Monday, August 11, 2008

Heavy Denver

You might think abstractly of tvfordogs as "the next Foo Fighters." But that would be to sell this ground-breaking outfit short of their place in the pantheon of compelling British rock acts. Although you might hear enticing snippets of Dave Grohl or Coldplay in the alchemy, you'll soon detect an undeniably personal view of our postmodern world. And you'll drop your drink. And then you'll be along for the ride.
Customer Review: Fabulous C.D
Brilliant album, definately worth buying.Watch out for Mark Homer, he's an amazing bass guitarist and the most talented of the group. I love this band, they rule my life!! Great.
Customer Review: Buy buy buy
This album simply rocks,but its not the typical 'rockers' album. Album incorporates, a lot of 'groove' ('FAQ') and accessibility to tracks without the yawn of predictability that's found in popular music today. Then there are surprising moments like 'Emergence', where intense but subtle classical influences bring a trance-like ebb to the flow of poetic lyricism and and hard jammin' guitar. Neil Luckett's vocals are compelling and refreshing. Just get it!


Bird Name:

Canary

Latin Name:

Serinus canaria

Status:

Least Concern

Scientific Classification:

Kingdom: Animalia

Phylum: Chordata

Class: Aves

Order: Passeriformes

Family: Fringillidae

Genus: Serinus

Species: S. canaria

General Information:

The wild species is also known as Canary, Island Canary, Tame Canary, and Atlantic Canary. The Domestic Canary has been bred in captivity since the 1600s. They are divided into three main groups: Colorbred Canaries (bred for mutations), Type Canaries (bred for their shape), and Song Canaries (bred for unique song patterns). The word "Canary" is derived from the Latin canaria, "of the dogs", referring to the numerous wild dogs that inhabited the islands.

Physical Description:

The average length of the wild Canary is 12.5 cm, with a wingspan of 20 to 23 cm, and a weight of 15 to 20 gm. They are yellow green, with brownish streaking on their back and wings and have gray and brown in their plumage. The beaks and feet are pale in color. Females are duller in color.
In the case of the domesticated Canaries, there are hundreds of mutations that will have numerous variations in color.

Diet:

The diet in the wild consists of fruits, seeds, and nuts. They have a grove on the inner beak that helps them to break open nuts.

Habitat:

The Canary is native to the Azores, the Canary Islands, and Madeira. It inhabits semi-open areas such as orchards where it nests in shrubs and trees. It resides in elevations from sea level to 1700 m. A number of escaped populations occur on Bermuda, Hawaii, and Puerto Rico.

Reproduction:

Breeding is generally between January and July. Females build the nests in bushes or small trees. Incubation takes about 14 days and the chicks fledge after two weeks.

Tony Mandarich

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Santa Fe Chamber Music 1998; Spanish Village by William Lumpkins,27 in. x 21 in.

  • Artist: William Lumpkins
  • Title: Santa Fe Chamber Music 1998; Spanish Village
  • Frame: None
  • Image Dimensions: 27 in. W x 21 in. H

Visit our ArtSelect storefront for a wide variety of top quality framed art prints, canvas, mirrors and more.


Origin:

Rumba has two origins: Spanish as well as African. Rumba was first danced by African slaves as early as the 16th century. The Rumba folk dance had sexual connotations with the male having a sexually agressive attitude and the female having a deffensive attitude. It gaining popularity in Latin America in the 1920s.

Music:

Like Salsa, Rumba music is played in 4/4 but the music is much slower at just over 100 bpm. Traditionally, Rumba is danced on the second beat with a pause on the first beat although American style Rumba is danced on the first beat. The forth beat is usually accentuated.

Dance:

Rumba is primarily a sex pantomime. The hip movements are quite exaggerated, especially for the men. The men have a sexually agressive attitude in the dance and the women have a sexually deffensive attitude. The women usually dance with a hankerchief in their hands which is waved in front of the body enticing the men, but when the men react the women quickly "cover up". Traditionally, the men "attack" with their hips by getting very close to the women, but some variations allow men to "attack" with other parts and from a distance!

