Encanto

Brazilian music legend Sergio Mendes spins his remarkable magic on his newest recording, a bona fide classic! This is a kaleidoscopic album that underscores the maestro's ear for addictive melodies, as well as his ability to cast incredibly talented singers and musicians from all over the world
Customer Review: a review for Brasil '66 fans
It's been around 40 years since Mendes reached an artistic and commercial peak with several classic albums that successfully mixed bossa nova, jazz, and pop music. Those albums still sound fresh today, thanks to the terrific songs, latin rhythms and some sparkling arrangements. Since then, Mendes has experimented with mixing his Brazilian sound with folk rock, funk, dance music, hip hop, and on "Encanto," some r&b. As someone who prefers the work he did with Brasil '66 to anything more recent, to my ears the album is pleasant though generally forgettable with the exception of a few wonderful tracks. Unsurprisingly the best tracks are those with strong melodies by Antonio Carlos Jobim, in particular "Somewhere in the Hills" and "Dreamer," both of which are direct descendants of the sound of Brasil '66. "Dreamer" includes both Herb Alpert and Lani Hall, who sounds remarkably like she did when she was fronting Brasil '66. This is a genuinely stunning track and easily the best on the album. Natalie Cole sings "Somewhere in the Hills" which is appropriately jazzy and is one of Jobim's strongest melodies. Other Jobim tracks include "Waters of March" which Mendes has covered several times in the past. It's a singer's song, and sounds a little rhythmically stiff here, as it has in his previous efforts. "Morning in Rio" is also good, with a more Brazilian styled melody and a nice trombone solo. The rest of the CD is listenable, but not such that I ever want to hear most of it again. "The Look of Love" is an unnecessary remake of a good song. What made the original great was a sensational big band arrangement which has been dropped in favor of a hip hop arrangement. I liked the Brazilian styled funk of "Odo-ya" and the mellow "Catavento" with Mendes' wife on lead vocals. On the other hand, "Funky Bahia" and "Lugar Comum," the latter of which features an Italian rapper doing a little snippet of "Volare," are disposable pop/hip hop songs. If I could get into Mendes' head, I would try to convince him do an album of Jobim and Marcos Valle songs with Herb Alpert and Lani Hall and a small jazz/bossa combo. It might not sell a million copies, but it would be an artistic triumph. If you're an unreconstructed fan of Brasil '66 as I am, I can recommend this with reservations. You might be better off just downloading a handful of tracks. But "Dreamer" should not be missed.
Customer Review: Summery and enchanting.
"Encanto" follows the highly acclaimed 2006 collaboration with will.i.am Timeless and with this latest release, Sergio takes us even deeper into Brazil, having recorded all the basic tracks in Rio and Bahia and finally finishing up in in California, where the studio band included Alphonso Johnson. For "Encanto" (in Spanish for Enchantment), Mendes has also enlisted the formidable and enchantingly diverse talents of an array of guest musicians who hail from the world over. Latin superstar Juanes from Colombia and multi-talented Carlinhos Brown & Vanessa da Mata from Brazil jostle alongside the foremost Japanese pop group Dreams Come True, Belgium's Zap Mama and Italian rapper Jovanotti. This international cast is completed by the American stars Fergie, Siedah Garrett and Herb Alpert who is accompanied by his wife, original Brasil '66 singer, Lani Hall. Old smoothie Mendes gets jiggy on a selection of bossa-favourites with a raft of guest stars including the ubiquitous Will.i.am and Fergie from the Black Eyed Peas, Natalie Cole and Herb Alpert et all... This new album essentially is a cross between Mendes' soft, salsa-tinged melodies and modern day R'n'B. The opening track, "The Look of Love" with rap/vocals by Fergie, is a deliciously moreish funky-fusion, and for the first third or so, the combination of Sergio's Rhodes with the hip-hopped production style is terrific. Perhaps this new version of Burt Bacharach's "The Look Of Love", which Mendes had originally transposed to bossa nova heaven in 1967 is the boldest track on "Encanto". This new interpretation, produced by Black Eyed Peas will.i.am, preserves the alluring melody of the original while bringing the song into the new millennium with crisp drum programming and a sexy rap by Fergie. Then it goes all smooth jazz on you. Not bad, though. Whether you are a Sergio Mendes fan especially the earlier stuff, Brasil 66, Equinox, etc or a Black Eyed Peas fan, or indeed R&B then there's something on this album to please everyone. I'd say for such a challenging album there are only a couple of songs that are just to heavy hip hop for me. The rest is a joy to listen to, if you are open minded about remixes and love to see what Sergio has been up to. This album is a grower. The more I listen to it, the better it gets. You will like it. Picks of the album: "The Look of Love", "Waters Of March", "Dreamer", and "Somewhere In The Hills (O Morro Nao Tem Vez)". Equinox Sergio Mendes & Brasil '66 - Greatest Hits The Very Best of Sergio Mendes & Brazil 66

