the complete body of the traditional Catholic prayer Ave Maria. As a result, the Latin version of the song is used on such a frequent basis today, along with Schubert's melody, that a misconception has arisen that Schubert might have originally written the melody specifically to serve as a setting for the prayer.

A new SonyBMG signing, The Priests, will be including Ave Maria in their new album of classical hymns. The hymn will be produced in four different languages by the trio including Spanish, Latin, English, Italian and German. The album will be produced by Mike Hedges and will be a unique take on several traditional hymns inspired by the church.

Peter Ruppert writes for http://www.thepriests.com

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Shakira: Oral Fixation Tour [Blu-ray]

After wrapping up her world-wide sold out Oral Fixation Tour, Shakira is back with the LIVE CONCERT Blu-ray that captures it all. Viewed by over 2M people in 36 countries, Shakira delivers all of her smashes, such as "La Tortura"(featuring Alejandro Sanz), "Hips Don't Lie" (featuring Wyclef Jean), "Whenever, Wherever" and "Underneath Your Clothes". Fans can witness Shakira shifting gracefully from the hypnotic hip-swaying siren to the all-out rock star in love with her guitar.

TRACK LISTING:
1.Intro/Estoy Aqui
2.Te Dejo Madrid
3.Don't Bother
4.Antologia
5.Hey You
6.Inevitable
7.Si Te Vas
8.La Tortura (featuring Alejandro Sanz)
9.NO
10.Whenever, Wherever
11.La Pared
12.Underneath Your Clothes
13.Pies Descalzos
14.Ciega, Sordomuda
15.Ojos Asi
16.Hips Don't Lie(featuring Wyclef Jean)

BONUS FOOTAGE:
"Barefoot": a 20-minute documentary focusing on Shakira's nonprofit organization, shot in Colombia
"Around The World in 397 Days": a 5-minute behind-the-scenes exclusive

BONUS VIDEOS:
OBTENER UN SÍ(LIVE)
LA PARED(LIVE)
LAS DE LA INTUICIÓN

BONUS AUDIO CD TRACKS:
1.Intro
2.Estoy Aqui
3.Don't Bother
4.Inevitable
5.La Pared
6.Hips Don't Lie

VIDEO/AUDIO SPECS:
Full 1080p24 High Definition Picture
PCM (uncompressed) Stereo
Dolby Digital 5.1 Surround Sound (640 pbps) PCM (uncompressed) 5.1 Surround Sound
Customer Review: Fantastic
This DVD along with Live and Off the Record are simply fantastic. Shakira is the whole package from the voice of an Angel to a body...well, that's out of this world!! How could you not love this goddess!!!!!
Customer Review: Bought it for the price. Ended up liking it.
It was available for less than fifteen so I picked it up. I liked Shakira's first major Spanish album before her international success. I hadn't really listened to her newer stuff. When I put it in I was pleasantly surprised. The visuals are great and the sound is even better. To be honest I do skip a few songs whenever I watch it but I still consider it a good purchase for the price.




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BBC NEWS | Entertainment | Music | New faces get Latin Grammys nods
Brazilian singer Maria Rita, Cuban pianist Bebo Valdes and producer Tom Capone top the Latin Grammy nominations. ... who makes Latin music , not just the ...
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KBCO STUDIO C: Volume 14

2002 17-track World Class Rock KBCO Boulder 97.3 FM live release dedicated to the Boulder County AIDS Project. Housed in standard clear jewel case with see-through graphics. Track listing on rear insert.
Customer Review: Tracks
1 - DAVE MATTHEWS - "WHERE ARE YOU GOING" 2 - JACKSON BROWNE - "YOUR BRIGHT BABY BLUES" 3 - JACK JOHNSON - "RODEO CLOWNS" 4 - NEVILLE BROTHERS - "YELLOW MOON" 5 - JEWEL - "HANDS" 6 - JOHN MAYER - "NO SUCH THING" 7 - COLDPLAY - "TROUBLE" 8 - MIDNIGHT OIL - "BEDS ARE BURNING" 9 - ELVIS COSTELLO - "SPOOKY GIRLFRIEND" 10 - SONIADADA - "BABY WOKE UP" 11 - JORMA KAUKONEN - "HESITATION BLUES" 12 - ZERO 7 - "DESTINY" 13 - THE WALLFLOWERS - "ONE HEADLIGHT" 14 - AMIEE MANN - "SAVE ME" 15 - PHIL LESH & FRIENDS - "NIGHT OF A THOUSAND STARS" 16 - J.J CALE - "AFTER MIDNIGHT" 17 - BONNIE RAITT (BONUS TRACK RECORDED AT RED ROCKS) -"FOOL'S GAME"


The judges ranking and their score for the OD are in parentheses.