Latinos NZ Popularity Scale: 3/10

Rumba is not a very popular dance in New Zealand's Latin clubs, primarily because Kiwis are fairly reserved on the dance floor. But, as more and more dancers learn the dance it is definitely becoming more popular!

Rumba is the dance of love and sex. So, don't be scared to have some fun!

Article taken from Latinos.co.nz (http://www.latinos.co.nz)

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COLDPLAY Cables S/S Tee




For the last 35 years, my partner & I have played world hand drums, djembes, congas, bongos, ashikos, tabla & temple blocks. Mostly, we have played for the fun of it and the mystery of how the powerful sound affects us the drummers, as well as those who hear it. We played in an all hand percussion band for a few years and found it wonderfully challenging and very very satisfying.

In all those years, the thought of actually making our own djembe drums never even once occurred to us, even though it was a struggle back then to buy a decent hand carved djembe anywhere but Africa. We even traveled to Sierra Leone, West Africa in our quest and spent a couple of years teaching high school there. At that time, 1980, it was frowned upon for white people to play or touch the drums and it was riot provoking for a woman of any colour to do so. We managed to come back to Canada with two drums; one, a 14 inch sengui, from the Sierra Leone National Dance Troupe, the other a small tourist grade djembe. We never did get that one to sound like a drum at all, but the one from the dance troupe is still in our collection and is a great little drum. Our next drum purchases came from a music store in Mexico, a pair of gorgeous congas.

For maybe 10 years we were happy enough with these and with our ability to pound along with our favourite world music and reggae songs on the stereo. Then in about 94, we saw an ad for a 7 day African Drum workshop with the late great Babatunde Olatunji. We signed up, pronto, and ended up learning about a whole world we had no idea existed for drummers: Drum Language. I have written another article about this on our djembe drum website, so I won't go into that adventure in drumming here. However, it was at THAT workshop that we met another fabulous Trinidadian 'Trini' lead drummer named 'Sanga'. 'Sanga o the Valley' was his official full name on his business card. We had 3 little kids by now(Drumming isn't all we do!) and had been planning a trip to the Tobago (Trinidad & Tobago) for the coming winter. Meeting Sanga and he being from T & T was a huge coincidence/sign for us that our trip was meant to go ahead. Sanga gave us the contact info for his close buddy in Tobago who was a superb drummer, a great guy and a drum carver. We couldn't get out trip together fast enough. Sanga said that we should not even take our own drums with us, because his buddy would have drums for us there. SWEET!

Well were ever NOT dissappointed. We met up with Sangas buddy within a week of arriving and we really connected immediately. Wayne Guerra and his wife Carol and 2 sons same age as ours were such a great bunch of people. We got to play with Wayne & Carols drum band called Culture Stop and Wayne made each of us a drum in just a few days so we could really get into it. Holy Smoking Drumskins! Could those guys play. The way they played their drum music, so tight, all choreographed with signals and drum pattern communiques all built in differently to each song. We quantum leaped on that trip in terms of our drum skills & knowledge and we were even able to tape our drum sessions and actually write down the rhythms that we learned from Wayne.

The most extraordinary thing we learned though was how to carve, skin & tune djembe, djun djun & and ashiko drums. Wayne did it all with hand chisels and gouges, going at a log of mango wood like a mad man at first and then gradually, gradually shaping and smoothing the drum body until it was just the right thickness a feel. We sat for days, in the tropical heat, eating grapefruits from Wayne and Carols' backyard and watching him work. He was just a few years younger than we were, but yikes! What a powerful intense effort he was capable of, even thought the heat made us a pair of zombies all day until the sun went down. They were all that way when it came to their drum performances as well; some claiming to experience bleeding out various places from the strain of it. We were humbled and impressed. Their sound was incredible.

