MTV Unplugged

On March 6th, Julieta Venegas recorded her MTV Unplugged at the Churubusco Studies in Mexico City, where she presented new songs besides interpreting some of her greatest hits in an intimate atmosphere to a live audience.

This production counts on important and interesting collaborations like two time Oscar winner, Gustavo Santaolalla, who accompanied her with the banjo and sang the chorus of the song "Algun Dia (Someday)". Brazilian singer, Marisa Monte featured in song "Illusion", a new and beautiful song that combines the Spanish and Portuguese language.

Also Mala Rodriguez joined Julieta and included a strong hip hop movement to the song "Eres Para Mi (You are for Me)", whereas the vocalist of Porter, Juan Carlos had a unique participation in "Algun Dia (Someday)".

In addition, the very talented Natalia Lafourcade comprised of the orchestra and played several instruments during the night, whereas the talented musician and composer, Jacques Morelenbaum accompanied Julieta on the cello in "De mis Pasos (From my foot steps)".
Customer Review: La re-invencion musical de Julieta Venegas - una joya musical
Este no es cualquier acustico. La multi-talentosa Julieta Venegas aprovechó esta oportunidad para crear una propuesta musical nueva, re-inventando sus canciones, llenándolas de nuevos sonidos a través de excelentes y novedosos arreglos. Ademas, selecionó muy bien sus invitados, basandose en su calidad artistica y no en el nivel de fama de estos. Fue un verdadero "dream team". Para comenzar, tiene entre sus musicos a la tambien talentosisima y multi-instrumentista Natalia Lafourcade. En "eres para mi" invito a la hip-hoper espanola La Mala Rodriguez, (hermosa y sexy por demas!)haciendo gala de su destreza y fuerza en el escenario. Otra agradable sorpresa fue Juan Son. Les confieso que no sabia quien era, pero que voz mas impresionante! Ademas, le tocó cantar una de las mejores canciones de Julieta - "de mis pasos" de su primer disco -. Como si fuera poco, tuvo de invitada a Marisa Monte, para muchos la mejor cantante de su generacion de la musica brasileira. Con su habitual seguridad y elegancia la "tribalsta" se lució como siempre con su increible voz y modo de interpretar. Luego subio a la tarima su antiguo productor, el Rey Midas del Rock en español y ganador de dos Oscares, Gustavo Santaolalla,.Para cerrar con broche de oro, la acompañó en la co-dirección y co-producción Jaques Morelenbaum; ¿quieren una referencia? este violonchelista es el director musical de Caetano Veloso. En síntesis, Una produccion impecable, que la disfruten...

Everywhere I go there seems to be some sophisticated discussion or debate about what's wrong with the music industry and what needs to be done to fix it. The conversation takes place in offices among professionals who have been around long enough to know that things are indeed different, and at industry conferences among music artists who revel in new found optimism that infrastructure changes and the arrival of the new digital/mobile entertainment era will "level" the playing field and create more income opportunities.

As tempting as it may be, I am not enamored with or preoccupied by the current problems that face the music industry. Issues such as declining record sales; the consolidation of radio stations; the constant merging of record labels; the lack of longevity in the "careers" of music artists; declining CD sales; or any myriad of issues regarding the illegal downloading of music on the Internet. Why? Because while so many in the music industry (professionals and artists alike) spend countless hours lamenting over things that they can't control, I only focus on the things that are within my control such as my professional pursuits, income generating activities, and investing in profitable relationships.

Most importantly, my business model is based on my passions because while I know that the economy will always fluctuate up or down, and industry trends will turn hot and cold in the blink of an eye, my love for what I do is a constant and remains unaffected.

In 1999 I had the pleasure of meeting and briefly talking to Barry White at a party for the release of "Love Unlimited," his semi-autobiographical book on his adventures in life, love and the music
industry. When he asked me what I did for a living, I told him I was a music industry consultant. Barry, who was much darker in person than he is on television and in his videos, flashed some of the whitest teeth you could ever imagine and said, "I don't know what that is, but as long as you believe in what you do, that's all that counts."

I went on to enthusiastically explain to him what I did as a music business consultant, asking him for advice and hogging up his limited time in the process. He stopped me before I could really dive deep into it and interjected in his sincere, rich baritone voice, the advice that I still follow to this very day, "Constantly re-commit yourself to what you do and the money will follow..."

We all need to re-commit from time to time. We all lose sight of what we actually do for a living and the reasons why we do it, but the long roots of true passion run deep...and even when the tree is cut down by unfair business practices, a gluttony of superficial encounters, busted deals, a never ending parade of fakes and flakes, unpredictable and unforseen circumstances, technological changes, and rampant un-professionalism that plagues the industry, you endure because you know that at the end of the day you are truly passionate about what you do and it all becomes a mere occupational hazard that you learn how to deal with.

While many aspiring industry professionals have fashionably set their sights on the greener pastures of the music business, prostituting their values for the sake and pursuit of money, the vast majority will not obtain the riches they so desperately seek, nor will they be in it for the long haul. Why? Because they lack vision, focus, commitment, and above all else, true passion for what they do - which brings us to the question: what's love got to do with it? When it comes to art, you would think everything, but the sad truth is that there are many in the music industry that are more passionate about self-serving interests, than they are about music as an art form (unless, of course, the music we are speaking of is their own).

And what about all the "changes" that people are talking about so adamantly? History shows that this industry is always changing. The industry never stops changing; technologically; structurally; logistically; and creatively. Adaptability is a requirement of success in every industry because change. The music industry was predicated on change and entrepreneurship.

Can we deny the entrepreneurial spirit of Apple and their convictive belief in iTunes? Or the unyielding belief that the creators of American Idol have in their little "talent" show? I can't, nor can you, because
that's what happens when you are passionate about your business ideas: they become business opportunities.

So for those who are distracted by the changes that are taking place in the industry, my free, but valuable advice to all of you is to focus on what you love to do. Your passion is the intangible that will increase the value of your product or service. Your business needs and opportunities will announce themselves at the appropriate time. Until then, rekindle your love affair with your business or art, because in the end, love has everything to do with the reason you do it in the
first place.

Gian Fiero is a recognized authority on commercial music and Independent A&R Specialist who is best known for writing song critiques on Muse's Muse.com. He has been an influential factor in obtaining record deals for artists signed to RCA, Bust It!, Gasoline Alley and Interscope Records. He currently represents Grammy nominated music producer Cori Jacobs (Beyonce, Pussy Cat Dolls, Lauryn Hill, Teedra Moses, Brooke Valentine, and George Clinton) in addition to being an adjunct professor of music industry studies at San Francisco State University.

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