1) Belbin/Agosto (2, 67.54) It is quite ironic that after spending all season complaining bout how much I dislike this program that I am ranking it first at worlds. But I feel they were the clear winners of the OD. They attacked this program and nailed everything. I got a good laugh at the British Eurosport's commentators trying to find something about this performance to criticize and coming up with 'Their arms weren't always in perfect unison,' because if that is the biggest problem with any program, it was obviously skated fabulously. The Charleston and quickstep were arguably the best of the night, and their foxtrot was almost up to the level it was four seasons ago. The choreography still is not very good, but their performance overcame that and made you forget about the it.

2) Navka/Kostomarov (1, 68.67) This is by no means a bad program, but it is also not a great program. Both the quickstep and foxtrot were done well, but not amazingly so. Still, the transitions are 1000% better than they were a season ago, making this actually looks somewhat like a dance program, instead of a pairs program with dance elements. And how can one not give them points for their extremely original musical selection of "Sing Sing Sing"? But as neither the difficulty level nor the interpretation was up to the level of Belbin/Agosto's, they deserved to place second.

3) Chait/Sakhnovski (5, 61.19) After placing 3rd at the GPF in the OD, I was crossing my fingers that their placement would be the same here. Unfortunately, the judges failed me. They, unlike the teams directly below them, had great interpretation of the rhythms and skated without any mistakes. And their energy level, as always, was ridiculously high. Plus, their skating skills, while not quite as good as the skating skills of the very best in the world, have improved so much that they should challenge those other teams.

4) Denkova/Staviski (4, 62.79) Awkward OD interpretation, but thy did skate all out. Their skating skills - and the fact that they too did not mess up, held them above the other teams here. Still, this OD is very forgettable.

5) Delobel/Schoenfelder (6, 60.25) Had Isabelle not made a small mistake on the sbs footwork sequence, they would have been challenging the top teams. Unfortunately, she did. Isabelle has nice interpretation, and even Olivier seems less lifeless than usual. Plus, the choreography is superb. The only other problem is that they are slightly off-beat for part of the foxtrot.

6) Grushina/Goncharov (3, 63.17) This program has many of they same weaknesses as B/A's does, which should not be a surprise, considering it is basically the same program. (Morozov's creativity or lack there of has sunk to a new low for "his" programs for G/G this season.) But unfortunately for them, they do not have B/A's technical strengths and charisma. Elena is lovely as always; Ruslan is dull as always. And I'm still waiting for them to finish their sbs footwork. Somebody needs to go out and push them during any footwork sequence.

7) Domnina/Shabalin (7, 58.86) These two probably had the best foxtrot interpretation of the season. It was graceful, musical, and truly brought the classical foxtrot to the ice. They even made their dance spin seem foxtrot-y. The sbs footwork didn't seem very powerful, and their twizzles, while miles better than many of the other team's, were a bit shaky. The quickstep was okay.

8) Dubreuil/Lauzon (8,58.30) Argh. The foxtrot and quickstep sections were extremely well-interpreted and the whole dance was extremely cohesive for a combination OD. But the sbs footwork was a complete and utter disaster. It got messed up about 1/3 of the way through, and they never quite got it back on track. There was a little to much of time spent not touching each other. And their Charleston was a bit awkward in places. Plus, why are they miming holding umbrellas? Isn't the whole point of "Singin' in the Rain" that one is singing in the rain, and not covered by umbrellas?

9) Faiella/Scali (9, 56.13) Their stroking has improved dramatically. Their twizzles still aren't very good. And they didn't really seem to truly get either rhythm, especially the quickstep. But technically, it was a strong program, and they had good energy as always,

10) Wing/Lowe (10, 52.52) They start off with a nice, although slightly dull, foxtrot. And then they transition into a nice, but slightly dull Charleston. I normally really like this team, but this performance seemed to lack energy. They don't have the technical content of the teams above them.

11) Fraser/Lukanin (13, 48.82) Their speed and polished has dramatically improved. Very nice foxtrot expression. They spend a little too much time apart. They had nice musicality too.

12) Kerr/Kerr (11, 50.71) There's still a fairly sizable gap between her skills and his, although he has improved. They have nice foxtrot expression. Theirs twizzles in the sbs footwork was very messy towards the end. Their quickstep was fine, but not quite as good as the foxtrot.

13) Gregory/Petukhov (12, 50.22) I got the advice to only watch him, not her, and I enjoyed them much more than usual. Interpret that as you want. Of course, then I missed the mistake she made on the twizzles during the sbs footwork, which also lacked flow. Decent Charleston expression. Too much stroking in foxtrot section.

14) Kulikova/Novikov (14, 48.72) She did best with the quickstep, while he shone in the foxtrot. Second quickstep had very little traditional quickstep character. They had a slightly messy quality overall.