We got to watch as Wayne measured and made the welded steel rings that would stretch our freshly soaked goatskin over our new drum bodies. It was hypnotic really, the whole scene. One inch wide strips of scrap fabrics were torn from some bodys' old something, and then these long thin strips were then wound round and round the metal rings to soften and snug the connection between the rings and the rope that would pull the skin tight. Very pleasant work. It's kind of cool the way the pattern on the fabric looks when it is cut and then wrapped up against its' own edges.

The heat really got turned up for the next stage, which is to weave the rope through the rings at the top pair and down at the smaller single ring at the bottom of the drum body bulge. These top and bottom rings are then brought closer together by the woven/knotted rope that is made tighter and tighter with each knot. Wayne spent one whole afternoon of his life teaching us that knot. Over and over. And over. It was hard for us to get it, despite having it shown to us dozens of times. We blamed it on the heat. We all laughed for hours. When we finally got it, we were astonished at the genius and simplicity of the whole process. Wayne made a little sing song out of it for us to remember. Under, over, round & under. It went something like that.

It is the tightening of the skin that is the really strenuous part of drum making and tuning. MAN do you ever have to haul on the last 6 knots to get that skin tight enough. Being a woman exempted me from having to do this part. I didn't object at being treated differently than the guys for once. My partner, being a guy was not so fortunate and really busted a few parts of himself getting the hand of just how hard you have to pull, bracing your 2 feet just so on the drum body and then pulling the rope with a piece of hard stick to hold it with. Correct breathing must be practiced so as not to rip the drum skin. (Or your stomach lining!) The new drum is massaged and played just a little bit in between knot pulls to get the skin tighter & tighter. Finally, our drums were ready to play and we went nuts like a pair of colts released into clover. All this drum making was great, but we had come along way to play.

And play we did until it was time to pack our family back to BC Canada again. We were there 2 months in all, and that was about all the heat we could take. Beach or no beach, it is really really REALLY hot down at the equator. We made plans to have Wayne And Carol come to stay with us at our place. Maybe do a tour of shows and drum workshops around southern BC. Our new drums came on the long plane rides home, 3 flights, 20 hours. CHOKE!

It would be another year before Waynes' drum making lessons would call to us from part of psyche; giving us a strong urge to carve and skin more drums. We carved our collection of Djembe Drums from the heartwood of Douglas Fir trees from right here on our Vancouver Island acreage of rain forest. One of our hundred year old Douglas Fir trees died that year. It was 4 feet across at the base, plenty of heartwood inside for a couple of huge drums. We didn't have a djun djun set in our collection and this tree looked like it could definitely have a pair of djun djuns in it. We dreamed of a djun djun so mammoth it would need a special cart to get it to gigs. On the day we first stood in our yard contemplating it as our drum tree, a great big old Pileated Woodpecker landed on the dead top and called out loudly all that day. The woodpecker is the special wild creature that is a totem for drummers all over the world. maybe you have never thought of it before, but the woodpecker is a drummer. They often beat out patterns to us and each other on trees rooves and even our metal wind vane. We knew we would do it then. And we did.
That tree provided enough wood for thirty three djembes and two giant sized djun djuns that required two elk skins to make heads for them. Goats don't come that big.

My partner made the first three by hand, but then had to change the methods up a little bit to include power tools when his carpal tunnel of the wrist issue got ugly. After that, we used chainsaws, chisel bladed grinders, reciprocating saws and even power sanders in the end. The drums he made were gorgeous to look at, all of them, but just about half of them never did produce that certain popping sound of a great djembe. We never did figure out what had gone wrong with those, or what was so right about the excellent ones. Certainly, we learned from every drum, mostly that it is what is in your hearts' thoughts that determines the spirit and sound of each drum. It was amazing to hear the different personalities of each new Djembe as it was carved, smoothed, skinned and tuned. We had always felt the spirit of our drums as we played them, but this was remarkable. They seemed to come into this world like our children had, with their parental resemblance, dwarfed by their very own individual personalities and natures.