Centuries old Kerala Dance Forms are noted for the variety, youthfulness and charm. Some Kerala dance forms like Kathakali is world renowned, and a dance form Koodiyattom is recognized by UNESCO as human heritage art. All Kerala dance forms and dance forms of India are based on the instructions of 'NatyaSastra', the science of acting, which can be attributed to Sire Bharata who lived some 20 centuries ago. He described 'navarasangal' or the nine emotions viz. Sringaram (Love and seduction), Roudram (Aggressive), Hasyam (Humorous), Bhayanakam (Frightening), Veeram (Courage), Karuna (Compassion), Adbhutam (Wonder) and Shantam (Peace). Kerala dance forms seem to draw a narrow line between male and female performers.

The main dance forms of Kerala are:

Kathakali: This is divine dance form of Kerala, noted for the minute expression of emotions and colorful costumes. Kathakali is considered the art of Gods, and epical episodes are performed as a play. In earlier times it took many days for the completion of a play. Expression of emotions and narration is based on 'Mudras' or hand signals, and facial expression of navarasa, the nine emotions. Traditionally only men performed this Kerala dance form and they dressed like women for female characters usually Goddesses.

The costumes are heavy and it almost takes a full day to complete the make-up process. Characteristic masks, crowns and attire more than double the size of the performer.

Mohiniyattom: This Kerala dance form literally means the dance of an enchantress. Mohini means the women who tempts and Aattom means dance. Attired with white or ivory dress with golden borders, the dancer takes a majestic look. Mohiniyattom is noted for the slow movements and highly emotive eye gestures. The origin of Mohiniyattom is attributed to Lord Vishnu, who impersonated as Mohini (an enchanting woman) to seduce Asuras and take back Amrit, the medicine that gives immortality from them.

Mohiniyattom was performed in Kerala temples and palaces of Kerala.

Koothu (Chakyar Koothu): This Kerala dance form is performed only in selected place called Koothambalam associated with Kerala temples. Koothu in Malayalam means dance. Only members of the 'Chakyar' caste perform this.

Koodiyattam: This dance form of Kerala is the oldest of its kind and was evolved in the seventh century AD. It is an offering to deity. Mythological themes are played.

Theyyam: There are more than 300 variations for this Kerala dance form, which is characterized by the praising of Goddess for her victory over evil forces. Female roles are also handled by men, who wear colorful ritual attire for performing this temple dance form. The headgear and attire are both colorful and attractive.

Thiruvathira or ThiruvathiraKali. This is a dance performed by women on Thiruvathira day of the Malayalam month, Dhanu. Eight to 12 women of any age circles around a 'nilavilakku', a traditional oil lamp with many wicks, for Thiruvathira Dancing. It is believed to bring blessings to their family life.

The Myth Behind this unique Kerala Dance Form:
Rathi Devi, Goddess of love regained the life of Kamadeva, the God of Love who was charred to ashes by the fearsome anger of Lord Shiva. Rathi Devi successfully made a case with Lord Shiva to give Kamadeva his life. Thus ThiruvathiraKali represents the fidelity of marital relation and determination of female soul.

Oppana: This dance form is the peculiarity of Malabar Muslim weddings in Kerala. On the wedding day eve, friends and relatives (mainly young maidens) throng around the bride, clapping their hands and dancing to some nice music. The songs are usually called as Mappilappattu. Through the songs, the young women tease the bride and bless her for the happiness in her new life. Oppana is a performed as a stage item also.

Kolkali: This Kerala dance form belongs to the agrarian classes. Kolkali literally means playing with stick. Men bear short sticks on each hand. The dancers harmoniously move around in circles, form different combinations, dance and rhythmically strike two short sticks. This is an exclusive item for men.

Krishnanattom : Krishnanattom is almost an extinct dance form of Kerala. One dance is completed over eight days, and is characterized by rich colors, big masks, and thick facial make-ups. Krishanattom as the name suggests is the play on the life of Lord Sri Krishna. Krishnattom resembles Kathakali.

Dev Sri provides Kerala tour and travel information through The Kerala Tourism website. Check out the website to find cool places, genuine Ayurvedic centers and Kerala travel packages.

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