I did not rank the rest of the teams.

Hoffman/Elek (17, 45.34) They start with a foxtrot, which was absolutely lovely and really captured the rhythm. The quickstep was very good too, but did not quite work as well as the foxtrot. And somebody needs to teach Atilla to twizzle, because I'm sick of him messing those up, as he did on the sbs footwork. And then he had trouble lifting Nora on the final lift, although a portion of that can probably be blamed on her 472346 pound dress. But overall, this was a very nice OD.

Gudina/Beletski (18, 42.85) They start off with an enthusiastic Charleston. But the foxtrot was dull, with little difficulty. And unfortunately they could not pick up the energy level with the final quickstep section, to Dancing Fool of all songs.

Watanabe/Kido (15, 46.57) A very good and in-character quickstep. Diagonal footwork could flow better. Their foxtrot was good, but not quite as in character as the quickstep. He has some trouble with the last lift.

Grebenkina/Azronjan (16, 46.02) Great energy, and their movements are very dance-y and fit the quickstep well. Their foxtrot is to extremely odd music - just a rhythm and no melody. But they end with another well-done quickstep section.

Beier/Beier (20, 41.66) Very cute and charming, with a good ballroom interpretation of the rhythms.

Kauc/Zych (22, 40.92) Fabulous foxtrot expression. Twizzles during sbs footwork were messy. Basic skating is very good. This program lacked the falls that their programs usually have, but it also lacked the energy and attack. Their quickstep expression is also very nice.

Pechalat/Bourzat (23, 40.71) They start with a very charming and well characterized Charleston. But she takes a bad fall during the sbs footwork. Their musicality in the foxtrot was good, but the choreography wasn't very ballroom. They fixed that during a great quickstep section.

Yang/Gao (19, 42.67) Decent foxtrot. She hits a lovely position during the lift. She's very charming. Charleston is nice too. He looks to have trouble rotating the final lift.

Golovina/Voika (21, 41.57) They start with movements that seem to exaggerated for the more subtle foxtrot rhythm. But they still have good musicality and energy. Decent quickstep, but again the movements don't fit the rhythm very well.

Munana/Munana (25, 36.31) As sick as I am of Chicago ODs, this one was great. Both rhythms, especially the Charleston, were interpreted fabulously. Both skaters sparkled. They clearly do not have the technical ability of the top teams, but if they can ad technical content in the future, they most definitely will be contenders.

Akimova/Shakalov (29, 31.35) Very polished, but little else going for them. He tripped on the sbs footwork. Diagonal footwork is . Their musicality is pretty good.

Aureli/Vaturi (24, 38.66) They start off with a lot of dancing in place. They have somewhat poor ice coverage on the sbs steps. But they have a good understanding of both the quickstep and foxtrot. Unfortunately, they really lack in technical content.

Haunstetter/Hoenlein (27. 33.00) Chicago. Again. But they have a very good Charleston, and his foot position during the lift was fabulous. Ugly and out-of-sync twizzles. The rest of the sbs wasn't much better. They looked like they were skating two different programs during the sbs steps. He is terrific.

Buck/Nelson-Bond (28, 32.85) Good Charleston expression. Pretty good speed through diagonal footwork. She hits great positions in their lifts. Their weakness seems to be basic skating. They also had unison trouble on the sbs footwork.

Keller/Keller (26, 33.23) Really weird Charleston music. Decent musicality. Their program is very empty. They also lacked energy. Their quickstep expression was the best of the three rhythms.

Galcheniuk/Krupen (30, 28.14) Most of their skating is decent. Their programs aren't empty, and their musical interpretation is okay. Plus, they have nice energy. Unfortunately, nothing about their skating is anything better than decent, especially their basic skating.

Care to Ice Dance?
Competition Reviews

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Customer Review: vocables in unison with jazz piano - nice!
Nice jazz outing! Often, Tania sings the melody line with vocables in unison with the piano an octave or two higher. She phrases her voice melodies like any other wind instrument, say, sax or flute. There are no lyrics and no "solos," scatting or instrumental. She and her small group get a groove going - maybe funky, maybe bluesy, maybe a bit of swing, maybe a bit of bossa feel - then sings/plays a catchy melody on top. It would be classified as a jazz recording, the "Brazil feel" comes out a bit but is not predominant composition, arrangement, or performance. Very nice music.
Customer Review: DON'T judge this album by it's COVER !
I was just scanning brazilian jass stuff one day and came upon TM by accident.WOW.At the price, I could take a chance and glad I did.This woman does not scat (if that is the right term) like Bobby Mc Ferrin---who is so obviously making crazy sounds that only embarrass me at times.......ha !Tania Maria's voice IS another insturment !Jazzy/and slightly funky...... she will MAKE you like brazilian music !




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