It was certainly interesting to make African Djembes & Djun Djun drums from the wood of Canadian rain forest trees, using the skills we learned on the Caribbean island of Tobago. The BC Douglas Fir tree makes an excellent sounding drum. The djembes we made from it had very strong, powerful voices and easily produced the loud, lively popping notes just like Waynes' mango wood and mahogany drums. We were proud and floored, really, that we could actually go ahead and make djembe drums with our own hands. Our white skin and North American spoiled childhood had not left us entirely 'drum useless' after all. It just took being shown how much sweat had to be shed and then pushed into making the tremendous physical, mental and spiritual effort required.

Thanks again Wayne Guerra, drum master, for your patience, humour and love while you taught a pair of unlikely people like us to drum and then how to make a drum. The ability to make a drum, skin a drum and tune a drum has changed the level at which we play the drum. I don't know why, it just gave us such a deep connection and comprehension of who the drum is and who we are in the drum world.

So djembe drummers; don't be afraid to try making a drum. I promise you, carving & skinning your own drum will make you a better drummer. These days, there are lots of books and videos on how to make a djembe as well as workshops all over the world. Highly recommended to make at least one drum in your drummers life. You will open up a whole new valley of drum in yourself and you will not regret it.
Diane Lennox

We carved our collection of Djembe Drums from the heartwood of Douglas Fir trees right here on our Vancouver Island rainforest. For our methods of construction, we ended up needing power tools to get the bulk of material out of the center of the djembe drum body, and then did the rest of the carving by hand. This is a test of strength and I highly recommend it to all the younger dudes out there wanting to prove their manhood through feats of strength and power. We made a variety of hand drums and about half of them turned out really hot, the other half so so. Certainly, we learned from every drum, mostly that it is what is in your hearts thoughts that determines the spirit and sound of each drum. It was amazing to hear the different personalities of each new Djembe as it was skinned and tuned. We had always felt the spirit of our drums as we played them, but this was remarkable the way they seemed to be born like our children, with the stamp of us, the parents, dwarfed by the in-born nature of the beings we had birthed.

There are several great videos of people playing Djembe Drums from all over the world, including a two year boy. To view the other videos, just click the Menu button of the video player and the list of Djembe Drumming videos will slide out.

Djembe Drum Shop On-line featuring djembe and other world percussion instruments from Africa, Caribbean, Latin America, Cuba, India, the middle east and around the world. Djembes, Ashiko, Djun Djun, sengui, congas, bongos, doumbak and tablas. Huge selection of hand drums, marimbas, xlophones, shakers, cowbells and temple blocks. Free How to make a djembe, play a djembe and tune a djembe articles, videos and tutorials.http://djembedrums.artbeat.name

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A Thousand Tarzans




What exactly is the attraction when it comes to Bob Marley posters? They seem to be very popular amongst the college crowd for one. Walk through any college campus, and check out all the Marley t-shirts for starters. Carry it a little bit further, and start asking questions. I'll bet if you asked 100 students who Bob Marley was, the vast majority of them could tell you. A few could probably name a few of his songs, and if your really lucky a few more could sing you a few words. Your safest bet for this would be to ask the question around the music building. I'd hate to hear a Bob Marley song mangled by some engineering student that was rejected in the first round of American Idol.

Now, I don't suggest this, but if you were able to see what was hanging on the walls of many of those same students dorm walls, I bet there would be more then a few Bob Marley posters, photographs or prints. Why exactly is that? For an artist that hasn't released a single new song in over 25 years that is certainly a perplexing phenomena. Perplexing, but true. The reason for no new material, is that Bob passed away from cancer over 25 years ago. His music, artwork, and image still seem to pervade our culture. Only a few icons seem to have achieved that the way he has. A few others that come to mind would be Mariln Monroe, and John Lennon. The thing they all seem to have in common, is that there was more to them then just their art. They all had a message to was distilled in their work.

So why so many posters for Bob then? Here's some interesting stats for the Marilyn Monroe, John Lennon and Bob Marley. According to Wordtracker, there are approximately 5000 internet searches a day for the phrase John Lennon, approximately 10,000 for Marilyn Monroe, and approximately 18,000 for Bob Marley. Kinda interesting isn't it. What is it that makes Bob Marley almost twice as looked for as Marilyn Monroe, and almost fout times as looked for as John Lennon? Honestly, I don't know.

It definitely indicates an interes in Bob Marley, and all things related to Bob Marley, such as music, lyrics, artwork, videos, photographs and posters. I think a little further research is warranted here, to explain these numbers. Suffice it to say though, that Bob Marley was about more than just Reggae music. There was a tone and timbre to the man that went message deep. But, what exactly was that message. Peace, love, brotherhood, understanding, compasion, passion? Yes, actually it was all the above.

If you like to see my favorite Bob Marley posters, or simply browse through a listing of some really cool Bob Marley posters in your inbox be sure to visit http://foolishmumbles.com/DigitalCameraRecommendations/

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BECK - Turntables - White Ringer T-shirt

Brand New, never worn 100% cotton front and back print White Ringer Authentic BECK T-shirt. The Front Reads: "BECK".


As a previous article (Making Better Word Choices 4 Examples) explained, writers can take steps to prevent simple, and common, errors from degrading their writing. Five areas of writing that cause authors problems are discussed in this article.

Split Infinitives

First let us exam the famously frowned upon split infinitive. Maybe some readers do not know, or do not remember, what a split infinitive is exactly. To understand split infinitives readers must first remember what constitutes an infinitive. An infinitive is a phrase that includes a verb preceded by the word to, such as, to play or to investigate. Now that we know what an infinitive is maybe we remember our English teachers lecturing us against splitting them. Simply put, a split infinitive is when a writer puts a word between the word to and the associated verb. Therefore, a split infinitive would look something like the following examples:

He was going to quickly investigate the theft.

Tommy likes to neatly color in his book.

These two examples would be re-written as shown below.

He was going to investigate the theft quickly.

OR

He was quickly going to investigate the theft.

Tommy likes to color neatly in his book.

OR

Tommy likes to color in his book neatly.

Splitting infinitives is not criticized to the degree it has been in the past. As many reputable sources explain, occasionally splitting an infinitive is acceptable. Even some progressive English teachers will agree with this idea.

Compact Oxford Online Dictionary explains that the rule for not splitting infinitives was based on an analogy to Latin, a language that writes infinitives as one word, such as bibere to drink. The decision to argue with an English teacher about the acceptance of splitting infinitives is your decision to make.

As Oxford states, in standard English the use of split infinitives is broadly accepted as both normal and useful.1 If you do decide to argue with an English teacher, feel free to point out that people such as John Donne, William Wordsworth, and Benjamin Franklin split infinitives at will. The larger problem occurs when a writer consistently splits their infinitives. If splitting the infinitive helps with emphasis or the statement flows better go ahead and split the infinitive.

Superlatives and Comparatives

Writers should also strive to use superlatives and comparatives correctly. Some cases of incorrect use may sound okay, but if the author remembers the rules that they learned for using superlatives and comparatives they will realize that they have made the error. For example when a sentence is written as below it sounds correct, but it is not.

One of the most common mistakes a cook makes is not using fresh ingredients.

In this example, the lack of fresh ingredients is either a common mistake or it is the most common mistake; there generally cannot be two, or more, most common mistakes. A case where there can be two mosts is in an exact tie. For example, if 20 mistakes are made and two of them occur six times each (making up 12 of the 20 mistakes) and the remaining eight mistakes are all different, then the two mistakes that occurred six times each could be labeled as the most common mistakes.

The sentence below shows another way that a comparative can be written incorrectly.

Of the three dogs, the bulldog was the smaller.

To use a comparative there needs to be something compared to something else. The bulldog either was the smallest of the three dogs or was smaller than another dog in the group. Both sentences below are written correctly.

The bulldog was smaller than the German shepherd and the St. Bernard.

The bulldog was the smallest of the three dogs.

A third sentence, shown below would also be correct.

The bulldog was smaller than the other two dogs.

This is written correctly because the bulldog is compared to a pair. It is clear from the sentence that the other two dogs, by being grouped together, are larger than the bulldog.

Comma Use

The use of commas can be confusing for many writers. Three rules for using commas are addressed here. The first rule involves comma use when a series is given, such as in the example below.

I bought carrots, peas, and watermelons.

Some readers may consider this rule controversial; some teachers and editors may say the final comma is not necessary, in my opinion the use of the final comma is more appropriate than not. If, for some reason, your teacher or editor tells you the final comma is unnecessary then ask them to explain why, I do not have an explanation as to why some have a preference for not using the final comma.

Do not use a comma when only two items are in the series, such as in the sentence below.

I saw birds and fish at the pet store.

The second rule for use of commas is to use a comma before the and when a wholly correct clause is introduced. The way to determine if the clause is wholly correct is to ask if it makes sense on its own, such as having its own subject(s) and verb(s). The example below shows two clauses separated by and, along with a correctly used comma.

We went to the store, and Joan bought some juice.

The third rule is an extension of the second rule; do not use a comma to separate a sentence from text that could not be a complete clause on its own. The example below shows an incorrect use of a comma in this situation.

We are going home, and sleep.

The ending of the example sentence (and sleep) is not a complete sentence on its own, therefore, a comma should not be used before and.

Acronyms and Abbreviations

Completely spell out acronyms and abbreviations the first time they are used. Once a writer decides to use an acronym or abbreviation they should be used throughout the remainder of the text, switching back and forth between the full spelling and the acronym or abbreviation should be avoided.

Using etc., i.e., and e.g.

The final rules discussed in this article involve the use of several common abbreviations. The first abbreviation is etc. This comes from Latin and is an abbreviation for et cetera, which means and others.

First, make sure that a period is included at the end; second, make sure that the others have been specified previously. A final note on this abbreviation, if it is used put the letters in the correct order; ect. is not correct.

The second abbreviation often misused is i.e. Also from Latin, this is a shortened form of id est which means that is. When used correctly this abbreviation indicates an alternative way of stating something. The most common error when using i.e. is not following it with a comma; there should be two periods and a comma in this abbreviation.

The final abbreviation discussed in this article is e.g. Again, this is an abbreviation for a Latin phrase, exempla gratia. This is used when the writer means for example or for instance. Some people believe that e.g. stands for example given, this is not true, but it can be a helpful way to remember that it does have something to do with an example. Similar to the use of i.e. many writers forget to put a comma after the second period in e.g. Below are three correct examples of these abbreviations.

Bob bought a whole bunch of office supplies, pens, pencils, staples, paper, highlighters, and erasers on his way home. He purchased so many things that when he got home he realized that he had forgotten a bag at the store. He had his pens and pencils, but the staples etc. were still at the store.

John is a big person, i.e., he is over six feet tall.

The black horse is fast, e.g., it has won all of its races.

By using the rules above your writing will make more sense and will be correct. Future articles will address other writing errors and provide additional advice.

1 Compact Oxford Online Dictionary. 25 January 2005.

http://www.askoxford.com/concise_oed/splitinfinitive

David is the owner of Blue Arch Consulting, a proofreading and editing business helping clients worldwide to generate English documents of all types. Their website is at http://www.blue-arch.net

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Rosetta Stone V3: Spanish (Latin America), Level 1

Why is Rosetta Stone the world's No. 1 language-learning software? Because it works.

Escape the endless tedium of translation, memorization, and grammar drills. Get the language you want, the skills you need and the success you deserve by learning a new language naturally--the same way you learned your first language.



The complete immersion environment puts your native language-learning skills to work, eliminating your dependence on tedious translation and rote memorization.

Images Intuition

In Rosetta Stone you learn the meaning of new language from clear, real-life images.


In this activity you learn colors.

You advance using language you've learned and clues from new images. That's your intuition at work.


Now that you know colors, you can easily grasp the meaning of the new words...

Interactivity Instruction

Throughout Rosetta Stone, you constantly interact with the program to confirm your intuition.


...and then check what you've learned.

From beginning to end you build systematically toward your language-learning goals, for the most effective and enjoyable instruction anywhere.


And finally, you get the fun of trying your new language in a real-life simulation. Speech recognition shows you exactly how you're doing.

You learned your first language without translation.
You learned your first language easily and naturally by connecting words to objects and events around you. With Rosetta Stone, learn a new language the same way: using native speakers and thousands of real-life images to help you think in the new language from the very beginning. Studies show that learning exclusively in the new language, without translation as a crutch, is crucial.

The exclusive Dynamic Immersion method reinforces your natural language-learning skills with award-winning instructional technology. Identify your learning goals, then choose customized courses that take you there.

The timeless immersion method, along with research-based techniques and new technologies, make Rosetta Stone the clear solution to your language-learning needs.

What will you be able to do?

Understand everyday language.
Through Rosetta Stone's proficiency-based listening and reading activities, you'll learn quickly.

Pronounce words correctly.
After practicing with Rosetta Stone's speech recognition and analysis tools, pronunciation will come easily.

Speak without a script.
Contextual Formation makes sure you have the confidence and cues you need to get the words out on the spot.

Spell and write accurately.
You'll build gradually from letters to words and sentences.

Engage in real-life conversations.
With Milestone activities, gain confidence using speech alone in simulated situations.

Retain what you learn.
The unique Adaptive Recall reinforces language so it sticks with you in the real world.
Customer Review: Very Simple to Use
Rosetta Stone is very simple to use. However having a Spanish book, or obviously a native speaker to supplement the software would make it much more effective. This is because of being tossed directly into the language without a clear translation leaves the door open for some confusion. Overall a great interactive product that is a strong foundation to start learning a new langauge.
Customer Review: YOU NEED TO KNOW THIS
You cannot legally sell this software when you are done with it. They threatened to sue me when I did - they said I had not bought the software, but a license for the software and it was nontransferrable - that I did not have the right to even GIVE it away.




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Gipsy Kings Fuego! The Videos






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Salsa is a form of social get together of the people which celebrates dance, music and culture. It is considered to be a faction of Latin rhythmic types which contains the clave beats. Mambo, Son, Rumba, Cha Cha Cha, Guaracha, Merengue, Songo, Timba and few others are some of the most recognized form of salsa. Salsa is the only among Latin genres to have come back and inclined West African tune.

Salsa has become gaining more and more recognition now. A lot of institutions have been opened to teach this form of dance. In fact, few marriages in NYC demands a salsa dance by the newly wedded couple. Many events are organized every year to host salsa in New York. The salsa festival is generally organized in the spirit of friendship and fun and the affection of dancing. In order to make the salsa festival a grand one, you should always look for a perfect venue to host the event. Some of the superb venues for salsa of tango event in New York are:

The Burgess Hall: It is the premier venue in Cambridgeshire. It has a sufficient free car parking area and is completely air-conditioned. It has a great semi-spung dance floor and other facilities.

Rush: 579 6th Avenue, New York City. It is a huge event ground that organizes brilliant events like salsa and tango. The entry fee is kept low.

Columbus 72: 246 Columbus Avenue in NYC. This venue is very famous and is among the best place to host a salsa or tango night. The place is completely air-conditioned. It offers brilliant services and facilities to the organizers and to the people.

Plumm: This venue was basically made to host salsa events. It has huge dancing floor with live music and great DJs.

A lot of fantastic salsa event venues have come up in last few years. Some of them are LQs, Gonzalez y Gonzalez, Club Iguana, The Red Lounge, Vudu Lounge and SOB's.

Salsa is a very beautiful form of dance. The slow motion dance touches your soul when you see others performing. The feeling you get is, excellent!

Mario Stewart has a passion to write about New York City and the bars, restaurants and salsa in the city. He is internationally popular for providing the most apt reviews about the salsa in New York City You may visit one of his websites about salsa in NYC to find more details.

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Im just going to say it right now, I hate clubbing. The musics too loud, a lot of creepy guys are there, and people in my crew are always getting drunk. Not to mention that the club has its reputation as one of the hardest places to pick up women. However for all the negatives there are, I find myself going there every week. On a Saturday night, thats where all the attractive women on.

Clubbing is what separates the men from the boys. Youre either one of the guys dancing with women on the floor, or youre on the sideline with your Corona watching him. Its difficult, but definitely possible.

1. Whoever approaches the most, leaves with the most numbers

When it comes down to it, clubbing is really just a numbers game. Some women come to the club just to dance with their girlfriends (while dressing like they want every guy to approaching them). Its hard to weed out which girls are approachable and which are not. The best thing to do is to just grab your balls, and go for it. If you get rejected, then move on to the next girl. And dont take it personally or let it ruin your night. If you approach a girl, you have a 50% chance of success. If you dont approach, then you have 0%.

2. Its all about Social Proof

Not only do people judge you by what you wear, but they also judge you by who youre with. Whos more attractive: The guy with a few girls at the bar taking shots with them, or the guy with his friends standing near the wall checking out the dance floor? I always try to take females friends along when I can. I like to dance with them at the beginning because it lets me scout the area to see whos there, much better than walking around by yourself.

The majority of women that I meet are through people I already know in the club. After you start going there a while, youll get to know more people and start noticing a lot of the same groups go every week. When I enter I say hi to everyone I know, and usually they bring with them some friends. I get introduced and its game on, no need for the approach phase.

3. What to wear

Many clubs are strict when it comes to the way you dress entering the club. My friend gets in all the time for this one club wearing black converses, but he cant get into another wearing the same thing.

The safe outfit - Black oxfords, dark socks, dark jeans, a button up dress shirt (top 1-2 buttons unbuttoned and you can roll up the sleeves to slightly below the elbows).

You can get into any club wearing this and you wont look bad. But if you read my article on peacocking, then you know you wanna look a little bit different from the standard. Personally I like wearing a t-shirt with an interesting blazer.

I know this is common sense, but please take a shower and wear some anti-perspirant before you go out. Also put on some decent cologne because youre going to get close when you dance. My two favorites are Issey Miyake and Burberry Brit. If you dont have a cologne, ask a female friend to help you pick one out at Sephora or Macys.

4. Have a good wingman

Women are never alone in the club. The best targets in my opinion are when two girls are by themselves. You can approach them by yourself, but the girl youre with is not going to leave her friend to dance with you. Thats where having a good wingman can be helpful. Also wingmen can encourage you to to approach and help you rebound. I remember one time we had an approach go bad. Afterwards my wingman told me Man those bitches are ugly anyways, lets find someone else. We kept going and found ourselves even better women later.

The golden rule is whoever approaches the girls and picks them up, gets first pick. So dont be bitching about getting the fat chick if your buddy made the moves ;).

5. Dont drink too much

Self-explanatory.

6. Timeline

Approach -> Talk -> Dance -> Get her phone # -> Go somewhere with her.

You approach the women with whatever opener you have. You talk to her a bit and engage her. When a song I like comes on I tell her I love this songs. Lets go dance and take her hand to the dance floor.

The dance floor is something that comes with experience and hard to put into words. But basically you make small advances towards her and see what her limits are. Ive had success making out with women on the dance floor, but the majority of them just want to dance at this stage. After dancing I take her back to where my friends are and we all drink. Talk to her a bit more and get her phone number. The clubs usually close at 2 or 3am and I always go out and eat with my friends, so I will invite her along. After that the rest is up to you.

Clubbing can be intimidating for anyone thats going there for the first time. But like all things, youll improve with experience.

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